Lessons
Intro to Bootcamp
13:44 2Purpose of Pre-Production
15:54 3Technical Side of Preproduction
11:32 4Pre-Production: Setting Up the Tempo Map
12:05 5Pre-Production: Importing Stems
10:10 6Pre-Production: Click Track
15:26 7Creating Tracking Templates
17:03 8Intro and the Tone Pie
04:51Drums - Lay of the Land
10:44 10Bearing Edges
03:09 11Wood Types
10:36 12Depths and Sizes
04:00 13Hoops
02:38 14Sticks and Beaters
07:38 15Drum Heads
07:30 16Drum Tuning
1:03:54 17Drum Mic Placement Intro
10:37 18Basic Drum Mic Setup
53:36 19Cymbal Mic Setup
35:24 20Touch Up Tuning
46:55 21Microphone Choice and Placement
40:34 22Drum Tracking Intro
01:01 23Getting Tones and Final Placement
34:51 24Primary Tracking
31:54 25Punching In and Comping Takes
20:11 26Guitar Setup and Rhythm Tone Tracking
01:59 27Amplifiers - Lay of the Land
10:00 28Amplifiers & Cab Shoot Out
27:12 29Guitar Cab Mic Choice and Placement
03:56 30Guitar Tracking and Signal Chain
29:07 31Finalizing Amplifier Tone
51:24 32Guitar Mic Shootout Round Robin
05:21 33Intro to Rhythm Tracking
07:46 34Setting Up Guitars
15:02 35Working with a Guitarist
05:04 36Final Guitar Tone and Recap
04:10 37Guitar Tracking with John
15:19 38Guitar Tracking with Ollie
32:03 39Final Tracking
22:08 40Tracking Quads
33:44 41Intro to Bass Tone
01:26 42Bass Tone Setup
07:35 43Bass Tone Mic Placement
16:42 44Bass Tracking
45:08 45Intro to Clean and Lead Tones
02:15 46Clean Guitar Tones
34:04 47Lead Tones
10:58 48Vocal Setup for Tracking
11:26 49Vocal Mic Selection and Setup
02:38 50Vocal Mic Shootout
09:13 51Lead Vocal Tracking
38:09 52Writing Harmonies
07:44 53Harmony Vocal Tracking
23:25 54Vocal Warm Ups
11:39 55Scream Vocal Tracking
18:56 56Vocal Tuning and Editing Introduction
01:35 57Vocal Tuning and Editing
29:26 58Routing and Bussing
25:16 59Color Coding, Labeling and Arranging Channels
17:54 60Setting Up Parallel Compression
30:50 61Setting Up Drum Triggers
10:41 62Gain Staging and Trim
1:00:54 63Drum Mixing - Subtractive EQ
25:38 64Drum Mixing - Snare
23:00 65Drum Mixing - Kick
11:39 66Drum Mixing - Toms
24:47 67Drum Mixing - Cymbals and Rooms
17:23 68Drum Mixing Recap
08:57 69Mixing Bass Guitar
16:26 70Mixing Rhythm Guitars
1:16:07 71Basic Vocal Mix
1:08:59 72Mixing Clean and Lead Guitars
58:55 73Mixing - Automation
43:35 74Mastering - Interview with Joel Wanasek
31:01Lesson Info
Final Guitar Tone and Recap
Alright so, even though this might not seem like it, we've actually traveled forward in time, here, and this is the next day. We did some guitar tracking last night. I tracked Brown for a little while and I tracked Ollie for a little while and we didn't get very far. You were having a rough time, Mmhmm, just playing with that tone right? Yeah. Yeah, with the Mesa tone that we spent all day getting yesterday? What? I think we spent 45 minutes on one riff? Yeah Yeah. And normally you can play that stuff in single passes or close to that. Mmhmm So, that right there is an indicator that maybe, it's not the right tone. A guitar player who's used to playing things in single passes is having a hard time getting to the feel of it, maybe the tone isn't right and tracked Ollie as well and uh, Ollie's also a sick guitar player and we had to do a lot of piecing together and, we came to the conclusion that it sounded okay. Like, pass-able, but they said it didn't sound like Monument...
s and I agree, it didn't sound like Monuments and it just wasn't good enough, and, even after spending 12 hours on it yesterday, if it's not good enough, it's not good enough. So, we discussed some other options and I started calling a bunch of people around the L.A. area and at two in the morning, Mike, who plays with Once a Plague, answered the phone and agreed to bring us a 51/50 Signature at eight in the morning. We talked at two, he brought it at eight and he's a hero. We plugged that in and immediately the tone was great. We did a few test runs and those two takes, you played better than anything we did last night. Yeah You know, its the same thing with drums or vocals too, if you're tired or the tone's wrong or whatever, you're gonna spend a long time trying to get something crappy as opposed to if you put in the effort to get it right, the actual tracking will go a lot faster and it's always worth the extra effort to just get it right. So yeah, we plugged that in. Sounds great. We're trying to blend it with the Mesa, to see what we can get, but even if all we're stuck with is the 51/50, it's not so bad. However, what we did yesterday is not all, it's not all lost. It wasn't all in vain. We had the 51/50 plugged into the cabinet that we spent forever mic'ing so, the Fredman mic'ing technique and that 421, that's what we were hearing through the 57, I mean through the, that's what we were hearing in Pro Tools right now. So, we actually did a good job mic'ing up the cab. And then we have the Jewel Wreck right now, going through what was it? The two by twelve? Two by twelve with the same technique of two 57s. Yeah Yeah And we're gonna see what we can do blend wise, but I think that just for tracking purposes we're gonna just be listening in the 51/50. I personally love 51/50s because I feel like they have just, I don't know, the best way to put it is teeth. Yeah. Yeah. You, when you get the right one, one of the older models that has good tubes in it, it just has this bite that no other amp, has been able to really re-create since. It's kind of a unique thing. Yeah So, yeah. So I guess with that we can get to tracking. Yep, I'm down. Cool, lets do it.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ron
I'm on lesson 19! Already worth every dollar!!! Priceless insight! I have already incorporated some of the ideas (preproduction common sense stuff that I never thought of, but damn). VERY HAPPY with this course! ALWAYS LEARNING and looking forward to the next 50 (or whatever) lessons!!! Excellent course! GREAT PRODUCER/ENGINEER, GREAT DRUM TECH, and GREAT BAND!!!! THANK YOU!!!!!!!!
ceeleeme
I'm just part way though and I'm blown away by the quality approach Eyal takes to getting the best out of the sessions. I love how well everything is explained and Eyals calm manner is just awesome it really makes you want to listen to the gems of wisdom he offers.
Will
Wow is all I can say. This bootcamp goes in so much depth from tuning drums, setting up guitars, to recording and mixing. I have learned so much by participating in this bootcamp. It has taught me some new recording techniques and signal routing for my mixes. I just want to thank Eyal, Monuments, and Creative Live for taking the time to do this. It has been amazing and I will keep going back to these videos.
Student Work
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