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Bearing Edges

Lesson 10 from: Recording Metal with Eyal Levi: A Bootcamp

Eyal Levi

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Lesson Info

10. Bearing Edges

Lessons

Class Trailer
1

Intro to Bootcamp

13:45
2

Purpose of Pre-Production

15:55
3

Technical Side of Preproduction

11:33
4

Pre-Production: Setting Up the Tempo Map

12:05
5

Pre-Production: Importing Stems

10:11
6

Pre-Production: Click Track

15:27
7

Creating Tracking Templates

17:04
8

Intro and the Tone Pie

04:52
9

Drums - Lay of the Land

10:45
10

Bearing Edges

03:10
11

Wood Types

10:37
12

Depths and Sizes

04:00
13

Hoops

02:39
14

Sticks and Beaters

07:39
15

Drum Heads

07:31
16

Drum Tuning

1:03:55
17

Drum Mic Placement Intro

10:38
18

Basic Drum Mic Setup

53:37
19

Cymbal Mic Setup

35:25
20

Touch Up Tuning

46:56
21

Microphone Choice and Placement

40:34
22

Drum Tracking Intro

01:01
23

Getting Tones and Final Placement

34:52
24

Primary Tracking

31:54
25

Punching In and Comping Takes

20:11
26

Guitar Setup and Rhythm Tone Tracking

01:59
27

Amplifiers - Lay of the Land

10:01
28

Amplifiers & Cab Shoot Out

27:13
29

Guitar Cab Mic Choice and Placement

03:56
30

Guitar Tracking and Signal Chain

29:08
31

Finalizing Amplifier Tone

51:24
32

Guitar Mic Shootout Round Robin

05:22
33

Intro to Rhythm Tracking

07:46
34

Setting Up Guitars

15:02
35

Working with a Guitarist

05:05
36

Final Guitar Tone and Recap

04:11
37

Guitar Tracking with John

15:19
38

Guitar Tracking with Ollie

32:03
39

Final Tracking

22:08
40

Tracking Quads

33:44
41

Intro to Bass Tone

01:26
42

Bass Tone Setup

07:36
43

Bass Tone Mic Placement

16:42
44

Bass Tracking

45:09
45

Intro to Clean and Lead Tones

02:15
46

Clean Guitar Tones

34:05
47

Lead Tones

10:58
48

Vocal Setup for Tracking

11:27
49

Vocal Mic Selection and Setup

02:39
50

Vocal Mic Shootout

09:14
51

Lead Vocal Tracking

38:09
52

Writing Harmonies

07:44
53

Harmony Vocal Tracking

23:25
54

Vocal Warm Ups

11:40
55

Scream Vocal Tracking

18:57
56

Vocal Tuning and Editing Introduction

01:35
57

Vocal Tuning and Editing

29:26
58

Routing and Bussing

25:16
59

Color Coding, Labeling and Arranging Channels

17:54
60

Setting Up Parallel Compression

30:51
61

Setting Up Drum Triggers

10:41
62

Gain Staging and Trim

1:00:54
63

Drum Mixing - Subtractive EQ

25:39
64

Drum Mixing - Snare

23:01
65

Drum Mixing - Kick

11:39
66

Drum Mixing - Toms

24:47
67

Drum Mixing - Cymbals and Rooms

17:24
68

Drum Mixing Recap

08:58
69

Mixing Bass Guitar

16:27
70

Mixing Rhythm Guitars

1:16:08
71

Basic Vocal Mix

1:08:59
72

Mixing Clean and Lead Guitars

58:55
73

Mixing - Automation

43:36
74

Mastering - Interview with Joel Wanasek

31:02

Lesson Info

Bearing Edges

With a drum there's basically three major factors that go into what a drum sounds like and that's the bearing edge shape, the type of wood that the shell is made out of, and the heads that you're using, the head selection. So, starting with the first one, the bearing edge shape. There's several different types of bearing edges on the market and the sharpness, the degree of the cut, how much roundover, how far into the shell the bearing edge, it has a counter cut. All of those things determine what type of sound the drum is ultimately gonna get before it even gets to the wood characteristics and the head characteristics. So with Tama's kits, they use a, looks like a double 45, but a slight out cut, so it's not quite centered in the middle of the drum, but it's enough into the drum to where we're gonna get a little bit more of the shell contribution. Basically the idea is the sharper the bearing edge cut and the further out it goes, the less shell contribution you're gonna get in the sou...

nd. The ultimate contribution from a drum shell is gonna come with the bearing edge cut and centered over the center of the shell plys, and Tama is pretty close to that. They're not all the way in the center but they're pretty close. Do you wanna explain to them real quick what you mean by shell contribution as opposed to head contribution? Sure, so shells, they all have their kind of EQ curves I guess is the best way to describe it. Every wood kind of has its own resonate frequencies and characteristics. Heads also have their own characteristics as well. So let's say for example we have a drum where the bearing edge is cut completely to the outside corner. There's no counter cut at all, so when you look at the shell itself from the inside out you have a straight line and then the end of the shell goes down. So that example right there is a picture of what happens when you mostly only have head sound contribution. The shell is not really activated by the head at all and your sound is largely determined by heads, your head selection. Let's go to the other side of the spectrum which would be the more vintage rounded type of bearing edge where you have a rounded outside edge with a cut on the inside. So the round part kind of centers over the middle of the shell. That is going to give you a lot more shell contribution than the previous cut because there is more contact with the head to the actual shell, activating the wood characteristics a little bit more.

Class Materials

Bonus Materials with Purchase

Eyal Levi Bootcamp Bonuses
Drum Editing - HD

Ratings and Reviews

Ron
 

I'm on lesson 19! Already worth every dollar!!! Priceless insight! I have already incorporated some of the ideas (preproduction common sense stuff that I never thought of, but damn). VERY HAPPY with this course! ALWAYS LEARNING and looking forward to the next 50 (or whatever) lessons!!! Excellent course! GREAT PRODUCER/ENGINEER, GREAT DRUM TECH, and GREAT BAND!!!! THANK YOU!!!!!!!!

ceeleeme
 

I'm just part way though and I'm blown away by the quality approach Eyal takes to getting the best out of the sessions. I love how well everything is explained and Eyals calm manner is just awesome it really makes you want to listen to the gems of wisdom he offers.

Will
 

Wow is all I can say. This bootcamp goes in so much depth from tuning drums, setting up guitars, to recording and mixing. I have learned so much by participating in this bootcamp. It has taught me some new recording techniques and signal routing for my mixes. I just want to thank Eyal, Monuments, and Creative Live for taking the time to do this. It has been amazing and I will keep going back to these videos.

Student Work

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