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Drum Mixing - Cymbals and Rooms

Lesson 67 from: Recording Metal with Eyal Levi: A Bootcamp

Eyal Levi

Drum Mixing - Cymbals and Rooms

Lesson 67 from: Recording Metal with Eyal Levi: A Bootcamp

Eyal Levi

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Lesson Info

67. Drum Mixing - Cymbals and Rooms

Lessons

Class Trailer
1

Intro to Bootcamp

13:45
2

Purpose of Pre-Production

15:55
3

Technical Side of Preproduction

11:33
4

Pre-Production: Setting Up the Tempo Map

12:05
5

Pre-Production: Importing Stems

10:11
6

Pre-Production: Click Track

15:27
7

Creating Tracking Templates

17:04
8

Intro and the Tone Pie

04:52
9

Drums - Lay of the Land

10:45
10

Bearing Edges

03:10
11

Wood Types

10:37
12

Depths and Sizes

04:00
13

Hoops

02:39
14

Sticks and Beaters

07:39
15

Drum Heads

07:31
16

Drum Tuning

1:03:55
17

Drum Mic Placement Intro

10:38
18

Basic Drum Mic Setup

53:37
19

Cymbal Mic Setup

35:25
20

Touch Up Tuning

46:56
21

Microphone Choice and Placement

40:34
22

Drum Tracking Intro

01:01
23

Getting Tones and Final Placement

34:52
24

Primary Tracking

31:54
25

Punching In and Comping Takes

20:11
26

Guitar Setup and Rhythm Tone Tracking

01:59
27

Amplifiers - Lay of the Land

10:01
28

Amplifiers & Cab Shoot Out

27:13
29

Guitar Cab Mic Choice and Placement

03:56
30

Guitar Tracking and Signal Chain

29:08
31

Finalizing Amplifier Tone

51:24
32

Guitar Mic Shootout Round Robin

05:22
33

Intro to Rhythm Tracking

07:46
34

Setting Up Guitars

15:02
35

Working with a Guitarist

05:05
36

Final Guitar Tone and Recap

04:11
37

Guitar Tracking with John

15:19
38

Guitar Tracking with Ollie

32:03
39

Final Tracking

22:08
40

Tracking Quads

33:44
41

Intro to Bass Tone

01:26
42

Bass Tone Setup

07:36
43

Bass Tone Mic Placement

16:42
44

Bass Tracking

45:09
45

Intro to Clean and Lead Tones

02:15
46

Clean Guitar Tones

34:05
47

Lead Tones

10:58
48

Vocal Setup for Tracking

11:27
49

Vocal Mic Selection and Setup

02:39
50

Vocal Mic Shootout

09:14
51

Lead Vocal Tracking

38:09
52

Writing Harmonies

07:44
53

Harmony Vocal Tracking

23:25
54

Vocal Warm Ups

11:40
55

Scream Vocal Tracking

18:57
56

Vocal Tuning and Editing Introduction

01:35
57

Vocal Tuning and Editing

29:26
58

Routing and Bussing

25:16
59

Color Coding, Labeling and Arranging Channels

17:54
60

Setting Up Parallel Compression

30:51
61

Setting Up Drum Triggers

10:41
62

Gain Staging and Trim

1:00:54
63

Drum Mixing - Subtractive EQ

25:39
64

Drum Mixing - Snare

23:01
65

Drum Mixing - Kick

11:39
66

Drum Mixing - Toms

24:47
67

Drum Mixing - Cymbals and Rooms

17:24
68

Drum Mixing Recap

08:58
69

Mixing Bass Guitar

16:27
70

Mixing Rhythm Guitars

1:16:08
71

Basic Vocal Mix

1:08:59
72

Mixing Clean and Lead Guitars

58:55
73

Mixing - Automation

43:36
74

Mastering - Interview with Joel Wanasek

31:02

Lesson Info

Drum Mixing - Cymbals and Rooms

I do want a few cymbals in there. But, I'm going to control that hard. And a few kicks, but very, very little. (cymbal and drum beat music) Okay. In all reality, this is meant to sound destructive. (cymbals and loud drum beat music) I wonder if you can hear, I have it blended in there oh so quietly but it just adds a little bit of length and a little bit of glue to the whole thing. I have it with a fast attack and release so that it just gets on there and gets off very quickly and brings up the stuff around the snare heads. I've got the snare going to it probably the loudest out of anything. I might bring a few more cymbals in there. But, I wanna be careful so it doesn't become a cymbal mess. I'm going to actually turn down the amount of toms going to it, actually. I feel like they're making it explode a little. (cymbals and drum beat music) Using the SPL to make that parallel comp even longer. (loud cymbals and drum beat music) Funny how gross it sounds by itself. Gonna turn down a li...

ttle bit of snare going into it just a hair. (cymbals and drum beat music) You really only need the tiniest amount (cymbals and drum beat music) All right, let's see what's going on with a few more rooms. (very soft cymbals crashing) (cymbal and drum beat music) Just trying to get it to where the kicks don't cause a problem anymore with the low end. I'm not going to be able to get rid of them completely but that's fine. (cymbal and drum beats crashing) Sounds natural. (typing on keyboard) (cymbal and drum beats crashing loudly) (cymbal and drum beat music) Yeah, this drum is too loud. (cymbal and drum beat music) So far I'm not liking all the rooms. Oh well, it happens. (cymbal and drum beat music) All right, so it's starting to come to a point where I need to start adding other things or I'm going to completely lose any sort of perspective. But, the main thing that I've been doing is trying to control dynamics, get rid of frequencies that are really, really annoying and add harmonics where possible. Been using the virtual tape machine, for instance to just smooth out really, really pokey highs. Harmonics are your friends in that regard. I've also been using parallel compression to try to make things a little bit longer. And this is by no means a finished drum sound but it's a drum sound that's on the way. That's for sure. (cymbal and drum beat music) (cymbal and drum beat music) It's nice to really hear that. (cymbals and drum beat music) Just gonna double-check something. (cymbal crashing) Something in the kick sounds like it's farting out a little. Gonna get that under control. (kick drum beating) Ah, okay. (kick drum beating) (cymbal and drum beat music) (mouse clicking) (cymbal and drum beat music) Cool, I bet that that will cut over music. I think in the next session I'm going to start bringing in guitars and bass and really start fine-tuning those drums and getting guitar and bass down to really know where we're at. Because after everything I've done it would be kind of impossible to really know with these scratch tracks. Well, with these scratch tones. (cymbal and drum beat music) (bass guitar strumming) Yeah, that's gonna make a tone, cool. So this will be for the next time. So, next time I will refine the drum sound even further, dial in bass and guitar tones, start to get all that balanced and we'll move on from there. Without doing that, I can't really tell if the low end is right or if the drums are too pokey or anything like that 'cause I'm totally not used to these speakers. And I feel like if I go any further at this point I'm just gonna be spinning my wheels. So, I need to start working on other instruments and have something to work with so I can really, really finish up those drums and finish up the mix.

Class Materials

Bonus Materials with Purchase

Eyal Levi Bootcamp Bonuses
Drum Editing - HD

Ratings and Reviews

Ron
 

I'm on lesson 19! Already worth every dollar!!! Priceless insight! I have already incorporated some of the ideas (preproduction common sense stuff that I never thought of, but damn). VERY HAPPY with this course! ALWAYS LEARNING and looking forward to the next 50 (or whatever) lessons!!! Excellent course! GREAT PRODUCER/ENGINEER, GREAT DRUM TECH, and GREAT BAND!!!! THANK YOU!!!!!!!!

ceeleeme
 

I'm just part way though and I'm blown away by the quality approach Eyal takes to getting the best out of the sessions. I love how well everything is explained and Eyals calm manner is just awesome it really makes you want to listen to the gems of wisdom he offers.

Will
 

Wow is all I can say. This bootcamp goes in so much depth from tuning drums, setting up guitars, to recording and mixing. I have learned so much by participating in this bootcamp. It has taught me some new recording techniques and signal routing for my mixes. I just want to thank Eyal, Monuments, and Creative Live for taking the time to do this. It has been amazing and I will keep going back to these videos.

Student Work

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