Mic Technique and Studio Etiquette
Lesson 14 from: Voice-Over for Real People: Complete Freelancing GuideKeith Harris
Mic Technique and Studio Etiquette
Lesson 14 from: Voice-Over for Real People: Complete Freelancing GuideKeith Harris
Lessons
Welcome to the world of Voice Over
1Introduction
02:13What Is Voice Over?
2Myth Busting
03:17 3Where is all the money?
02:54 4Quiz: What Is Voice Over
The Voice Over Performance
5A Conversation With One Person
03:34Vocal Warm Up
03:43 7Breaking Down the Delivery Components
04:21 8Nailing the Feel
04:55 9Hitting or Noticing Words
03:28 10Becoming an Actor
03:26 11The Magic of Lists
04:34 12Five Key Characters
04:03 13Tongue Twisters
04:19 14Mic Technique and Studio Etiquette
05:53 15Quiz: Voice Over Performance
Case Studies
16Education in Mauritius
03:12 17The Ventsar ColorTouch
06:04 18Dodge Maps
04:16 19Quiz: case Studies
The Home Studio
20Check List
02:46 21Microphones
06:34 22Preamps
02:51 23Finishing the Check List
04:33 24Creating Your Recording Space
04:57 25Sound Proof Booths
03:34 26Quiz: Home Studio
Closing
27Practice and Review
02:58 28Quiz: Closing
Recording and Editing
29Live Recording Session
10:01 30Adding Music
06:41 31Placing Audio into a Video
06:10 32Extra Services
04:23 33Quiz: Recording & Editing
Making a Demo
34Your Demo is your Business Card
05:48 35Designing your Demo
02:30 36Recording Your Demo
03:25 37Quiz: Making a Demo
Self Employment
38Customer Service
04:37 39Expectations and Delivery
03:57 40Storage and Organization
03:31 41Gig Photo and the Fiverr Forum
03:56 42Quiz: Self Employment
Vocal Health
43Water and Sleep
04:15 44Recording When Sick
04:17 45Quiz: Vocal Health
Staying Motivated
46Setting Goals
02:52 47Daily Schedule and Fiverr Forum
04:06 48Nerves
02:52 49Bonus Vocal Exercises
03:57 50Take a Break
01:51 51Quiz: Staying Motivated
Final Quiz
52Final Quiz
Lesson Info
Mic Technique and Studio Etiquette
in this lesson, we're going to start moving from performance into what happens in the studio, specifically mic technique and studio etiquette. We will talk about how to actually set up your studio in the next chapter. This lesson is just going to focus on how to use the mic and a few tips on what is expected. If you get invited to record in a professional studio, let's start with mike technique first. The easiest way to explain how I use a mic is to show you. So I have with me today, my Sennheiser 4 16. It doesn't matter what kind of mike you have or if it is even the same shape as mine. The technique we discussed today will apply to all mix when recording voiceover projects. The basic placement for all recordings is about this far this space from your pinky finger to your thumb. Of course, you'll have a pop filter in front of the mic. So when considering the distance, I always mean the space from the microphone to your mouth, not from the pop filter to your mouth. Now, a common mistak...
e, new voiceover talents make is to get too close to the mic. Now, getting too close to the mic is a great effect and can be used for really intimate reads as it brings out the low tones and intimacy of your read. But for most reads, having your mouth too close to the mic creates too much boom and can even make your plus of continents pop way too much in the mic and way too easily. Now, even with a pop filter, if you're too close to the mic, you'll struggle with pops from your consonants farther away from the mic can also give a nice proximity effect for louder reads or if you want to sound like you're calling to someone from a distance. But generally speaking for most reads, if you're too far away from the mic, the signal will not capture all of the warmth and natural residents of your voice. Pinky to thumb, 99% of the time and you'll sound great. Next be mindful of moving side to side or front to back. This can be very tricky is we just spent a number of lessons freeing your body and getting you to act now. Yes, I am asking for all of that, all of that energy while keeping your head in one single place. The reason is if we move around side to side or front to back, our sound becomes inconsistent and the client will not be pleased with the final product. Part of the reason I give you all those exercises from earlier lessons is so that you do not in fact become stuck at the mic. The head needs to stay in a consistent location but the body is always to remain free and full of our acting energy. Those two skills combined will make fantastic reads and fantastic audio for your clients as a voiceover artist. You're quite likely to start your business from a home like I did. But eventually the more you do work, the more people get to know you and meet you, the more likely it is, you'll be invited as a guest into a professional studio and as such, I want to go over a few items that will make your stay as a guest in that studio much more pleasant. Number one, never tap or blow on the mic. In fact never even touched the mic. Studio engineers are very protective of their equipment and know exactly where to place the mic to get the sound they want, you sit in a comfortable place and they will bring the mic to you. If there are other technical issues, you don't need to worry because the engineer will also take care of those. All you need to do is enjoy your script. When asked for a sound check, read the actual script, a very common mistake new talents make, when asked for a sound check, is to say check 1234. The reason we don't do this is because the tone of the script is completely different from check 1234, the engineer doesn't need to know if the mic works, he's making sure the settings are correct for the script you are about to read. So when asked for a sound check, always start performing the script in your home studio, you'll have headphones and when recording, you can always take them off if you want, but in a professional studio you'll always want to keep the headphones on while recording because this is how coaches and engineers will communicate with you once you are done or if taking a break, never put the headphones on the mic stand, set them on the music stand or on your seat, but never on the mic stand itself. See a theme here, never touch the mic dress comfortably, you might want to make an impression and dressed to kill, but if your fancy new silk shirt makes noise every time you move, the engineer is going to be very upset, dress comfortably and more importantly wear clothes that don't make noises while you were acting and gesturing and finally, Never, ever, ever bring a cellphone into the booth, cell phones in the booth give the impression that you're not going to give the client 100% of your attention as well, even if your phone is on vibrate, the mics are so sensitive that a vibrating phone can ruin the recording, leave your phone outside of the booth while you're recording and your colleagues will really love you for it. There you go. That's the end of this lesson. My practice tip this time around is to mimic other actors, demos, do a search here on Fiverr for voice over artists and look at their gig. I spent a fair amount of time mimicking other actors When I was building my skills, this is a great way to see how others manage speed, volume and pitch. Keep practicing your reads and developing your acting skills. And next time we'll look at a few case studies, what have clients asked me to record and how did we get to the final product?
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Joe Wiese
Keith Harris is an amazing teacher. His coarse is timeless. Thank you Keith. Please come up with another coarse.
Matthew Longmire
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