Translate Emotion into Images
How do we cultivate an original narrative? To me, it's curiosity and experimentation. Those are the two ways that we cultivate an original narrative as we explore our curiosity and we experiment with our curiosity. And if we're constantly doing those two things, then we're never bored with what we're doing, we always love what we're at least trying to do, right. I mean, it's like, if you watch cats, for example, and they're, like, following a dust ball around the house or something, they are so fascinated with that dust ball. And my cat will just sit there and eat the dust ball, 'cause she's a little not very smart. But it's really fun to watch, because I'm like that cat is so curious about this dust ball, to the point where she's experimenting with eating the dust ball, and she is a happy, happy cat. Now, what if we were all more like our cats? Yes, I'm going somewhere with this. (laughing) And what if we followed our own little dust balls around and tried to eat them? Okay. (laughing...
) This is getting weird. But what if we did follow our curiosity, and our curiosity looked like an image like this, and then we experimented with how could we make that different, how can we push the boundaries of what this is? That's going to create originality, no matter what, no matter what. We fear that word, originality, so much, but I don't think that we should. And it's because we need to pursue creative bravery. Bravery is one of my, my fourth favorite word. I'm keeping tabs. Fourth favorite word. And it's one of my favorites because it's the non-defeatist way of looking at the situation. So, you could say "Well, I'm not creative," or "I don't have anything original to say," or you can say "I'm going to be brave in my creativity, "and I'm going to do whatever I want." Because honestly, doing whatever you want with your creativity is the bravest thing that an artist does. It is terrifying to do. It is terrifying because if you do whatever you want without regard for other people, that is opening up a can of worms for other people to critique you, to be mad at you, to be upset about what you're doing. And I've been going through my own creatives struggle this year of having this new series that I wanna produce and being terrified of upsetting people from it. And then I wrote this slide, and I said you know what, I have to go for it. There's no way that I can't go for this thing that I wanna do, which I'm not gonna go into detail about, but hopefully one day you'll see it. And maybe you'll even be offended, and that'll be okay. (chuckling) I'm okay with that. What makes something original? Your experience and your voice. What experiences do you bring to the table, and how do you see the world? What is your unique voice? And voice is one of these trigger words. Like, we say it all the time, point of view, voice, style, all of these words that are a little bit difficult to define. But it's the same as what if you're standing in a room with someone, how would you speak to them? If we're gonna literally use voice as the example here, what does your voice sound like, and how do you put that into your work? If I have the opportunity, as I do, to stand here in front of you guys and this is my chance to put my voice out there into the world, you better believe that I'm gonna try to inspire you, motivate you. I'm gonna do everything that I can to infuse my joy into the room and give it to you, because I don't want who I am and the way that I see the world to be negative. I want it to be really positive, and I'm gonna put that into my images. Now, you might look at my images and say "They're not positive at all, they're terrifying and horrible!" And that's okay too if you don't see it, but I do. I feel the joy in it, and I put that into my work. I think that three main ways that we can create originality is through theme, visuals, and your expression of those things, the way that you personally put this together. And there are lots of things that come into that, like colors, lighting, location, that whole list that we came up with. But... Those are the extraneous things. Those are the things that yes, we must consider them. But if you have first thought about theme, visuals, and expression of those things, then all the rest falls under that. Everything will fall into place as you start to learn your craft better.
Creating a great photo for a client is one thing - but turning your passion and ideas into a series that is shared, shown, and sold is a whole different business. If you do it right, you’ll be shooting what you love all the time. Learn how to choose which ideas to create, how to turn your concept into a production, and steps to getting your work seen and even sold in Fine Art Photography: A Complete Guide with Award-Winning Photographer, Brooke Shaden.
This is an all-inclusive workshop that provides the tools you need to run a successful and creative business as a fine art photographer. You’ll learn creative exercises to find and develop your ideas, how to create an original narrative, how to produce your own photo series, post production techniques and skills for compositing and retouching, how to write about your work, ways to pitch to galleries and agents, and how to print your pieces so they look like art.
This workshop will take you on location with Brooke as she creates a photo series from scratch. She’ll walk through every step for her photo shoots including set design and location scouting, she’ll cover techniques in the field for capturing your artistic vision, post-production and compositing techniques, as well as printing and framing essentials.
She’ll round out this experience by discussing all of the details that will help make your career a success like licensing, commissions, artists statements, social media plans, gallery prep, and pricing your work.
This comprehensive course is a powerful look into the world of fine art photography led by one of the world’s most talented photographers, Brooke Shaden. Included with purchase is exclusive access to bonus material that gives exercises and downloads for all of the lessons.
Bonus Materials with Purchase
Guided Daydream & Writing Exercises Workbook (Lessons 1-11)
Creating an Original Narrative Workbook (Lessons 12-18)
Finding Your Target Audience Workbook (Lessons 19-27)
Planning Your Series Workbook (Lessons 28-34)
Set Design Workbook (Lessons 35-41)
Compositing Workflow Checklist (Lessons 42-49)
Editing Workflow Checklist (Lessons 50-55)
Location Scouting Workbook (Lessons 56-60)
Stock Image Downloads for Practice (Lessons 61-72)
Organizing Your Portfolio Workbook (Lessons 77-81)
Pricing & Editioning Your Work Workbook (Lessons 82-89)
Writing Contracts & Licensing Images Workbook (Lessons 90-98)
Gallery Best Practices (Lessons 99-106)
Pitch Package Workbook (Lessons 107-111)
Writing Your Brand Workbook (Lessons 112-117)
Marketing Workbook (Lessons 118-122)
Social Media Workbook (Lessons 123-127)
Printing Methods Checklist (Lessons 128-133)
Self Critique Workbook (Lessons 134-137)
Bonus Materials Guide
Image Edit Videos