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Clearly Define Video Talking Points

Lesson 120 from: Fine Art Photography: The Complete Guide

Brooke Shaden

Clearly Define Video Talking Points

Lesson 120 from: Fine Art Photography: The Complete Guide

Brooke Shaden

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Lesson Info

120. Clearly Define Video Talking Points

Lessons

Class Trailer
1

Class Introduction

19:06
2

Storytelling & Ideas

27:34
3

Universal Symbols in Stories

03:19
4

Create Interactive Characters

02:16
5

The Story is in The Details

04:13
6

Giving Your Audience Feelings

05:49
7

Guided Daydream Exercise

04:20
8

Elements of Imagery

02:19
9

The Death Scenario

01:47
10

Associations with Objects

03:01
11

Three Writing Exercises

06:39
12

Connection Through Art

30:35
13

Break Through Imposter Syndrome

07:40
14

Layering Inspiration

23:13
15

Creating an Original Narrative

07:42
16

Analyze an Image

04:12
17

Translate Emotion into Images

04:31
18

Finding Parts in Images

06:02
19

Finding Your Target Audience

04:05
20

Where Do You Want Your Images to Live?

12:01
21

Create a Series That Targets Your Audience

32:43
22

Formatting Your Work

06:08
23

Additional Materials to Attract Clients

07:24
24

Which Social Media Platforms Will be Useful?

04:17
25

How to Make Money from Your Target Audience

11:27
26

Circle of Focus

07:55
27

The Pillars of Branding

06:18
28

Planning Your Photoshoot

09:05
29

Choose Every Element for The Series

07:38
30

Write a Descriptive Paragraph

09:37
31

Sketch Your Ideas

17:27
32

Choose Your Gear

02:50
33

How to Utilize Costumes, Props & Locations

26:18
34

What Tells a Story in a Series?

13:06
35

Set Design Overview

01:43
36

Color Theory

19:50
37

Lighting for the Scene

12:05
38

Props, Wardrobe & Time Period for Set Design

06:00
39

Locations

04:31
40

Subject Within the Scene

07:26
41

Set Design Arrangement

05:46
42

Fine Art Compositing

03:46
43

Plan The Composite Before Shooting

10:29
44

Checklist for Composite Shooting

18:52
45

Analyze Composite Mistakes

12:11
46

Shoot: Black Backdrop for White Clothing

10:42
47

Shoot: Black Backdrop for Color Clothing

08:36
48

Shoot: Black Backdrop for Accessories

08:17
49

Shoot: Miniature Scene

09:59
50

Editing Workflow Overview

01:57
51

Add Fabric to Make a Big Dress

08:35
52

Edit Details of Images

08:09
53

Add Smoke & Texture

10:47
54

Blend Multiple Images Into One Composite

24:58
55

Put Subject Into a Miniature Scenario

17:55
56

Location Scouting & Test Photoshoot

22:10
57

Self Portrait Test Shoots

22:30
58

Shoot for Edit

04:21
59

Shoot Extra Stock Images

10:01
60

Practice the Shoot

25:07
61

Introduction to Shooting Photo Series

03:33
62

Shoot: Vine Image

10:40
63

Shoot: Sand Image

09:50
64

Shoot: End Table Image

04:59
65

Shoot: Bed Image

06:18
66

Shoot: Wall Paper Image

05:54
67

Shoot: Chair Image

08:02
68

Shoot: Mirror Image

06:57
69

Shoot: Moss Image

05:48
70

Shoot: Tree Image

07:33
71

Shoot: Fish Tank Image

04:09
72

Shoot: Feather Image

09:00
73

View Photo Series for Cohesion & Advanced Compositing

07:35
74

Edit Multiple Images to Show Cohesion

36:55
75

Edit Images with Advanced Compositing

29:33
76

Decide How to Start the Composite

09:35
77

Organize Final Images

21:37
78

Choosing Images for Your Portfolio

08:19
79

Order the Images in Your Portfolio

16:28
80

Why do Some Images Sell More Than Others?

16:03
81

Analyze Student Portfolio Image Order

11:42
82

Framing, Sizing, Editioning & Pricing

02:19
83

Determine Sizes for Prints

16:44
84

How to Choose Paper

13:56
85

How to Choose Editions

07:18
86

Pricing Strategies

18:59
87

How to Present Your Images

13:26
88

Example Pricing Exercise

09:39
89

Print Examples

08:23
90

Licensing, Commissions & Contracts

04:44
91

How to Keep Licensing Organized

06:07
92

How to Prepare Files for Licensing

07:28
93

Pricing Your Licensed Images

12:33
94

Contract Terms for Licensing

12:07
95

Where to Sell Images

04:55
96

Commission Pricing Structure

08:23
97

Contract for Commissions

12:17
98

Questions for a Commission Shoot

08:45
99

Working with Galleries

08:58
100

Benefits of Galleries

07:39
101

Contracts for Galleries

10:32
102

How to Find Galleries

05:22
103

Choose Images to Show

08:53
104

Hanging the Images

03:38
105

Importance of Proofing Prints

08:04
106

Interview with Soren Christensen Gallery

21:59
107

Press Package Overview

04:35
108

Artist Statement for Your Series

18:20
109

Write Your 'About Me' Page

09:04
110

Importance of Your Headshot

03:55
111

Create a Leave Behind & Elevator Pitch

20:19
112

Writing For Fine Art

04:44
113

Define Your Writing Style

14:49
114

Find Your Genre

06:41
115

What Sets You Apart?

02:25
116

Write to Different Audiences

05:10
117

Write for Blogging

39:57
118

Speak About Your Work

14:21
119

Branding for Video

07:37
120

Clearly Define Video Talking Points

14:27
121

Types of Video Content

31:45
122

Interview Practice

13:22
123

Diversifying Social Media Content

22:32
124

Create an Intentional Social Media Persona

24:48
125

Monetize Your Social Media Presence

18:46
126

Social Media Posting Plan

04:01
127

Choose Networks to Use & Invest

02:57
128

Presentation of Final Images

19:13
129

Printing Your Series

09:16
130

How to Work With a Print Lab

13:39
131

Proofing Your Prints

10:11
132

Bad Vs. Good Prints

03:32
133

Find Confidence to Print

10:50
134

Why Critique?

06:55
135

Critiquing Your Own Portfolio

10:39
136

Critique of Brooke's Series

16:18
137

Critique of Student Series

40:07
138

Yours is a Story Worth Telling

02:09

Lesson Info

Clearly Define Video Talking Points

Opinions, attracts your ideal client. If you have an opinion, you're more likely to attract somebody with the same opinion. It is a well knows fact, that a lot of people will shy away from having opinions on social media, and in their business in general because the fear is that you'll push those people away, you know. Too many people are saying oh I don't like that, I don't agree with you. And you think that's bad. It's actually really good, because the people who do agree with you are going to really agree with you, and they'll be really loyal to your brand and to what you're putting out there. It shows that you have a prospective, that you're unique in some way when you have an opinion. It is often relevant to your brand, so if the theme is already relevant, then your opinion on that theme is also relevant. And it gives you qualifications which is a weird thing to say, but, and not that you're not qualified if you don't have an opinion, but doesn't it make someone seem like they rea...

lly know what they're talking about if they've already formed an opinion about that thing, I think so. When you share ideas it's for the benefit of others, as well as yourself. So you might have a certain idea on that topic, and that can really help people in their own craft, in their own life, in their mindset, whatever it may be, and should be relevant to your brand. And then experience, backs up your talking points. This goes into telling stories, which is really fun to do. I mean, if you're not a natural story teller, then you might not think that it's very fun, but I love telling stories. And it helps you relate to your audience, because experiences are not universal, but the emotions that we feel from them are. So, if we can tell a story that makes somebody feel the way that we felt, nothing will connect people more than that, I think that's just the greatest. Alright, now these are some questions that we're going to go over at the end as well. And these are questions that you might want to ask yourself to be able to find talking points for a video. What type of work do you do? Simple, we've already done this one, right? Remember when I was like what do you do? And we pretended like we were at a party. I know. How do you do it, why do you do it? What is unique about your process? Where do you find your inspiration? And these are questions that like, most people would get asked in a normal interview. If you were going to sit down and be interviewed, this is probably what will come up. What makes your work unique? What would surprise someone about what you do? What has been your favorite thing to create? How often do you create? And is there a central theme to your work? And you could add a million questions to this list but these are just the most common questions that I personally get asked when people ask me questions. Tips for presenting. Tips for presenting. Oh there's so many tips to talk about, and I picked only the ones that helped me the most. One is eye contact, always make eye contact if possible. This would be a much different class if I stood here talking like this the whole time. Wouldn't you think this was kind of weird if I did this. And you would like definitely not engage with me at all. Or if I felt like I couldn't look at you, so I was always like this, talking to the wall. I can't even do it because it's so awkward to do, but always make eye contact when possible. Cut extraneous words, as we mentioned. Write about your work a lot, write about it, and then you'll be able to speak about it because you'll find yourself writing the same words over and over again when you're describing your work. And those words will stick in your mind, the more you write them, just like that's why people write lines of things, to remember something. Because the more you write it, the more you remember it. And it's weird that you would have to remember your process and remember what your pictures look like. But it's true, when you have lights on you and you're thinking like okay, I have to talk about my work it goes away. It just goes away sometimes. I'm sure that you've been asked a question and you're just like, nope, can't remember. What were we talking about earlier? What did you say that was so funny about forgetting something? I forget, but it was great, anyways. So, yeah, that was a conversation that happened. But, it happens all the time. It happens all the time that we just can't remember, so always write about your work, which I've already told you to do several times. Know what's unique about you. That's the hardest one. Have you figured it out, yet? Keep thinking. What's unique about you? You got it, oh good, I'm glad. And then this idea of being your future best self. This one strikes a bad cord with some people. Because being your future best self might sound like being someone that you're not, and I don't mean that. Although I do mean it a little. What I mean really is think about who you would like to become, and then embody that when you're speaking about your work, and about your business. Because that's the only way that you're going to be that person, is by just doing it, right? You can't be like, oh I wish I was like this other person, or I wish that I would be more confident, and then never act confident. It just doesn't work, so if you want to be more confident, act more confident. And it will come naturally. I know that it will, because it has for me. I was the shyest person you could ever imagine, and I really mean that, and people always say to me, you weren't shy, I don't believe you at all. And I'm like, but you didn't see me crying under my covers every day. So, I know that I was shy, and you just see me now, after I've practiced and practiced to not be that way, because I didn't want to be that way. All I did was just try over and over and over again, and then one day it just started feeling natural. Now, more tips for presenting would be, find good light and then you might say well what is good light? If you're the type of artist that already knows about light, you know, you know what good light is. You know what light you like best in your images. And you might want to use the same light that you use in your images. So that you have that same consistency across all the different mediums that you're working in. Good light for me would be anything soft, anything even, that's how I light my work. I don't want to go buy lights just for my videos because they bother me. Don't like to put lights together so, I'm not going to start doing it for videos. So, think about good light, and a clean background. Unless your thing is a busy background, you know which is some people's thing, but mine isn't. Mine is to have really clean spaces, and I want to try and draw attention to me 'cause the words are coming out of my mouth instead of the background. Make sure that you wear something that connects with your brand. Make sure that you don't look like something that you don't want to be. Now, this goes back to that distinction of your art brand, versus your personality, okay. Sometimes they're two different things. So I'm not going to, in my videos be wearing like old timey night gowns or Victorian dresses, just 'cause that's what I use in my images. And certainly not nude onesies and stuff, that would be extra weird. But I'm going to wear clothes that truly represent who I am. So, am I going to wear headpieces like that, and look like a princess? Heck yeah, I am. Because that's what I love, and that represents me personally. Just a quick notes about microphones, make sure that you're clear, make sure that when you're speaking it's very obvious, that you're annunciating and that the camera's picking it up clearly, and I do this without a microphone, I just want to make that clear. I don't have extra equipment for videos. I stand in a quiet room, I set up my video camera, I talk to it, and it records sound. Now there are probably lots of people who are like, no that's not how it works, you have to have a microphone. Okay, I get that microphones are good, I do recommend it, but I don't have any recommendations, because I use the one in my camera. So, it works pretty well for me though. And make sure that your focus is good, that's my biggest pet peeve, and I never get myself in focus I'm the worst. It's hard when you're all by yourself, but still worth doing. Okay, so I recommend, just your regular DSLR and a portrait lens to try and blur the background a little bit. Just trying to create more separation from the subject and background, it will give it an immediately more professional feeling. And when somebody sees that separation of subject and background, even if they have no idea anything about photography or video, they'll probably assume that it was a professionally done video, rather than something just on a phone. But, it's fine to use your cell phone. If that's what you've got, use it. I don't see no reason not to, there are beautiful things coming out on phones. Microphones, you can find one that's attachable to the top of your camera, like a shotgun microphone that will just point at you, and you can just talk at it. You can use a lavalier mic, which is what I have there. Boop, boop, boop, boop, okay? And there are lots of options, simple and expensive options for you. Editing software, depends on the type of computer that you have. I, like I've always had Windows, I've always had free software for editing, and so I would use Windows Movie Maker, for years and years and years for my videos. iMovie, Avid, Premier, Final Cut Pro, tons and tons of free software as well. My point is there is no excuse to not be making videos. This stuff is so easily accessible for us, that we just should be doing it. Okay, assuming that somebody needs to hear what you have to say. Why am I bringing this up again? Because I don't think that you believe me yet. Genuinely, I think that somewhere in your mind, you're still telling yourself that nobody cares. And I'm very very sensitive about this. Because I really think that people care, and I think that it's up to us to create the content that we want to put out there in the most visually, verbally, interesting way possible so that people can find what they want to find in you, in your work. If we're not doing that, then that's going to fall on us in terms of our business won't be as profitable. We're not going to be able to connect to as many people and that's really frustrating to me. I don't want us to end up in that space. So, always think about that. I brought up this point now of looking past what you look like, because a lot of people will never make a video because of this. And I hope that none of us think that way. I mean trust me, I've been called ugly a fair few times by people on the internet. And that can stop anyone from wanting to put their face online, and their heads talking, and stuff. It's really really intimidating. But in the end it doesn't matter. In the end, no matter what you look like, first people are going to hear your message, second if you look a certain way, other people do too. There aren't that many different types of people, right? Like, guaranteed somebody will look like you, and they're going to feel even more connected that you put yourself out there in that way. I have never in my life turned off a video because of how somebody looks. I don't know if you guys have, but I have never done that. So, never let that be the thing that stops you. And then how can you evoke an emotion in your viewer? How can you do it? What is it about this video, or this content that you're putting out there, that will connect somebody to it. There's this really interesting study that was done that says, and I'm going to talk about this more later, that people who see themselves in what you're producing feel more connected and are more likely to engage on a deeper level. And this is what I always think about is, you know what, how can my experience that I'm sharing in this video relate to other people. What would be interesting about this journey that I'm going on, and let's show those pieces to make it a cinematic, as beautiful, and as relevant as possible. So how can we evoke an emotion? To me, it's about vulnerability and honesty. It's about showing the bad parts and the good parts of whatever you're trying to share with people. It's about letting people know I'm human, you know? So, yeah I'm going to show you this video, where I'm in my pajamas, because I'm human, and you know what I liked what I had to say, and I didn't want to redo it. That's really the end story here. Okay, types of video content, as we mentioned. You can pick any of these and make a beautiful video, behind the scenes, inspirational, technical, a day in the life video, I love stuff like that, an adventure video where you're going on an adventure and you show people what that's all about. I wrote hard-hitting because there are a lot of really interesting styles of video, I think especially right now where people are just like this is how it is, these are the facts, and it's just a really hard-hitting video, and I've been enjoying some of those lately. High energy versus low energy, you know just like what is your energy level? I have a high energy level, so I like to talk a lot and fast, and really animatedly and I can't stop moving my hands and that's what I like to do, and you might be totally different, so do it your style. And then about me, now about me is a type of video content that I think we should all be focusing on right now, because first of all, video content on your website, is king right now, we need it, I think it's so important. I don't even have one on my website, and I'm embarrassed that I don't have one, 'cause I've got a bajillion videos out there, I can pick any one and put it on there, but I haven't done it yet. But an about me is a really good one to focus on, because one, we've already practiced writing about me, two, people want to know who you are. If you're going to invest in a brand or a business or a company you probably want to know what they're all about and an about me video will do that. People are sick of reading, people are sick of trying to figure out who you are by clicking every single link on your social media and stuff, and trying to read between the lines, a video is the most effective, and efficient way to get that information across in a way that they'll actually engage with.

Class Materials

Bonus Materials with Purchase

Guided Daydream & Writing Exercises Workbook (Lessons 1-11)
Creating an Original Narrative Workbook (Lessons 12-18)
Finding Your Target Audience Workbook (Lessons 19-27)
Planning Your Series Workbook (Lessons 28-34)
Set Design Workbook (Lessons 35-41)
Compositing Workflow Checklist (Lessons 42-49)
Editing Workflow Checklist (Lessons 50-55)
Location Scouting Workbook (Lessons 56-60)
Stock Image Downloads for Practice (Lessons 61-72)
Organizing Your Portfolio Workbook (Lessons 77-81)
Pricing & Editioning Your Work Workbook (Lessons 82-89)
Writing Contracts & Licensing Images Workbook (Lessons 90-98)
Gallery Best Practices (Lessons 99-106)
Pitch Package Workbook (Lessons 107-111)
Writing Your Brand Workbook (Lessons 112-117)
Marketing Workbook (Lessons 118-122)
Social Media Workbook (Lessons 123-127)
Printing Methods Checklist (Lessons 128-133)
Self Critique Workbook (Lessons 134-137)
Bonus Materials Guide
Syllabus
Image Edit Videos

Ratings and Reviews

April S.
 

I tuned in for most of Brooke's lessons in this course and watched some of them more than once as they were rebroadcast. First I want to say that Brooke is a very good instructor. Her easy-going, friendly, down-to-earth, somewhat quirky manner cannot be mistaken for unprofessional. She is very prepared, she speaks well (not a bunch of hemming and hawing), she is thoughtful, she is thorough, she is very relatable and at ease, and she is definitely professional in her presentation. I really thought when I first tuned in that it would mostly be background noise while I was at work, sound to keep me company. Not because I didn't like Brooke but I really didn't think I was into fine art photography nor did I think I cared about the business side of things much. Not now anyhow. I was really wrong. Brooke sparked a deep interest in me to delve into fine art photography, to consider creating images for myself, from my imagination. In fact, I realized that this was something I'd been thinking about for a couple of years though I hadn't put a name to it (the idea of creating pre-conceived images based on my own creative goals). I gleaned many little treasures from her about image sizes, working with printers, different types of paper, selling, interacting with galleries, and so much more. I may not need all of what she taught right now because I'm definitely headed in another direction at the moment, but she planted ideas and information in my head that I know will be useful at some point. Things I may not have thought of on my own, but that seed is in my head now so when the time comes, I'll know. I'd really like to buy her course but at the moment, with the holidays right around the corner, it's not in my personal budget. I'm grateful to have caught the live and rebroadcast lessons though, and her course is on my list to own. I think it's a great reference to be consulted over and over again, not watched once and forgotten. Kudos Brooke for really putting together an excellent course.

Ron Landis
 

I'm retired now, but spent decades in the people and training business. Brooke is extraordinary! Even though this course is extremely well organized and she's left nothing unattended, she moves through it with friendly conversational manners and without a sense of it being stilted. It's as though we are all her friends, not students, as she shares her heart and passion with us. What a joy it is to listen to her. And what a clear, unambiguous command of her subject. Wow! She explains it with such ease using explanations and techniques that won't overwhelm artists just starting their portfolio or the Photoshop-squeamish among us; but despite its simplicity her resulting art is breathtaking and beyond original. I wish more of my professors at school were as engaging. This was by far my best buy at Creative Live yet.

Angel Ricci
 

When the title says comprehensive, it means comprehensive! I loved every part of this course. It's inspirational, motivating, and insightful towards creating art work. Even if you are not necessarily considering a fine art specialty, the concepts discussed in this course are applicable to many areas! I find this super useful as a videographer and photographer and look to apply all of these exercises and concepts for my personal and business work moving forward. It is lengthy, but you will not regret a single minute. Brooke Shaden is an amazing artist and educator. I recommend keeping up with her work, presentations, and any future courses that may come in the future.

Student Work