Finding Parts in Images
So what does it mean to layer your inspiration? First, you have an overarching theme. So we've got a theme that you're going to choose for your series that you're going to do. Let's just say today, day two, you're starting your series and you're gonna choose a theme. After that you're going to choose your individual ideas for the images within that theme within your series. Next you're going to choose how to visually express those ideas. You can see how it's already layered, we have a theme, the individual ideas, your visual expression of those ideas, the technical expression, how you put it together, and then your personal expression. So what are you bringing to the table that somebody else would never be able to bring? With these things you are layering your inspiration. Now I think that it's important to add emotion visually and realistically into your images to be able to convey the thing that you're trying to convey and my hope, my goal, is that over the course of this class that ...
you will gain those tools to be able to work emotionally and visually and realistically within your work. As I mentioned I don't care if you don't shoot people, I don't care if your work looks nothing like mine. The fact is that every piece of art has emotion in it and it's up to us to tell the viewer what that is. To somehow visually and realistically show what that emotion is and this is how we connect to art. You might see a piece of work that has been done over and over again, where, I don't know, maybe it's the example of the umbrella and the birds the water. You're like, gosh could I even look at one more picture of an umbrella and birds and water? Then you might just see one that has all those same things but it's the emotion that you get from that particular piece that draws you into it. So how can we use emotion realistically and visually within our work? Now I personally do it like this, with pose, with color, with location, that's just how I do it and you can see that here in this image. The pose has this sort of weird creepy thing going on, we've got a very specific color palette happening that really brings you into the world of the image and the location is very decayed, very dirty, very weird and that all represents an emotion. The last thing that I wanna say here is to think back in your life and go ahead and just try this now just think back to a moment that defined your life. Something that set you on a new course, something that changed your way of thinking. What is a moment for you? It could be different for everyone, it might be the day that you were diagnosed with cancer it might be the day that you had your first child, it might be the day that you graduated high school. For everyone it will be different. What was a defining moment in your life and how would you represent every part of that experience visually? Every single part, how can you break that experience apart and assign something visual to every element? It's really interesting to do this because it allows us to really understand ourselves. To understand each part of what makes us, us. What makes an image mine versus yours, versus yours, versus yours? It's our experience and the way that we represent those experiences that culminates in art that's personal and meaningful for us. This was the very first image that I ever created, literally I got a camera, I set up my tripod, this is what came from it. I really wanted to share this image because I did this exact same thing. I was thinking about experiences in my life that were meaningful and I settled on this one experience where my grandmother, she used to recite this prayer to me before I would go to bed and she would say, "If I should die before I wake "I pray the lord my soul to take." As a child I thought that was incredibly creepy and terrifying, I would just lay in bed like, oh my gosh, I don't wanna go to bed. Because what if I do and then someone's there to take my soul, I just didn't get it. I was very horrified and that stuck with me and of course I laugh about it as I got older, like oh my gosh, I can't believe I was so scared of that. But it really stuck with me as like, that was one of the first times that I learned to be afraid to go to sleep. That's a really big deal for a child to learn that as a kid. So I decided to put that into an image and without knowing it I went through this list in my head. I had never created a picture before, I didn't know how to work my camera I didn't know how to even get something to turn out looking like a photograph, I just didn't get it. So without realizing it I went through all these things in my head as one would have to do when you're taking a picture for the first time. Well what pose will I be in, where will I be sitting and what will my frame look like and what colors are gonna be here and how will I light this and all those things that a beginner would have to ask I did and that ended up being represented in this way. Now can you relate to this image? Can you take some part of your experience, look at this and understand maybe what's happening? Sure, do you understand my inspiration in it without hearing the story? No, there's no way that you could know that that was my experience. But because I had an experience and because I dissected that experience this is what resulted and that creates an original story that hopefully other people can relate to.
Creating a great photo for a client is one thing - but turning your passion and ideas into a series that is shared, shown, and sold is a whole different business. If you do it right, you’ll be shooting what you love all the time. Learn how to choose which ideas to create, how to turn your concept into a production, and steps to getting your work seen and even sold in Fine Art Photography: A Complete Guide with Award-Winning Photographer, Brooke Shaden.
This is an all-inclusive workshop that provides the tools you need to run a successful and creative business as a fine art photographer. You’ll learn creative exercises to find and develop your ideas, how to create an original narrative, how to produce your own photo series, post production techniques and skills for compositing and retouching, how to write about your work, ways to pitch to galleries and agents, and how to print your pieces so they look like art.
This workshop will take you on location with Brooke as she creates a photo series from scratch. She’ll walk through every step for her photo shoots including set design and location scouting, she’ll cover techniques in the field for capturing your artistic vision, post-production and compositing techniques, as well as printing and framing essentials.
She’ll round out this experience by discussing all of the details that will help make your career a success like licensing, commissions, artists statements, social media plans, gallery prep, and pricing your work.
This comprehensive course is a powerful look into the world of fine art photography led by one of the world’s most talented photographers, Brooke Shaden. Included with purchase is exclusive access to bonus material that gives exercises and downloads for all of the lessons.
Bonus Materials with Purchase
Guided Daydream & Writing Exercises Workbook (Lessons 1-11)
Creating an Original Narrative Workbook (Lessons 12-18)
Finding Your Target Audience Workbook (Lessons 19-27)
Planning Your Series Workbook (Lessons 28-34)
Set Design Workbook (Lessons 35-41)
Compositing Workflow Checklist (Lessons 42-49)
Editing Workflow Checklist (Lessons 50-55)
Location Scouting Workbook (Lessons 56-60)
Stock Image Downloads for Practice (Lessons 61-72)
Organizing Your Portfolio Workbook (Lessons 77-81)
Pricing & Editioning Your Work Workbook (Lessons 82-89)
Writing Contracts & Licensing Images Workbook (Lessons 90-98)
Gallery Best Practices (Lessons 99-106)
Pitch Package Workbook (Lessons 107-111)
Writing Your Brand Workbook (Lessons 112-117)
Marketing Workbook (Lessons 118-122)
Social Media Workbook (Lessons 123-127)
Printing Methods Checklist (Lessons 128-133)
Self Critique Workbook (Lessons 134-137)
Bonus Materials Guide
Image Edit Videos