let's go through some of those export options so that you understand what's going on. So again, if you say you're in and out, points for an export, then go up to file export media, it will open up the export module on the left side, we have our source and you can actually adjust the in and outpoints of your export down here on this timeline. Like so just by dragging or down here, you have this source range and you can choose it the sequence in and out points that you set on your timeline before you can do the entire sequence or your work area, which if you go back to your timeline and then you click this little three lined button right here and say work area bar. This is another bar you can use actually, which comes in handy To limit yourself. Say you have a project that needs to be 30 seconds, you can put this right at the 32nd mark and that's where you'll know as you work, you have to end right there and then back in your export settings, If I go command M or control M if you're on a...

pc, you can change it to that work area or you're just going to leave it on sequence in and out. That's typically what I do. So going back to the export settings on the right side, if you want to export it, just at the settings of your sequence that you imported, you can just click this match sequence settings button and that's going to export it at the settings of your sequence. and so that might be a good thing if you are quickly at exporting something for preview purposes. Typically I changed the format though. Under format you have H 264 and then all kinds of other formats from quicktime to mpeg two to just audio files. Mp three. There's also a I F F wave form. For most purposes you're going to want to use H264. It's just the go to quality for most video makers. Now when you are posting online videos later on, we'll learn about the quicktime setting when you're exporting a full resolution file. But for us we're just going to stick to H264. We mentioned all of these presets over here. You can create presets sets and I also did that see this. YT quick 10 The YouTube Quick 1080 settings that I use which basically sets everything the target bit rate, the maximum bit rate but it also matches the sequence settings for whatever sequence I'm exporting and you can create new presets by changing all the settings down here And then clicking this button right here to save it. It's not going to let me because I am on a set of pre set right now but say I change this frame rate to 2997 and then I say save preset. I could say this as the Youtube Quick 10 80 29 97 preset we saw here, this is the output name clicking. That will allow you to change the title of your video and where you save it. If you just want to export the audio for some reason you can do that or just the video. This summary gives us all of the information about our output and our source. And then down here we have different tabs over on the left, we have different effects. You can do things like apply, look up tables or lumia tree looks, which is a preset effect. That will go over in another future lesson, you can add image overlays like a watermark name overlays, timecode overlays things that are more for professional video editors. Um to use the video tab. This is what we saw before, where we have our settings for the size of our export so we can change the size to whatever we want. Typically we are looking at a 16 by nine frame so 12 80 by 7 20 is An HD Format 1920x1080. And with this little button right here locked it's going to lock the width and height aspect ratio. So if I uncheck that I can make this a perfect square. If I do 1000 by 1000 pixels but that's not going to look good because it's actually going to squeeze this into a square square So we want to match the actual Aspect ratio of our project 16 x nine frame rate 29 97. Sometimes you might be exporting for different places on tv, you might need to use 29 97 or 59 or you might want to just match the frame rate of what you shot, 23 976 feudal order comes from how your video is actually output on a screen. Actually your video is broken down into lots of lines. So if your height is 1080, it's 1080 lines and it's just the way that it appears. And so for most cases we're just going to use progressive. So just leave that as progressive. Same with the aspect square pixels is generally what you want to check unless there is a specific case and someone asks you to export at these other options depending on if you are projecting it with a certain type of projector or something like that. Tv standard pal versus NtsC as it says when you hover over this U S and Japan use NtsC, europe and asia use Powell. It's just the way that it's been for a long time. So if you're watching this and you're in europe, you're probably going to be shooting and exporting in Powell Leave profile and level at main and 4.1 we saw this render at maximum depth. Um, it's really interesting that this is an option. I don't know why premiere Pro doesn't automatically render at maximum depth. So I just checked that to make sure that it has the best export quality bit rate settings. This is what really affects the size of your file bit rate encoding you have options, CBR Vb R one pass and vb R to pass, choose between VB R one pass and two pass one pass will make your export quicker, but two passes. It means it actually goes through the export twice. It goes through all of the frames of your video twice and it makes the colors and everything look a little bit better. The target bit rate and the max bit rate. The bit rate is basically how much information in terms of file size is happening per second. So your target would be 16 megabits per second. Your max Is how much it's limited to. So the max will be 16. Generally these two are the same You could lower this if you want and if you lower the target bit rate, you'll see down here. The estimated file size decreases. So if you need to export a small file size, you can just lower it down here. Once you get past 16 when you are exporting a 1920 by 1080, film or video, there's no real reason to increase the target bit rate. Past 16 because it's not actually going to make your video look better. Each size has a specific bit rate. That is sort of the maximum bit rate that matters for that size of video and 16 is about that for 1920 by 10 80. There's these other tabs right here. So like audio, you have different audio formats. If you know, you have to export dolby digital, if you're playing it in a big theater that requires dolby digital, that's an option for us. We're just going to leave it at a C. And down here. The audio settings were leaving the sample rate at 48,000 hertz. You might need it to be 44 100 hertz with 32,000 hertz. But for most of our projects, just leave it at 48, channels stereo. Unless you want to make your mixed mono, you can, but then that's going to just make The same exact sound come from both the left and right speakers, stereo. If you have things on the left and right speakers a little bit different. If you recorded your audio and stereo, it's going to export at stereo or 5.1 surround sound and audio quality, just leave that at high for audio bit rate. Leave this at 3 the highest kilobits per second. Uh, so the higher the bit rate, the higher the quality. So just leave that at the highest multiplex or captions published either just some more advanced options, like if you want to add captions to or if you have created captions in premiere pro and you want to export them as a specific file or if you want to publish directly to things like facebook, Youtube, Vimeo or Adobe Creative cloud, you can do that. You just have to sign into your accounts to do so. And then down below we saw this use maximum render quality. Again, it's just an extra box. You have to click, I suggest clicking to make sure that it is the best quality. And then the other one I just want to mention quickly is this import into project? If you want the export to be imported into your project automatically, you can just import it with that last time we just click this export button and it exported straight from premiere Pro. But you can click this queue button and it will open up the export in adobe media encoder. What this allows us to do is export in the background while we continue to work in adobe premiere Pro. Sometimes I'm batch editing a lot of projects at one time. And so I want to export a long project and sometimes it's not just a one minute project that takes a couple minutes. Maybe it's a 30 minute documentary or a two hour long event that I'm editing and I'll want to just start the export but be able to continue to edit other projects or different versions of the same project. Right? With in premiere Pro. So I do that Q option and it opens it up in adobe media encoder here, we can go through and change our export settings. They also have presets on the right hand side as well On the left. You have your H setting option. And if you click that brings us back here to this window where you can change all of your settings. The preset. If you click that again, it goes back here, there are different presets that you can choose straight from. Adobe media encoder like we saw before and the output file, you click that to choose where you want to save it then to start this, you can just press this start que And the reason why it's a Q is because you can actually add more projects to this. For example, when I'm editing a course, I often edit multiple lessons at once, so I'll have 10 lessons that I want to export. So I'll just be editing them in premiere pro and then export them and add them to the Q and continue editing while all of them export. So you can see here after I press the button, it starts to export. And we are on our way to having a great project exported. If you have any questions about this, please let me know. There's also lots of great resources on Adobe's website, on the different codex. The different formats that would take too long to explain in a video but I will be glad to help point you in the right direction If you need any help. Thanks for watching and we'll see you in another video.

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OPTIONAL - Export Settings - In Depth Review

OPTIONAL - Export Settings - In Depth Review

Lesson Info

70. OPTIONAL - Export Settings - In Depth Review

Lessons

Class Introduction

Starting a New Project and Premiere Pro Orientation

Importing and Organizing

Quick Win - Stablize Your Videos

CC 2020 Updates

Quiz: Chapter 1: Introduction

Starting a New Sequence and Understanding the Timeline

Adding Clips to the Timeline, Syncing Footage, and Making Selects

Exercise Syncing Video and Audio

Exercise Review Syncing Video and Audio

Editing Tools

Adding bRoll Footage to Your Video

Adjusting Clip Size and Position

REVIEW Adjusting Clip Size and Position

Bonus - Editing Down an Interview

Editing a Narrative Scene

Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018

Update CC 2018 - Close Gaps in Premiere Pro CC 2018

CC 2020 Update - Auto Reframe

Quiz: Chapter 2: Editing Your Video

Class Check In

Adding Video Transitions and EXERCISE

Exercise Review Video Transitions

Adding Audio Transitions

Exercise - Create a Custom Blur Transition

Trouble with Transitions

Quiz: Chapter 3: Adding Video and Audio Transitions

Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics

Update CC 2018 - Animating Your Title Cards

Update CC 2018 - Saving Titles as Preset Graphics

Update CC 2018 - Essential Graphics Updates

CC 2020 Update - Underlining and Renaming Shape Layers

Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

Adjusting Audio Levels in Premiere Pro

Adjusting Audio Channels

Update CC 2017 - Editing Audio with the Essential Sound Panel

Fixing Audio with the Low and High Pass Filters

Improving Audio with EQ (Equalization)

Adjusting Audio Tracks with Effects

Exercise - Fixing Bad Audio

Exercise Review - Remove Bad Background Noise

Adding Music to Your Project and Making a Song Shorter

Easily Removing Background Noise with Audacity

Update CC 2019 - Reduce Reverb and Reduce Noise Sliders

Parametric EQ Tutorial in Premiere Pro

Remove Echo in Premiere Pro with Parametric Equalizer

Quiz: Chapter 5: Editing Audio

Color Correction with Lumetri Basics

Exercise - Fix White Balance UPDATE

Exercise Review - Fix White Balance UPDATE

Creative Tab - Lumetri Color

Curves Tab - Lumetri Color

Color Wheels - Lumetri Color

HSL Secondary - Lumetri Color

Vignette - Lumetri Color

Exercise - Matching Exposure

Exercise Review - Matching Exposure

Color Correction with Adjustment Layers

Update CC 2018 - Adding Multiple Lumetri Color Effects

Update CC 2019 - Selective Color Grading

Applying Color Effects to Specific Parts of Video with Mask Tracking

Quiz: Chapter 6: Color Correction and Grading

Adding Motion to Title Graphics

Add the Ken Burns Effect to Photos

Exercise - Add Motion to Video to Make it More Dynamic

Exercise Review - Add Motion to Video to Make it More Dynamic

OPTIONAL Adding Motion to Screenshots

Quiz: Chapter 7: Motion in Premiere Pre

Exporting a High-Quality, Small File-Size Video

OPTIONAL - Export Settings - In Depth Review

Export a Full Resolution Video

Exporting Small File-Size Preview Video

Practice Exercise - Finish Class Project

Quiz: Chapter 8: Exporting Your Video