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Exercise Review - Matching Exposure

Lesson 57 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

Exercise Review - Matching Exposure

Lesson 57 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

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Lesson Info

57. Exercise Review - Matching Exposure

Lessons

Class Trailer

Chapter 1: Introduction

1

Class Introduction

01:41
2

Starting a New Project and Premiere Pro Orientation

12:33
3

Importing and Organizing

07:24
4

Quick Win - Stablize Your Videos

02:40
5

CC 2020 Updates

02:31
6

Quiz: Chapter 1: Introduction

Chapter 2: Editing Your Video

7

Starting a New Sequence and Understanding the Timeline

05:55
8

Adding Clips to the Timeline, Syncing Footage, and Making Selects

12:17
9

Exercise Syncing Video and Audio

01:03
10

Exercise Review Syncing Video and Audio

03:09
11

Editing Tools

16:14
12

Adding bRoll Footage to Your Video

10:42
13

Adjusting Clip Size and Position

04:01
14

REVIEW Adjusting Clip Size and Position

02:25
15

Bonus - Editing Down an Interview

34:47
16

Editing a Narrative Scene

11:00
17

Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018

03:49
18

Update CC 2018 - Close Gaps in Premiere Pro CC 2018

01:36
19

CC 2020 Update - Auto Reframe

05:42
20

Quiz: Chapter 2: Editing Your Video

Chapter 3: Adding Video and Audio Transitions

21

Class Check In

00:51
22

Adding Video Transitions and EXERCISE

08:25
23

Exercise Review Video Transitions

02:27
24

Adding Audio Transitions

03:36
25

Exercise - Create a Custom Blur Transition

07:18
26

Trouble with Transitions

06:36
27

Quiz: Chapter 3: Adding Video and Audio Transitions

Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

28

Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics

16:05
29

Update CC 2018 - Animating Your Title Cards

05:44
30

Update CC 2018 - Saving Titles as Preset Graphics

02:16
31

Update CC 2018 - Essential Graphics Updates

10:27
32

CC 2020 Update - Underlining and Renaming Shape Layers

01:56
33

Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

Chapter 5: Editing Audio

34

Adjusting Audio Levels in Premiere Pro

10:16
35

Adjusting Audio Channels

05:05
36

Update CC 2017 - Editing Audio with the Essential Sound Panel

07:57
37

Fixing Audio with the Low and High Pass Filters

04:17
38

Improving Audio with EQ (Equalization)

39

Adjusting Audio Tracks with Effects

02:14
40

Exercise - Fixing Bad Audio

00:41
41

Exercise Review - Remove Bad Background Noise

04:32
42

Adding Music to Your Project and Making a Song Shorter

11:24
43

Easily Removing Background Noise with Audacity

05:17
44

Update CC 2019 - Reduce Reverb and Reduce Noise Sliders

02:47
45

Parametric EQ Tutorial in Premiere Pro

05:01
46

Remove Echo in Premiere Pro with Parametric Equalizer

05:40
47

Quiz: Chapter 5: Editing Audio

Chapter 6: Color Correction and Grading

48

Color Correction with Lumetri Basics

08:43
49

Exercise - Fix White Balance UPDATE

00:38
50

Exercise Review - Fix White Balance UPDATE

02:30
51

Creative Tab - Lumetri Color

05:30
52

Curves Tab - Lumetri Color

03:50
53

Color Wheels - Lumetri Color

01:51
54

HSL Secondary - Lumetri Color

03:40
55

Vignette - Lumetri Color

02:49
56

Exercise - Matching Exposure

00:55
57

Exercise Review - Matching Exposure

04:43
58

Color Correction with Adjustment Layers

06:08
59

Update CC 2018 - Adding Multiple Lumetri Color Effects

03:42
60

Update CC 2019 - Selective Color Grading

05:47
61

Applying Color Effects to Specific Parts of Video with Mask Tracking

04:16
62

Quiz: Chapter 6: Color Correction and Grading

Chapter 7: Motion in Premiere Pre

63

Adding Motion to Title Graphics

04:37
64

Add the Ken Burns Effect to Photos

02:22
65

Exercise - Add Motion to Video to Make it More Dynamic

01:14
66

Exercise Review - Add Motion to Video to Make it More Dynamic

06:14
67

OPTIONAL Adding Motion to Screenshots

08:05
68

Quiz: Chapter 7: Motion in Premiere Pre

Chapter 8: Exporting Your Video

69

Exporting a High-Quality, Small File-Size Video

05:32
70

OPTIONAL - Export Settings - In Depth Review

12:02
71

Export a Full Resolution Video

01:28
72

Exporting Small File-Size Preview Video

01:45
73

Practice Exercise - Finish Class Project

01:03
74

Quiz: Chapter 8: Exporting Your Video

Chapter 9: Visual Effects and Advanced Premiere Pro Tips

75

Adding and Adjusting Effects to Your Video Clips

06:55
76

Adjusting Effects with Keyframes

04:42
77

Using Lumetri Color Presets

03:35
78

Stabilize Shaky Footage with Warp Stabilizer

05:21
79

Exercise - Stabilize Shaky Video

00:36
80

Exercise Review - Stabilize Shaky Video

02:46
81

Make Footage More Cinematic with Overlays

06:44
82

Capture Still Images from Video

01:41
83

EXERCISE - Remove Noise and Grain from Video Clip

06:46
84

Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips

Chapter 10: Video Speed in Premiere Pro

85

Adjusting Clip Speed

05:10
86

Time Remapping and Speed Ramps

03:54
87

CC 2020 Update - Time Remapping up to 20,000%

02:20
88

Slow Motion Video By Interpreting Frame Rates

01:56
89

Exercise - Speed Ramps

01:28
90

Exercise Review - Speed Ramps

00:57
91

Quiz: Chapter 10: Video Speed in Premiere Pro

Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

92

Green Screen Tutorial (ChromaKeying) in Premiere Pro

07:37
93

Adding a Background to Green Screen Video

05:45
94

Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

Chapter 12: Conclusion

95

Conclusion

00:55

Final Quiz

96

Final Quiz

Lesson Info

Exercise Review - Matching Exposure

Okay, so hopefully we're able to figure out how to get these two clips to match. Here's how I would do it. I would first go to my overexposed clip and fix that one too. How I like it and then go back to the underexposed and try to match it to the overexposed shot rather than trying to do them both at one time. I think it's better to just get one right and then match the other one. So with I'm just gonna go with my timeline indicator right in between the two. And then I could literally just press the left arrow key and then the right arrow key to go back and forth between these two clips and edit them. So with this overexposed clip I'm going to take the exposure slider and overall just drop it down. So I think doing that, something like that is good. I could try to take my whites down because I want some more detail in that salt. But as you can see if I do that, even with the highlights, it's not getting any detail back from the salt. And that's an issue with the filming of it. You have...

to be mindful of the kind of detail you lose when you have an over exposed part of your frame. Sometimes fixing it in post is not an option. So I'm just going to leave that how it is because I like the contrast when I decrease the whites you see and the highlights, you see that I'm losing a lot of that contrast and I don't like that for this particular shot. So just with the exposure to get it to a spot that you like, negative 1.8, that seems to be perfect for me now, I'm just going to go back to my underexposed shot and try to match it. So first I can just try to match it with the explosion exposure slider. I can increase it and just compare contrast. What I'm looking at is the wall. So I'm just staring at this part of the wall, going back and forth trying to get it to match. And let's see as soon as I get there, I'll be happy. Something like 1.5 that's pretty darn close. But as I go back and forth, what I noticed is the overexposed image has lots of contrast because actually decreasing and overexposed clip will increase contrast while increasing and underexposed clip will actually make it less contrasted and more flat. So first I can take this contrast slider and just crank this up, Crank it up until it looks similar to the amount of contrast in the other clip that is pretty darn good, I could even go a little bit farther. That is looking pretty darn good. There's a couple small things that are different now and one thing is when I increase the contrast that brought up the highlights or the wall so I can go in here for the underexposed and actually dial back the wall just a little bit, something like that is pretty good and the other thing is right here I can tell this kind of is a little bit brighter than this. So the overexposed shot, this coaster stack is a little bit brighter then on the underexposed image so I can go to my underexposed and just with the shadows, bring those up just a little bit, the light is just a little bit different and maybe that's just because of when we were shooting, you know, light might have changed but that is pretty darn close if we play through this aside from you see the cut because there's a change in the position. But if we go here and close these down and out of transition, you would barely be able to tell that there's a difference between those two clips, it's barely anything right there. Let's make this crosses all even shorter. That is pretty darn close the this is still a little bit dark. Let me bring this back up a touch. Okay, that's I mean no one's gonna notice that except for you. You can try to protect this stuff until you go crazy, but that's pretty good. Hopefully that helps you. Hopefully that's kind of what you were doing and hopefully you got something as close as I did if you win about this another way, please let me know post your clip, post a screenshot of your clip and let us know what adjustments you made to your clip to get them to match. Thanks for practicing. I hope you're enjoying this course so far and we'll see you in another lesson.

Class Materials

Bonus Materials with Purchase

Interview Clips for Windows Users
Exericise Resources
Resources for Premiere Pro Course

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