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Color Correction with Adjustment Layers

Lesson 58 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

Color Correction with Adjustment Layers

Lesson 58 from: Adobe Premiere Pro Fundamentals

Philip Ebiner

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Lesson Info

58. Color Correction with Adjustment Layers

Lessons

Class Trailer

Chapter 1: Introduction

1

Class Introduction

01:41
2

Starting a New Project and Premiere Pro Orientation

12:33
3

Importing and Organizing

07:24
4

Quick Win - Stablize Your Videos

02:40
5

CC 2020 Updates

02:31
6

Quiz: Chapter 1: Introduction

Chapter 2: Editing Your Video

7

Starting a New Sequence and Understanding the Timeline

05:55
8

Adding Clips to the Timeline, Syncing Footage, and Making Selects

12:17
9

Exercise Syncing Video and Audio

01:03
10

Exercise Review Syncing Video and Audio

03:09
11

Editing Tools

16:14
12

Adding bRoll Footage to Your Video

10:42
13

Adjusting Clip Size and Position

04:01
14

REVIEW Adjusting Clip Size and Position

01:49
15

Bonus - Editing Down an Interview

34:47
16

Editing a Narrative Scene

10:07
17

Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018

03:49
18

Update CC 2018 - Close Gaps in Premiere Pro CC 2018

01:36
19

CC 2020 Update - Auto Reframe

05:42
20

Quiz: Chapter 2: Editing Your Video

Chapter 3: Adding Video and Audio Transitions

21

Class Check In

00:51
22

Adding Video Transitions and EXERCISE

08:25
23

Exercise Review Video Transitions

02:27
24

Adding Audio Transitions

03:36
25

Exercise - Create a Custom Blur Transition

07:18
26

Trouble with Transitions

06:36
27

Quiz: Chapter 3: Adding Video and Audio Transitions

Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

28

Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics

07:51
29

Update CC 2018 - Animating Your Title Cards

05:44
30

Update CC 2018 - Saving Titles as Preset Graphics

02:16
31

Update CC 2018 - Essential Graphics Updates

10:27
32

CC 2020 Update - Underlining and Renaming Shape Layers

01:56
33

Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

Chapter 5: Editing Audio

34

Adjusting Audio Levels in Premiere Pro

10:16
35

Adjusting Audio Channels

05:05
36

Update CC 2017 - Editing Audio with the Essential Sound Panel

07:57
37

Fixing Audio with the Low and High Pass Filters

04:17
38

Improving Audio with EQ (Equalization)

39

Adjusting Audio Tracks with Effects

02:14
40

Exercise - Fixing Bad Audio

00:41
41

Exercise Review - Remove Bad Background Noise

04:32
42

Adding Music to Your Project and Making a Song Shorter

11:24
43

Easily Removing Background Noise with Audacity

05:17
44

Update CC 2019 - Reduce Reverb and Reduce Noise Sliders

02:47
45

Parametric EQ Tutorial in Premiere Pro

04:42
46

Remove Echo in Premiere Pro with Parametric Equalizer

05:28
47

Quiz: Chapter 5: Editing Audio

Chapter 6: Color Correction and Grading

48

Color Correction with Lumetri Basics

08:43
49

Exercise - Fix White Balance UPDATE

00:38
50

Exercise Review - Fix White Balance UPDATE

02:30
51

Creative Tab - Lumetri Color

05:30
52

Curves Tab - Lumetri Color

03:50
53

Color Wheels - Lumetri Color

01:51
54

HSL Secondary - Lumetri Color

03:40
55

Vignette - Lumetri Color

02:49
56

Exercise - Matching Exposure

00:55
57

Exercise Review - Matching Exposure

04:43
58

Color Correction with Adjustment Layers

06:08
59

Update CC 2018 - Adding Multiple Lumetri Color Effects

03:42
60

Update CC 2019 - Selective Color Grading

02:30
61

Applying Color Effects to Specific Parts of Video with Mask Tracking

04:16
62

Quiz: Chapter 6: Color Correction and Grading

Chapter 7: Motion in Premiere Pre

63

Adding Motion to Title Graphics

04:37
64

Add the Ken Burns Effect to Photos

02:22
65

Exercise - Add Motion to Video to Make it More Dynamic

01:14
66

Exercise Review - Add Motion to Video to Make it More Dynamic

06:14
67

OPTIONAL Adding Motion to Screenshots

08:05
68

Quiz: Chapter 7: Motion in Premiere Pre

Chapter 8: Exporting Your Video

69

Exporting a High-Quality, Small File-Size Video

05:32
70

OPTIONAL - Export Settings - In Depth Review

12:02
71

Export a Full Resolution Video

01:28
72

Exporting Small File-Size Preview Video

01:45
73

Practice Exercise - Finish Class Project

01:03
74

Quiz: Chapter 8: Exporting Your Video

Chapter 9: Visual Effects and Advanced Premiere Pro Tips

75

Adding and Adjusting Effects to Your Video Clips

06:55
76

Adjusting Effects with Keyframes

04:42
77

Using Lumetri Color Presets

03:35
78

Stabilize Shaky Footage with Warp Stabilizer

05:21
79

Exercise - Stabilize Shaky Video

00:36
80

Exercise Review - Stabilize Shaky Video

02:46
81

Make Footage More Cinematic with Overlays

06:44
82

Capture Still Images from Video

01:41
83

EXERCISE - Remove Noise and Grain from Video Clip

02:55
84

Quiz: Chapter 9: Visual Effects and Advanced Premiere Pro Tips

Chapter 10: Video Speed in Premiere Pro

85

Adjusting Clip Speed

05:10
86

Time Remapping and Speed Ramps

03:54
87

CC 2020 Update - Time Remapping up to 20,000%

02:20
88

Slow Motion Video By Interpreting Frame Rates

01:56
89

Exercise - Speed Ramps

01:28
90

Exercise Review - Speed Ramps

00:57
91

Quiz: Chapter 10: Video Speed in Premiere Pro

Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

92

Green Screen Tutorial (ChromaKeying) in Premiere Pro

07:37
93

Adding a Background to Green Screen Video

05:45
94

Quiz: Chapter 11: Green Screen Editing - Chromakeying in Premiere Pro

Chapter 12: Conclusion

95

Conclusion

00:55

Final Quiz

96

Final Quiz

Lesson Info

Color Correction with Adjustment Layers

in this video. I want to show you how to color correct with adjustment layers. It's an easy way to apply the same color correction to multiple clips in your video sequence right now we have all these clips of Anthony speaking and I could go and copy this lou metric color effect and select all of the interview clips on my timeline and paste it. But maybe later on I might make a small adjustment to the the saturation or to the contrast as I see necessary. Then I would have to go through and edit it for all of the different clips. An easier way is with an adjustment layer. So we need a track between our interview here and the rest of this B roll and the titles up here. So I'm going to select all of these titles and the B roll just by selecting and I'm going to move it up one track. So now we have this track in between then I'm going to go to my project file, I'm going to go to the new item button and go adjustment layer. Select OK. And now we have this adjustment layer and you might want ...

to title it so you know what it is? I'll say a camera color so I know that it's the color correction for a camera. Now I'm going to put it right on top and throughout this entire video. Then I'm going to select the actual color correction for this clip right here. Actually, first I have to decide am I going to use it from this clip which I did with the look obtainable? Or this one which I did from scratch. They look very similar except for this one has have the vignette. So I think I'm going to keep the one from the vignette. I'm actually going to copy it. So select it, command see or cut it, command X. And then paste it on the adjustment layer. Command V. Control V. If you're on a pc, then I'm going to go to this next clip right here that had the previous color correction and delete that one. So now none of these clips right here from interview camera a have any color correction on the actual clip itself. This adjustment layer does though, and if I wanted to make a change, say I do want to add or decrease the vignette, say I want to just decrease the vignette, I can do it right here in the effects controls or by opening up the loo metric color panel, Change it to zero and it changes it for the entire video in one click without any copying or pacing. So I would suggest using adjustment layers when you have interview clips like this when you're editing a narrative film or a documentary with video clips from all kinds of different scenarios. This won't necessarily work from you because the color correction will be different for every clip. But when you're editing a an interview or something where it's the same lighting setup, it's the same exact correction you want to apply to all kinds of clips. Sometimes the adjustment layer will work better now you might be asking what happens when I want to use the B. Track down here. We haven't even thought about using this interview B camera and we can do that by either deleting the A camera or maybe I want to cut from the A camera to the B. Camera. So let's go through this. Maybe I wanna ugly, you know, that doesn't go viral. Maybe right here I want to cut it to the wide camera. What I can do, I can't just select the A camera and drag in because what happens is the audio gets dragged in as well. I can options select which allows me to just choose the video of this track and drag in so now the audio stays there but then it cuts to the wide image. The problem is that this adjustment layer isn't perfect for the wide shot. The wide shot settings were a little bit different. So what we can do actually is let's just open this up just a little bit so I can see more of my timeline. I can add another adjustment layer between my a camera and my B. Camera and change the settings for this B camera shot. I'm just going to duplicate this. A camera adjustment layer right here just by selecting it and pressing command C command V. Rename it by pressing, return on my keyboard and typing in. B. Camera color and put it right here above the B camera shot. Then I'm going to start out with this lou metric color effect that I already added to the a camera. So I'm going to copy that and paste it onto the B. Camera profile. Then I'm going to delete this adjustment layer where the B. Camera is shining through with my razor blade tool C. On your keyboard if you want to get to that and then V. To get back to your selection tool. So now this adjustment layer is affecting all of our B camera. I just have to brighten it a little bit so I'm just going to go down to exposure, set it to zero, maybe even point to something like that. 0.1 small adjustments so now we can cut from here to there, the color correction looks the same, the colors look the same in each of these adjustment layers are affecting all of the video clips for that camera, all the A camera and the camera. If you have any questions, let me know. Otherwise we'll see you in the next video for now. I want you to actually go through and color correct your footage not only for the interview clips but for any B roll that you've chosen to use

Class Materials

Bonus Materials with Purchase

Interview Clips for Windows Users
Exericise Resources
Resources for Premiere Pro Course

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