we're moving on to the creative panel. So let's just open up the creative panel. The first thing is it has these looks or speed looks and there's a drop down menu with a bunch of different looks. They're also kind of filters so they're similar to let's accept the let's match with a camera and with how you're shooting. So if you're shooting with the phantom or the ari, any ari camera or the Alexa or the mirror, that's why they have these specific looks here. The creative filters and the looks are more for any type of camera. We can preview what they look like by clicking these arrows over here on the right side or the left side by two, scroll through these different filters. And if we find one we look like say we want uh let's just go with this clean Kodak hdr look, we can click it and it applies to this this video clip. Let me just undo that and uncheck the basic correction so that we can see really how it looks. So it's in the space look click on that, it applies right here. We can in...

crease or decrease the intensity of this look with the slider right below it. Think of these looks as filters if you use instagram, it's very similar to what an instagram filter filter is like and then from there we can go ahead and make all of our corrections and basic correction and if you are using your looks, I would start with look here and then do the basic corrections or the corrections down here below this looks panel. we have adjustments. Let me actually turn off this look by choosing none from the menu and then I'll actually turn on our basic color correction. We can add a faded film look and this will make things more or actually less saturated and less contrast. E. So you might have seen Samsung commercials, they use this effect a lot where everything looks very unsaturated and un contrast. E. So that's kind of a stylistic choice if you want sharpness. This is a cool tool. This will sharpen the edges of things in your footage. Great for interviews. Just to add a little bit of sharpness to people's eyes or mouths, especially if you're using a camera with a very shallow depth of field where it's hard to get everything in focus on someone's face. So for this footage, I will actually increase this to something like 25 or or so I don't want to go too much because then it starts to look really weird and has a lot of artifacts to it because when you add sharpness, it's actually adding sort of this grain to the footage that I don't want. So I only do it a little bit and don't get me wrong, this won't make out of focus footage in focus. It just makes for the stuff that's in focus already a little bit more sharp. We also have vibrance and saturation sliders here as well saturation does the same as what we saw in basic correction, it adds saturation to the entire clip or it takes away saturation. Vibrance is sort of a smart saturation. It increases the saturation of your frame, but it maintains the saturation of skin tones. So yellows browns that you typically have in skin tones. It's not going to saturate saturate those as much because when you do that with the saturation slider, you can see that it starts to look weird, Anthony's face gets really orange, which is unnatural, but if we use just the vibrance slider, it increases the saturation of, say, his shirt, the this yellow in the background, but it maintains his skin tone. So that's a smart way to add more saturation. Lastly, we have shadow tent and highlight tent. The shadow tent affects the hue or the color of the frame or what's in the frame, that's in the shadows, the darks. So say I want to make the dark colors more blue. I can click in this middle and dragged down to the blues, see how it makes them more blue. If I go way too far, it starts to affect everything, but just a little bit might be kind of cool and then the highlights will affect the highlights. So if I want to make the highlights more warm, see how the color the the blind or the curtains behind him become more yellow, that's making it more warm, that's affecting just the highlights and then the tent balance is the balance between which one is more powerful. The shadow tent or the highlight tent. So this is a cool way to get more of a fun look or creative style. If you're doing music videos, something more experimental, this is a cool thing to, to use. And there are other similar things that we're going to be learning how to affect just particular parts of the film down below in these next panels. But this for now is the creative panel. Have fun with it. Start playing with the creative looks fine ones that you like because there are some that I really like that. Um, I use for a lot of mind some of these Fuji looks some of these Kodak ones. I don't use a lot of these ones that are like blue or gold yet, but perhaps they'll come in handy in a future project. Thanks for watching. And in the next video we'll look at curves

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Creative Tab - Lumetri Color

Creative Tab - Lumetri Color

Lesson Info

51. Creative Tab - Lumetri Color

Lessons

Class Introduction

Starting a New Project and Premiere Pro Orientation

Importing and Organizing

Quick Win - Stablize Your Videos

CC 2020 Updates

Quiz: Chapter 1: Introduction

Starting a New Sequence and Understanding the Timeline

Adding Clips to the Timeline, Syncing Footage, and Making Selects

Exercise Syncing Video and Audio

Exercise Review Syncing Video and Audio

Editing Tools

Adding bRoll Footage to Your Video

Adjusting Clip Size and Position

REVIEW Adjusting Clip Size and Position

Bonus - Editing Down an Interview

Editing a Narrative Scene

Update CC 2018 - Opening Multiple Projects in Premiere Pro CC 2018

Update CC 2018 - Close Gaps in Premiere Pro CC 2018

CC 2020 Update - Auto Reframe

Quiz: Chapter 2: Editing Your Video

Class Check In

Adding Video Transitions and EXERCISE

Exercise Review Video Transitions

Adding Audio Transitions

Exercise - Create a Custom Blur Transition

Trouble with Transitions

Quiz: Chapter 3: Adding Video and Audio Transitions

Update CC 2018 - New Titles in Premiere Pro CC 2017.1 - the Essential Graphics

Update CC 2018 - Animating Your Title Cards

Update CC 2018 - Saving Titles as Preset Graphics

Update CC 2018 - Essential Graphics Updates

CC 2020 Update - Underlining and Renaming Shape Layers

Quiz: Chapter 4: Creating Titles (Adobe Premiere Pro CC 2017.1 and newer)

Adjusting Audio Levels in Premiere Pro

Adjusting Audio Channels

Update CC 2017 - Editing Audio with the Essential Sound Panel

Fixing Audio with the Low and High Pass Filters

Improving Audio with EQ (Equalization)

Adjusting Audio Tracks with Effects

Exercise - Fixing Bad Audio

Exercise Review - Remove Bad Background Noise

Adding Music to Your Project and Making a Song Shorter

Easily Removing Background Noise with Audacity

Update CC 2019 - Reduce Reverb and Reduce Noise Sliders

Parametric EQ Tutorial in Premiere Pro

Remove Echo in Premiere Pro with Parametric Equalizer

Quiz: Chapter 5: Editing Audio

Color Correction with Lumetri Basics

Exercise - Fix White Balance UPDATE

Exercise Review - Fix White Balance UPDATE

Creative Tab - Lumetri Color

Curves Tab - Lumetri Color

Color Wheels - Lumetri Color

HSL Secondary - Lumetri Color

Vignette - Lumetri Color

Exercise - Matching Exposure

Exercise Review - Matching Exposure

Color Correction with Adjustment Layers

Update CC 2018 - Adding Multiple Lumetri Color Effects

Update CC 2019 - Selective Color Grading

Applying Color Effects to Specific Parts of Video with Mask Tracking

Quiz: Chapter 6: Color Correction and Grading

Adding Motion to Title Graphics

Add the Ken Burns Effect to Photos

Exercise - Add Motion to Video to Make it More Dynamic

Exercise Review - Add Motion to Video to Make it More Dynamic

OPTIONAL Adding Motion to Screenshots

Quiz: Chapter 7: Motion in Premiere Pre

Exporting a High-Quality, Small File-Size Video

OPTIONAL - Export Settings - In Depth Review

Export a Full Resolution Video

Exporting Small File-Size Preview Video

Practice Exercise - Finish Class Project

Quiz: Chapter 8: Exporting Your Video