Synchronizing Edits

Lesson 84 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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84. Synchronizing Edits

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Synchronizing Edits

Okay. Finally, the last thing that we should talk about when it comes to our adjustments inside of the develop module. So when we're working on images here inside of our develop module, like, say, we had just worked on this when we brightened it up, we like the way it looks. We need to synchronize those because I don't need to go to this image and do the same stuff that I did on this image. It's just a waste of my time. So instead, what I want to do is I want to copy the information from this image to this image, and so there are several ways to do it. The first way do it is if you come to the second image and you want to steal all the stuff that you made in the one image you can simply go and click on. So there's a little button right over here and you click on it and it's saying, Apply from previous photo and I can just to apply the adjustments or I comply everything. So adjustments air kind of those global things, and all would suggest anything in everything, including, you know, a ...

spot removal or anything like that. So I'm gonna click all and boom. So now I've got this image that's done, and this image is almost all done. It's It's almost perfect. It is a little darker. And so I might come in here and just increase maybe the shadow just a little bit. Or better yet, what I would do is come in with my local adjustment brush and just paint in right here. Oh, any did go bigger on that brush? I would just paint in right here a little bit of brightness. So I go into the light and just just brighten up her face just a little bit and hit done, and then that would be perfect. So I didn't have to redo the whole photo. I just simply said, Hey, whatever I did on the last one, go ahead and apply it to this one. Um, the other way that we can work on photos is to select a set of photographs. So if we click on, say, this image here and we know we like that image, um, we can apply all of those settings so we could just say I like, So I'm going to go in here and select this image, and I'm in a copy all of my adjustments, So I just copied. So by hitting that copy button, I copied all of the adjustments, and now I'm going to select a bunch of photos that are similar to each other. There we go, and now I'm gonna paste and it's gonna ask me, Do I really want to paste it to these 11 photos? I'm gonna hit, apply, and it's pasting each one individually, and it's it's saying, Okay, this one, this one, this one, all of these each one is going to get that same a setting pasted onto it. Now, one of the problems that you'll find inside of working in light room like this is that it's not quite as fast as working inside of light room. Classic Light from Classic has a lot more synchronization options, including Auto Sync, which you do not have inside of light ra mobile or even inside of light from desktop. So if you are used, if you're if you need a workhorse and you need to get through a lot of images really fast, this cut and paste mentality is not really the fastest way to do things. And so I consider the The IPad is kind of a sketch pad. It's a place where I take several images and I work on the image that I want to work on, and I don't try and work on every image. I don't try and finish a job. I just work on the images that I need to get out the door or that I want to send to social media while I'm in the process or while I'm traveling. And I just want to work on some images and sketch my ideas, because as soon as I get back to my my office, I can open up light room classic and I could just copy. I just I can just click on the one image that I did select. And then I did adjust in the light in, um in my IPad, and I could just highlight another photos and sink him, and it will just sink across, and it won't take that long, so this had to do it individually. It just does it. And so that's the value of working in tandem, using the IPad and light room Classic because you could do some sketching here, and then when you get home, you can apply it to other images. So that is the process of copying and pasting the work that you've done on one image to another image.

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Jared Platt

Jared Platt is an international wedding, lifestyle, and portrait photographer and photographic lecturer.  Jared began his studies in photography in documentary and landscapes, but today you will find his images are a perfect blend of the three genres.

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topics covered in this class

Adobe Lightroom Fundamentals Post-Processing Photo Editing

Ratings and Reviews

Ira Richterman

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

catherine Haggerty

Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!

Dan Clarke

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

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Synchronizing Edits

Synchronizing Edits

Lesson Info

84. Synchronizing Edits

Lessons

Differences Between Lightroom Desktop and Lightroom Classic

Hard Drives

File Organization

30,000 Foot View of Workflow

Importing into Lightroom

Building Previews

Collections and Publish Services

Keywords

Hardware for Lightroom

Searching for Images

Selecting Images

Organizing Images

Collecting Images for Use

Develop Module Overview

Profiles

Basic Adjustments

Basics Panel: Texture, Clarity, and Dehaze

Basics Panel: Saturation and Vibrance

Tone Curve

HSL

Split Tone

Lens Corrections

Details

Transform Tool

Effects Panel

Synchronizing for Faster Editing

Spot Tool

Skin Softening and Brush Work

Range Masking

Dodge and Burn

Working with Specific Colors

Edit Quickly with Gradient Filters

Making Presets

Preparing Image in Lightroom

Content Aware Fill

Skin Repair

Skin Smoothing

Expanding a Canvas

Liquify

Layers and Composite Images

Sharing via Web

Exporting Files

Sharing with Slideshows

Archiving Photos and Catalogs

Designing

Making Prints

Color Management and Profiles

Archiving Photos and Catalogs

Using Cloud Storage

Adding Images to your Portfolio

Collecting for Your Portfolio

Publishing Unique Websites Per Project

Sharing to Instagram

HDR

Panorama

HDR Panorama

Making Presets

Creating Profiles

Maps

Setup for Tethered Shooting

Sharing with the Client

Watched Folder Process

Second Monitor and iPad

Backup at the Camera

Gnar Box Disk Backup

iPhone and iPad Review

Importing to Lightroom on iPad

Cloud Backup

Adjust, Edit, and Organize

Using Lightroom Between Devices

Lightroom Desktop

Removing Images from the Cloud

Profiles

Light