Sharing with the Client

Lesson 61 from: Adobe Lightroom: The Ultimate Guide Bootcamp

Jared Platt

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61. Sharing with the Client

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Sharing with the Client

so we have our shot. But now what if the client happened to be somewhere else? Let's say the client is in New York City and I'm in Phoenix, Arizona, and they want me to shoot this old watch, and I say, Yeah, I'll do it. Just you don't need to come here. I'll I'll just include you in the shoot. So what I'm gonna do is I'm gonna go back to the library module and I'm gonna scroll down to my collections. And there's the collection that I made on the way in. When I was making the Tethered shoot, I added, This collection on this collection is you can see based on that little lightning bolt is already synchronizing to the cloud. If it wasn't synchronizing cloud, you would see a little box instead. So it's already sinking to the cloud. And if I click on that and look at the grid mode, there are three images inside of this tethered shooting. I remember a collection is a virtual location. It's not a real locations virtual and so anything that's in here is being synchronized to the cloud and show...

n to whoever I give a link to on a website. So I can I can click the first image and delete it, and it's going to ask me, Do I want to keep this in the cloud? I'm going to say no, I don't need it in the cloud. So now I'm on Lee giving them two shots. So anything that I show inside of this But remember, the original images are still here. There are three of them, so I still have all the original images in the folder because the folder is where the actual photos are. The collection is just simply a reference to those images and so I can remove anything I want there, and I'll still have originals in the file. So if I right click this, if I right click the tethering collection and I go down to the light room links, I can make that collection a public collection. So now that it's a public collection, anybody I give a link to concur come in and see those files. I'm gonna right click that again, and this time I'm in a view it on the Web. So now we're viewing this on the Web, and there are two shots now. This is my portal. This is what I see. But I can go in. And I can either create just a simple website like this that a client can look at everything coming in or more importantly, for commercial shooting. I can click on this link here, which is to make a proofing site. So if I click on the proofing site and I come up to this little person plus image right here, if I click on that plus image, it's gonna ask me if I want to enable proofing. I'm going to say yes. And now here's the link and I can limit my client and say I only want you to choose one photo, copy this link, and then I'm going to send that link to my client. There we go. So the client is looking and could be anywhere on earth and look at what I'm shooting. And as I shoot, they will come in here. They'll just need to refresh every time, every couple minutes or whatever, because the websites only gonna feed in what was there when they were looking last. And so just tell him. Okay, refresh every couple of minutes and keep looking at what we're shooting, and if you have any comments, let us know and it'll take it. Takes maybe a second and 1/2 for it to get from the camera to the computer. And then it takes maybe, ah, 30th of a second to get it into the collection. And then it takes maybe five seconds to get it up to the cloud. And so, within about 30 seconds of you taking the photo, if they refresh, they'll see the photo here probably less than 30 seconds, depending on your Internet speed and so they can see almost in real time what you're shooting anywhere on earth. And then they could just say, Oh, this one's the one I want, so they collect it. Then they say, Hey, I just selected the one I want. You were done with the shoot. I think it's perfect, and they just if they want to look at him big, they can click on the image itself, and they can see him nice and big. And so that's how quickly you could have your shoot done because your client could be looking in on the shoot. Um, this could also be something you could do for friends and family that want to peek in on a photo shoot you're doing. You could just say if you want to see this cool thing I'm doing or if you want to teach and you're doing, ah, live, shoot And you're saying, Hey, anybody that wants to look at these images, just click on this link below and say, You're doing a Facebook live thing. You're taking pictures and they click on the link and it takes them to a website. They can see the images in real time. If I choose a website, not only can I let them see it in, you know I can change, you know the look and the feel of the Web site, but I can also go up to the little plus symbol up here with the with the little guy, that silhouette click on it and in the settings Aiken say, allow downloads of J pegs. So if you happen to be doing like a party and you're doing a photo shoot, that's kind of like a photo booth. You could just give him the link, and then they can go home and download their favorite picture. So it's really, really a useful way to share your images from a tethered shoot

Class Materials

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Adobe Lightroom Mobile Cloud

Adobe Lightroom Image Pipeline System

Workflow in Adobe Lightroom

BW Preset Collection

Color Art Pro Profiles

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Jared Platt

Jared Platt is an international wedding, lifestyle, and portrait photographer and photographic lecturer.  Jared began his studies in photography in documentary and landscapes, but today you will find his images are a perfect blend of the three genres.

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topics covered in this class

Adobe Lightroom Fundamentals Post-Processing Photo Editing

Ratings and Reviews

Ira Richterman

I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com

catherine Haggerty

Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!

Dan Clarke

This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.

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Sharing with the Client

Sharing with the Client

Lesson Info

61. Sharing with the Client

Lessons

Differences Between Lightroom Desktop and Lightroom Classic

Hard Drives

File Organization

30,000 Foot View of Workflow

Importing into Lightroom

Building Previews

Collections and Publish Services

Keywords

Hardware for Lightroom

Searching for Images

Selecting Images

Organizing Images

Collecting Images for Use

Develop Module Overview

Profiles

Basic Adjustments

Basics Panel: Texture, Clarity, and Dehaze

Basics Panel: Saturation and Vibrance

Tone Curve

HSL

Split Tone

Lens Corrections

Details

Transform Tool

Effects Panel

Synchronizing for Faster Editing

Spot Tool

Skin Softening and Brush Work

Range Masking

Dodge and Burn

Working with Specific Colors

Edit Quickly with Gradient Filters

Making Presets

Preparing Image in Lightroom

Content Aware Fill

Skin Repair

Skin Smoothing

Expanding a Canvas

Liquify

Layers and Composite Images

Sharing via Web

Exporting Files

Sharing with Slideshows

Archiving Photos and Catalogs

Designing

Making Prints

Color Management and Profiles

Archiving Photos and Catalogs

Using Cloud Storage

Adding Images to your Portfolio

Collecting for Your Portfolio

Publishing Unique Websites Per Project

Sharing to Instagram

HDR

Panorama

HDR Panorama

Making Presets

Creating Profiles

Maps

Setup for Tethered Shooting

Sharing with the Client

Watched Folder Process

Second Monitor and iPad

Backup at the Camera

Gnar Box Disk Backup

iPhone and iPad Review

Importing to Lightroom on iPad

Cloud Backup

Adjust, Edit, and Organize

Using Lightroom Between Devices

Lightroom Desktop

Removing Images from the Cloud

Profiles

Light