Optics
Lesson 78 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Optics
Lesson 78 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Optics
Now we're going to go into the optics section and the optics section is really important. Let me, uh, go to an image that would be appropriate for it. So inside of the optic section, you have two options here inside of light room Mobile. Um, there's MAWR options inside of light from classic, uh, and in light room desktop, which is the newer version of light room that's on the desktop. But here, inside of Lighter Mobile, you have two options. One is to remove chromatic aberration, and the other is to enable lens corrections. So I'm shooting a fairly wide shot here, and if you can see that, there's a little bit of a curvature here along that window and a little bit of a curvature here. So I'm going to use the lens correction option. Turn that on just to straighten out the photograph a little bit. You can see how it bends because of the lens, so that's off. That's on at the same time as it's fixing the lens. It's also fixing the natural vignette ing that's happening, and when you get back...
into light room, classic or in light of desktop, you can actually adjust that a little bit, especially in light room classic, you have the ability to really fine tune. In fact, you can say I want it to correct the, uh, the vignette ing, but I don't want it to correct the natural Boeing of the lens or vice versa. Now the other thing that's here is the chromatic aberration, and chromatic aberration appears in very specific circumstances. So I'm gonna zoom in here so you can see Do you see that purplish thing, that line right here, that right along that black iron work there is a spill of purple light, and that purple light is from chromatic aberrations. So that is ugly in our photographs, and especially if that shows up on someone's face or shows up somewhere on their shoulder when they especially when someone's wearing like a dark suit against the light sky or a white background, you can oftentimes see that there, and basically it's extreme contrast Edges is where it shows up, and so we want to get rid of that, and I'm going to remove it with chromatic aberration. I'm just gonna turn on the chromatic aberration so you can see like right up here. Okay, We're watching for those little purple lines to disappear, so I'm gonna turn it on, and you can see how it limits them. It didn't make them completely difference. Appear because those air really bad. Was there tough ones? Um, but if I go then into light room classic or I go to light from desktop later, I can further home that and I can actually make those completely disappear. But not here, at least right now, this version of light room, uh, mobile. We're still at a point where it's just on on off switch. But the when we goto light room on our computer, we can actually further home that most time. Most of the time, this will actually take care of those issues. For instance, if I go to this photograph here, I can see that there's some chromatic aberration right along the edge of this cross. And if I turn on the chromatic aberration, it completely removes that line of of color. So in most cases, it actually works perfectly. But in this case, that's some pretty severe chromatic aberration. But we can take care of inside of our other versions of light room
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.