Geometry
Lesson 79 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Geometry
Lesson 79 from: Adobe Lightroom: The Ultimate Guide BootcampJared Platt
Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Geometry
And so now we're gonna go to the geometry section. The geometry section is very important when you're dealing with architectural work, but it also works well with people in the shot because it does a good job at renegotiating, um, the geometry of a photograph without destroying the geometry of the person. So I'm gonna fix this shot because it's this shot is all about frames and about perpendicular and, uh, horizontal lines. So I am going, uh, parallel lines, I should say. So I'm going to fix those, and I'm gonna do it with four lines. So we need to vertical lines and we need to horizontal lines in order to fix this photograph. So I could do this in several ways. There's a lot of different options here where I could actually, you know, play around with the distortion of the photograph. Like this woo, Um, I can do that. I can play around with the vertical and horizontal versions of, so I could do that. But this is all kind of a waste of time, actually. Hear better is to come in here and ...
use geometry and click on this little cross looking button. When I click on that. I'm actually going to get to draw lines that show where the hurl the important horizontal and vertical lines are. So the first whore vertical line is this window. So I'm gonna click here, hopes and add a point, and I'm gonna click here and drag there, and I'm gonna click and drag a line. I don't know why. Didn't work just a second ago, but here we are and let go. So that's the first vertical line. But you'll notice that nothing changed because I haven't added a second vertical line. So now I'm gonna come over on the left side and click on this window sill and give it the next vertical line. And now it shifted. So now all of our vertical lines, based on the one on the right and the one on the left have been fixed. But I still have some skew going on based on the horizontal. So now I'm going to come in and grab a horizontal line here like this Hopes grab a horizontal line like this. Not sure why that keeps doing that. I think I'm touching something here. Okay, so I'm gonna draw ah, horizontal line here across these windows there. And now you can see that it re negotiated itself again based on three lines. And now I'm gonna draw the last important line, which is down here a the bottom and it's gonna be that wall and I kind of messed up that line. So I need to grab this part and re negotiate it until it's right. I messed it up again. They're So now I have all four lines drawn. And if I turn off the geometry so that you can just see look at that, it is super perfectly square. And I love the shot that way because now all of those windows are perfectly square with the frame edge itself. And now it's It's the shot that I wanted. Um, obviously, I wasn't perfectly square when I shot the shot, but that's okay. I have the ability to fix it here in the geometry section, inside of light room itself. So that is geometry inside of light room. And my suggestion is that you usually use this guided option as opposed to you have other options, like auto and level on vertical. Those all just kind of automatically trying. Choose based on Oh, he wants everything vertical. He wants everything level. But my favorite is the guided inside of the geometry section.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.