Lessons
Differences Between Lightroom Desktop and Lightroom Classic
19:42 2Hard Drives
08:06 3File Organization
08:31 430,000 Foot View of Workflow
05:36 5Importing into Lightroom
04:10 6Building Previews
07:14 7Collections and Publish Services
05:11 8Keywords
06:27Hardware for Lightroom
06:08 10Searching for Images
07:51 11Selecting Images
14:15 12Organizing Images
04:02 13Collecting Images for Use
14:56 14Develop Module Overview
10:15 15Profiles
11:34 16Basic Adjustments
11:45 17Basics Panel: Texture, Clarity, and Dehaze
05:31 18Basics Panel: Saturation and Vibrance
02:40 19Tone Curve
09:26 20HSL
04:48 21Split Tone
08:19 22Lens Corrections
08:32 23Details
09:34 24Transform Tool
05:52 25Effects Panel
10:00 26Synchronizing for Faster Editing
07:40 27Spot Tool
17:51 28Skin Softening and Brush Work
07:00 29Range Masking
13:28 30Dodge and Burn
17:36 31Working with Specific Colors
08:30 32Edit Quickly with Gradient Filters
11:22 33Making Presets
13:24 34Preparing Image in Lightroom
09:51 35Content Aware Fill
11:14 36Skin Repair
02:44 37Skin Smoothing
14:39 38Expanding a Canvas
04:30 39Liquify
10:22 40Layers and Composite Images
12:54 41Sharing via Web
17:52 42Exporting Files
10:47 43Sharing with Slideshows
08:00 44Archiving Photos and Catalogs
19:54 45Designing
13:35 46Making Prints
11:27 47Color Management and Profiles
13:00 48Archiving Photos and Catalogs
11:31 49Using Cloud Storage
04:09 50Adding Images to your Portfolio
09:23 51Collecting for Your Portfolio
18:03 52Publishing Unique Websites Per Project
19:48 53Sharing to Instagram
07:06 54HDR
15:32 55Panorama
06:41 56HDR Panorama
09:54 57Making Presets
15:39 58Creating Profiles
18:09 59Maps
07:08 60Setup for Tethered Shooting
23:21 61Sharing with the Client
05:42 62Watched Folder Process
07:04 63Second Monitor and iPad
06:09 64Backup at the Camera
03:50 65Gnar Box Disk Backup
06:45 66iPhone and iPad Review
12:52 67Importing to Lightroom on iPad
02:59 68Cloud Backup
04:39 69Adjust, Edit, and Organize
07:46 70Using Lightroom Between Devices
11:27 71Lightroom Desktop
05:27 72Removing Images from the Cloud
10:49 73Profiles
09:34 74Light
04:34 75Color
05:36 76Effects
15:22 77Details
08:33 78Optics
03:49 79Geometry
04:12 80Crop
04:39 81Adding and Using Presets and Profiles
13:41 82Local Adjustments
15:40 83Healing Tool
03:29 84Synchronizing Edits
04:57 85Editing in Photoshop
08:54 86Finding Images
07:09 87Sharing and Exporting Albums on the Web
09:18 88Posting Images to Social Media
14:01 89Overview of Lightroom Desktop
07:35 90The Workflow Overview
10:08 91Organizing Images
05:10 92Albums and Shared Albums
18:21 93Lightroom Desktop Workspace Overview
04:36 94Importing and Selecting Images
09:23 95HDR and Panoramics
22:44 96Light
07:47 97Profiles
07:23 98Tone Curves
02:57 99Color
08:35 100Effects
17:01 101Details
12:43 102Optics
04:05 103Geometry and Crop Tool
06:01 104Sync Settings
02:40 105Making and Adding Presets
03:48 106Healing Brush
02:21 107Brush Tool
03:14 108Gradient Tool
04:16 109Edit in Photoshop
02:53 110Finding Images with Sensei
06:32 111Sharing Albums on the Web
04:57 112Print through Photoshop
02:09 113Exporting Images to Files or Web Services
04:36 114Connecting with Lightroom Classic and Mobile Devices
05:24 115Archiving Images for Storage
09:55 116Review of the Workflow
07:20Lesson Info
Expanding a Canvas
Now, let's talk about a really interesting issue that is best done in photo shop. Simply because Photoshopped has a capability that light room does not have. I wish like room had this capability. You can see that if I have. I like this photograph that I've taken. Um and I like the fact that I've got extra space up here, but the one that I want to use is this image here. I stood up a little bit more. I don't want to use this one. I want to use this one. And the problem is is that when I shot it, I was angled. So if I reset this crop, the horizon line is skewed. And if I try and crop it so that the horizon line. So if I If I angle it so that the horizon line is correct, then I lose the action. I can't get the, uh, the top of the tree. So I've got a straight horizon line, but I have no top of the tree. So then I have to. So it's like, Well, what do I choose Horizon line or the top of the tree? So I can't do this inside of light room, and so I'm a little disappointed by that, so I'm going ...
to edit it in photo shop. So I'm just gonna click command E. It's going to take me to photo shop and inside a photo shop. If I use the crop tool inside a photo shop, this is a fantastic tool. If I use it, and I I'm just gonna turn the crop until I have the correct horizon line and then I'm going to expand my craft back up the way I wanted it in the first place because I wanted it to be that high. I don't mind all of this stuff. I'm gonna expand this edge out to Let's just go right about there. I think that's the crop that I want. But I have all this blank space, and there's this really great tool inside of Photoshopped that says, content aware. If I click on that, it's going to fill in all of these areas. Once I say go. So I'm just gonna hit this check box up here of the very top in middle, and when I do that, it's cropping the image, and it fills in all of the edges with the sky and with the rocks and all that kind of stuff once it's cracked. So there we go. Done. So now I have the correct horizon line. And if you zoom in here, look at this. Did a great job with sky. It even did a good job with the rocks over here. A little extra foliage. So it did a fantastic job. And now I have the image that I always wanted, even though I was skewed, I don't know. Why was that skewed? But I waas and I've still got the top of the tree and I've got the clouds up here. If you ever see a little bit of like a line or it didn't do quite as good a job filling so like right here, it created a little softness than all I need to do is go into the stamp tool. I'm just going to use it as a normal stamp tool and at 100% and I'm just gonna grab something here and just kind of and then you're good. So you all you're doing is just fixing any kind of lines that are created. But it did a fantastic job and now I'm ready to go. So I'm gonna close this up by command. W It's sending it back to Photoshop, and now I have a really great version of this image. But remember, you got to do everything possible in light room first, then you round trip to Photoshop so that once you get back here, you don't have to do any additional editing to your file. And by the way, once you've done that, it's stacked on the original. So I want you to go in and click on this one of two button right here and close the stack. That way, you're only looking at that top file. If you do that, if you keep your stacks closed or before you ever export anything, you simply go up to your, um, library, actually, photo stacking, and then you just say collapse all stacks. When you do that, any stack that's in the grid that you're looking at will be collapsed. Then highlight everything and exported, and your client will only see the top image. So going to photo shop in order to expand your canvas a little bit is a really good idea.
Class Materials
Ratings and Reviews
Ira Richterman
I am truly a recreational novice in the photography world and this video is fantastic. Photography has become a very technical world both on the camera side as well as post production. Jared has great teaching skills and sure makes it look very simple. I would recommend this video for those starting out in Lightroom as this program can be overwhelming and has a daunting amount of information. I would like to know if there is a resource of location of contact to ask a question or two for clarifications as a viewer goes through the course. For example, when making a new collection and if you choose the option of making this new collection a target collection, what happens if you then make another new collection and select that new collection to be a target collection? If you click on B to add a photo to a target collection and you made two target collections then where does this virtual selection go, ie into which target collection? Thanks Ira irichterma@aol.com
catherine Haggerty
Loved this class. As a beginner it really gives me working knowledge to use LR confidently. This class is older, so a few times I really had to stop and figure out how it worked in the newest version of LR... but all in all this class was amazing!
Dan Clarke
This class was great. I've never used Lightroom before and now I feel comfortable in it. Massive amount of good info.