Lesson Info
21. Flanger
Lessons
Introduction to the Course
00:29 2Serum Introduction
00:55 3Serum Overview
04:00 4Main Oscillators
10:42 5Sub + Noise Oscillators
04:40 6Warp Menu
10:37 7Wavetable Editor
10:35 8FFT Editor
04:46Importing Audio into the Wavetable
10:04 10Filter
06:18 11Envelopes
06:25 12LFOs
08:18 13Voicing Section
04:21 14Getting Started with FX
04:16 15Reverb
14:14 16Compressor
07:48 17Multiband Compressor
04:04 18EQ
07:48 19Delay
08:03 20Chorus
06:11 21Flanger
03:14 22Phaser
03:25 23Filter
03:51 24Hyper-Dimension
03:41 25Distortion
05:03 26Serum as an FX
02:29 27Mod Matrix
04:47 28Global Section
06:59 29Thanks and Bye
00:11Lesson Info
Flanger
Hi. In this video, I'm gonna explain to you the Flanger effect in serum. Now, a flanger is much like a chorus effect. But in this example, it's a bit simpler. But also Flanger tend to use significantly shorter delay times between the original signal and the delayed signal. So let's experiment with some of the features of the flanger here. So that's why it sounds like a full mix. You can hear how it's a much more metallic sound, but also it's a bit flatter than it was in the chorus which doubled up a few times over because it's only been fed back once. It's, it's not being multiplied by four like it was in the chorus effect here as well. We have the depth of modulation. So let's bring that down sync with B PM and go to 1/ and I increase the depth now. So the delay time of the fed back signal is being modulated at a rate of 1/4 relative to the B PM just gonna turn down the mix. So it's added a slight surrealness to the sound. And the feedback here allows me to determine how much of the s...
ignal is being fed back into the input. OK? And here we can change the relative phase between the dry and the wet signal. So phase is time. So it's basically just gonna be the difference in time between the two. And finally, as always, we have the mixed to determine the balance between the wet and dry signal. Thanks for watching and I'll see you in the next video.
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