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Mastering Your Digital Camera

Lesson 36 of 51

Autofocus

Chris Weston

Mastering Your Digital Camera

Chris Weston

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Lesson Info

36. Autofocus
Understanding how a camera's autofocus works helps capture sharp shots. Understand the difference between phase detection and contrast detection.

Lessons

  Class Trailer
Now Playing
2 Setting Up Your Camera Duration:05:25
3 JPEG or RAW Duration:03:11
4 Compression Duration:01:38
6 Module 1 Summary Duration:01:42
7 Applying White Balance Duration:03:41
9 Auto White Balance Duration:03:07
10 Module 2 Summary Duration:01:31
11 Controlling Exposure Duration:01:23
12 F Numbers Duration:03:06
14 Exposure Modes Duration:01:48
15 Too Little or Too Much Light Duration:02:34
16 Manual Exposure Mode Duration:01:37
18 Module 3 Summary Duration:01:40
19 ISO in Practice Duration:01:16
20 ISO and Noise Duration:05:03
21 An Acceptable ISO Duration:01:23
22 Module 4 Summary Duration:01:29
23 Metering Modes Duration:03:06
24 The Light Meter Duration:02:11
25 The Bucket Test Duration:02:12
26 How To Read Tonality Duration:02:32
27 Being Creative With Tone Duration:01:14
28 Exposure Compensation Duration:01:35
29 High Contrast Lighting Duration:03:39
30 Histogram Duration:02:06
31 Highlights Alert Duration:01:32
32 Never Underexpose Duration:04:16
33 Digital Exposure Mantra Duration:01:25
34 Module 5 Summary Duration:02:57
35 Focus Modes Duration:01:23
36 Autofocus Duration:02:59
37 Point of Focus Duration:02:35
38 Depth of Field Duration:02:41
39 Hyper-Focal Distance Focusing Duration:02:51
40 Focus Tracking Duration:04:19
41 Manual Focus Duration:01:57
42 Predictive Focus Duration:01:03
43 Summary Duration:02:32
44 Buying Lenses Duration:05:00
45 Summary Duration:01:45
46 Quality of Light Duration:01:32
47 Direction of Light Duration:01:52
48 No Such Thing as Good Light Duration:02:00
49 Final Word Duration:02:52

Lesson Info

Autofocus

cameras focus automatically by detecting contrast. If there's no contrast, there's no water focus. Now I contest this theory by pointing my camera to clear blue sky because there's no contrast in that blue the camel going to what it's called hunt mode, with the lens moving backwards and forwards constantly looking for something to focus on but never actually making a decision. If, however, I point, the camera toe white bird flying through the blue sky in the contrast between the bird in the sky will give the cameras something to focus on our cameras. Sees contrast pretty much depends on the type of camera. DS Alaska it One way Marylise cameras do it another. The two systems are called phase detection and contrast. Detection face detection works off the mirror, which is why it can't be used in a mirror. This camera contrast detection works off the sensor, which is why it can't be using a DSLR because in a DSLR the mirror gets in the way. However, modern technology being what it is, most...

cameras today actually use a hybrid system, a combination of the two, and that's because both of them have advantages. Contrast. Detection is the most accurate, but it's relatively slow and only really good for static subjects such as landscapes. Face detection is much faster and is great for tracking moving subjects. But now we've understood the science of auto focus is your job to tell the camera what to focus on, and you do that Using the auto focus sensors, which are those little squares you see etched in the viewfinder of the layout of the grid, varies between types of camera in DSLR cameras or sensors arranged to cover an area in the center of the viewfinder. While in Marylise cameras, they tend to cover the whole image space. The number of sensors also varies. High end cameras tend to have more, which on the whole means quicker, more accurate. Focusing on this is one of the things you're paying for with a higher price tag. The senses themselves also very between cross type and line type. Now, cross type sensors detect contrast in both vertical and horizontal planes, while line type sensors detect contrast in one plane only which, generally speaking, made cross type senses quicker to focus and more accurate. But only some of the senses in high end cameras. Typically those groups right in the center of the folks in grid across type and an entry level cameras. Sometimes the only cross type center is the middle one, and this is something to be aware off. If your subject dictates speedy auto focus to manually set the active F sensor, that is the sense of the camera starts with. Before tracking any movement, you simply move the focus selector until the appropriate sensor is lit. Then when you turn on auto focus, whatever is covered by the sensor is this subject the camera will focus on. And that brings me to my next question. What object will arian the scene? Do you focus on?

Class Description

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Set up your camera with confidence
  • Better understand shutter speed, aperture, and ISO
  • Capture perfect exposures in camera
  • Get sharp, focused images quickly
  • Understand white balance and the difference between RAW and JPEG
  • Quickly and confidently capture images “in the moment”
  • Become a better photographer by building an understanding of basic photography techniques

ABOUT CHRIS' CLASS:

CreativeLive is partnering with Chris Weston to offer you his Complete Photography Master Course.

Turn terms like aperture, shutter speed and ISO from a bunch of obscure photography jargon to a toolset that you can easily manipulate to capture great photos. Led by landscape photographer Chris Weston, this class covers everything beginners need to know to master photography basics from exposure to focus.

Turn that camera dial off of auto and learn how to properly expose a photograph. With a few basic camera settings, get the most image quality and the best colors from your mirrorless or DSLR camera. Then, master focus modes and techniques for sharp photographs.

Learn the basics of photography in a series of short, memorable lessons. Chris' straight-forward teaching style is great for newbies that find the task of learning photography daunting, while the to-the-point lessons make it possible to spend just a few minutes a day mastering your camera with easy photography tips and techniques.

WHO THIS CLASS IS FOR:

  • Beginner photographers
  • First time DSLR or mirrorless camera users
  • Any photographer that wants to get off automatic mode to shoot better photos

ABOUT YOUR INSTRUCTOR:

Named one of the world's most influential wildlife photographers, Chris Weston takes a contemporary approach to photography. After launching his career in 2001, the Fujifilm ambassador's images have graced the pages of top publications like BBC, The Times, Outdoor Photography, Practical Photography, and Digital Photography. As a photography educator, Chris has written over 20 photography books, along with leading photo tours and online workshops.

Reviews

mark jacobson
 

What a marvelous course! What a marvelous teacher! When I went to college, my father would always ask me about my professors, more than the courses themselves. He was passionate about learning and although too busy with earning an income to go beyond an undergrad degree, continued to read 50 books a year. I still remember how he'd get almost visibly excited when I'd tell him about some special professor who taught with such enthusiasm and, more than just passion, evident delight and joy in the subject. 'Ah they're the best, son. How wonderful you have such a teacher." Well, he passed away decades ago but if he were still around I'd get a kick out of telling him about Chris Weston, the 'Prof' of this course. He's one of the very special ones: a teacher who's loved and lived his vocation--his avocation--since he was a boy--and still is as excited about it now as he was then. The result: a course that seems to be more a labor of love--of pouring far more energy and thought into the details then one typically finds in these courses--than anything else. Bravo Chris! I'm already on to your next one.

user-6402bf
 

Chris is an amazing instructor who dissects theory giving amazing analogies that bring concepts to life. I have rarely been able to sit through most video course for more than a half-hour but watched this one from beginning to end. A good refresher course if you've been away from the camera for awhile or there are some concepts that still illude you. I highly recommend this course and look forward to watching his others. Thank you for the clarity and great explanations.

Sky Bergman
 

This was an amazing class. I have looked at a number of basic photography classes. This one was by far the best I have seen. Chris is an exceptional teacher. He breaks things down into digestible information and then inspires you to be creative. Thank you!