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Mastering Your Digital Camera

Lesson 12 of 51

F Numbers

Chris Weston

Mastering Your Digital Camera

Chris Weston

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Lesson Info

12. F Numbers
Aperture is measured in f-stops or f-numbers. Decipher the numbers and learn how to create a balanced exposure when adjusting the shutter speed or aperture.

Lessons

  Class Trailer
Now Playing
2 Setting Up Your Camera Duration:05:25
3 JPEG or RAW Duration:03:11
4 Compression Duration:01:38
6 Module 1 Summary Duration:01:42
7 Applying White Balance Duration:03:41
9 Auto White Balance Duration:03:07
10 Module 2 Summary Duration:01:31
11 Controlling Exposure Duration:01:23
12 F Numbers Duration:03:06
14 Exposure Modes Duration:01:48
15 Too Little or Too Much Light Duration:02:34
16 Manual Exposure Mode Duration:01:37
18 Module 3 Summary Duration:01:40
19 ISO in Practice Duration:01:16
20 ISO and Noise Duration:05:03
21 An Acceptable ISO Duration:01:23
22 Module 4 Summary Duration:01:29
23 Metering Modes Duration:03:06
24 The Light Meter Duration:02:11
25 The Bucket Test Duration:02:12
26 How To Read Tonality Duration:02:32
27 Being Creative With Tone Duration:01:14
28 Exposure Compensation Duration:01:35
29 High Contrast Lighting Duration:03:39
30 Histogram Duration:02:06
31 Highlights Alert Duration:01:32
32 Never Underexpose Duration:04:16
33 Digital Exposure Mantra Duration:01:25
34 Module 5 Summary Duration:02:57
35 Focus Modes Duration:01:23
36 Autofocus Duration:02:59
37 Point of Focus Duration:02:35
38 Depth of Field Duration:02:41
39 Hyper-Focal Distance Focusing Duration:02:51
40 Focus Tracking Duration:04:19
41 Manual Focus Duration:01:57
42 Predictive Focus Duration:01:03
43 Summary Duration:02:32
44 Buying Lenses Duration:05:00
45 Summary Duration:01:45
46 Quality of Light Duration:01:32
47 Direction of Light Duration:01:52
48 No Such Thing as Good Light Duration:02:00
49 Final Word Duration:02:52

Lesson Info

F Numbers

So what do all the different exposure numbers mean? Well, shutter speed, the pretty obvious. They're measures of seconds and fractions of seconds. The numbers relating to lens aperture, however, are a bit more confusing. But honestly, they do make sense. They equate to the area of the hole in the lens, the aperture through which light passes Now. In the old days, each number related to a whole one stop change on the scales looked a bit like this. In the simplest terms, each number is a doubling or harding of the exposure. For example, if I change lens aperture from F A 12 11 I'm having the quantity of light entering through the lens. If I do the opposite and change from F eight, where 5. I'm doubling the quantity of light similarly with shutter speed, if I change the shutter speed from 1 to 50th to 1 500 I'm having the length of time the shutter is open. If I go the other way and change from 1 to 50 with the 11 25th I'm doubling the time now to confuse things. Modern cameras enable adj...

ustments be made in smaller increments. 1/2 or 1/3 stops, and the scales now look more like this and notice the addition of the intermittent markers. But whatever the incremental change, the principle is the same. Each change increases or reduces exposure by a fixed amount. So now you understand the principle. Let's look at how this works. In practice, I'm starting with a portrait shot of the horse and rider. I've said the lens after a 5.6 and a shutter speed of 1 2/50 and this gives me a correctly exposed image. Next, I want an action shot. But my shutter speed 1 2/50 is too slow to freeze the movement of the horses, so I need to increase it. I'm going to put it upto 1 1/1000 which means the shutter is open for 1/4 of the time compared to my original setting of 1 to 50. To compensate, I need to open the apogee of in my original setting of 5.6 F four F 2.8, which quadruples the quantity of light passing through the lens. So now, even though my shutter speed and aperture have changed, the exposure value is the same which will give me the same correct exposure. Finally, I want an image that captures a sense of where we are now. I need a smaller aperture to get some detail in the background. I'm going to adjust my aperture from F 2.88 which is a three stop change. Again, I need to compensate for the loss of light by reducing the shutter speed by three stops that takes it from 1 1/1000 toe 11 25th. As before, my exposure settings have changed, with the total amount of light affecting. The sensor is exactly the same, resulting in the correct exposure. And you can see this if we compare all three images and look at the sky. The brightness is the same across each photograph. When it comes to exposure, you are constantly changing you the lens aperture or shutter speed. The question is, does it matter which of the two you change? The answer is yes, it does. In fact, it's about the only thing that matters

Class Description

AFTER THIS CLASS YOU’LL BE ABLE TO:

  • Set up your camera with confidence
  • Better understand shutter speed, aperture, and ISO
  • Capture perfect exposures in camera
  • Get sharp, focused images quickly
  • Understand white balance and the difference between RAW and JPEG
  • Quickly and confidently capture images “in the moment”
  • Become a better photographer by building an understanding of basic photography techniques

ABOUT CHRIS' CLASS:

CreativeLive is partnering with Chris Weston to offer you his Complete Photography Master Course.

Turn terms like aperture, shutter speed and ISO from a bunch of obscure photography jargon to a toolset that you can easily manipulate to capture great photos. Led by landscape photographer Chris Weston, this class covers everything beginners need to know to master photography basics from exposure to focus.

Turn that camera dial off of auto and learn how to properly expose a photograph. With a few basic camera settings, get the most image quality and the best colors from your mirrorless or DSLR camera. Then, master focus modes and techniques for sharp photographs.

Learn the basics of photography in a series of short, memorable lessons. Chris' straight-forward teaching style is great for newbies that find the task of learning photography daunting, while the to-the-point lessons make it possible to spend just a few minutes a day mastering your camera with easy photography tips and techniques.

WHO THIS CLASS IS FOR:

  • Beginner photographers
  • First time DSLR or mirrorless camera users
  • Any photographer that wants to get off automatic mode to shoot better photos

ABOUT YOUR INSTRUCTOR:

Named one of the world's most influential wildlife photographers, Chris Weston takes a contemporary approach to photography. After launching his career in 2001, the Fujifilm ambassador's images have graced the pages of top publications like BBC, The Times, Outdoor Photography, Practical Photography, and Digital Photography. As a photography educator, Chris has written over 20 photography books, along with leading photo tours and online workshops.

Reviews

mark jacobson
 

What a marvelous course! What a marvelous teacher! When I went to college, my father would always ask me about my professors, more than the courses themselves. He was passionate about learning and although too busy with earning an income to go beyond an undergrad degree, continued to read 50 books a year. I still remember how he'd get almost visibly excited when I'd tell him about some special professor who taught with such enthusiasm and, more than just passion, evident delight and joy in the subject. 'Ah they're the best, son. How wonderful you have such a teacher." Well, he passed away decades ago but if he were still around I'd get a kick out of telling him about Chris Weston, the 'Prof' of this course. He's one of the very special ones: a teacher who's loved and lived his vocation--his avocation--since he was a boy--and still is as excited about it now as he was then. The result: a course that seems to be more a labor of love--of pouring far more energy and thought into the details then one typically finds in these courses--than anything else. Bravo Chris! I'm already on to your next one.

user-6402bf
 

Chris is an amazing instructor who dissects theory giving amazing analogies that bring concepts to life. I have rarely been able to sit through most video course for more than a half-hour but watched this one from beginning to end. A good refresher course if you've been away from the camera for awhile or there are some concepts that still illude you. I highly recommend this course and look forward to watching his others. Thank you for the clarity and great explanations.

Sky Bergman
 

This was an amazing class. I have looked at a number of basic photography classes. This one was by far the best I have seen. Chris is an exceptional teacher. He breaks things down into digestible information and then inspires you to be creative. Thank you!