Lesson Info
13. Lens, Aperture, and Shutter Speed
Lessons
Buttons, Dials and Switches: What This Course is All About
03:37 2Setting Up Your Camera
05:25 3JPEG or RAW
03:11 4Compression
01:38 5Menu Settings for JPEG Shooting
05:19 6Module 1 Summary
01:42 7Applying White Balance
03:41 8Using White Balance Creatively
01:19Auto White Balance
03:07 10Module 2 Summary
01:31 11Controlling Exposure
01:23 12F Numbers
03:06 13Lens, Aperture, and Shutter Speed
03:32 14Exposure Modes
01:48 15Too Little or Too Much Light
02:34 16Manual Exposure Mode
01:37 17Aperture Priority Exposure Mode
02:23 18Module 3 Summary
01:40 19ISO in Practice
01:16 20ISO and Noise
05:03 21An Acceptable ISO
01:23 22Module 4 Summary
01:29 23Metering Modes
03:06 24The Light Meter
02:11 25The Bucket Test
02:12 26How To Read Tonality
02:32 27Being Creative With Tone
01:14 28Exposure Compensation
01:35 29High Contrast Lighting
03:39 30Histogram
02:06 31Highlights Alert
01:32 32Never Underexpose
04:16 33Digital Exposure Mantra
01:25 34Module 5 Summary
02:57 35Focus Modes
01:23 36Autofocus
02:59 37Point of Focus
02:35 38Depth of Field
02:41 39Hyper-Focal Distance Focusing
02:51 40Focus Tracking
04:19 41Manual Focus
01:57 42Predictive Focus
01:03 43Summary
02:32 44Buying Lenses
05:00 45Summary
01:45 46Quality of Light
01:32 47Direction of Light
01:52 48No Such Thing as Good Light
02:00 49Final Word
02:52 50BONUS - In Conversation with Art Wolfe
07:11 51BONUS - The Source of Creativity
06:34Lesson Info
Lens, Aperture, and Shutter Speed
Okay, listen up. Because what I'm about to tell you is perhaps the most important thing you'll learn in the entirety of this course lens, aperture and shutter speed of the only control in your camera that directly affect the aesthetics of your photographs. Get to grips with these two controls and you're 90% of the way to completing the first step in becoming a master photographer. We've already seen how lens aperture controls the amount of light coming into the camera. But Lens aperture also controls depth of field. That is how much of the scene, from foreground to background appears sharp. The thing about depth of field is it controls emphasis, that is, which objects all areas in the scene people pay attention to on which they ignore. Now let me explain why human beings focus our attention on objects at a sharp, and we ignore objects of the blood. The more blood they are, the more we ignore them. Because your attention has been on May, you probably haven't noticed is large waste own b...
ehind me until now, by changing which objects appears sharp in the picture space, we change emphasis. So in composition, using depth of field weaken visually, remove distracting objects by blurring them, and isolate and emphasize important ones. Conversely, if every object in the scene is important to your story, such as in a traditional town scape or landscape, you can use depth of field to create foreground to background sharpness and take people on a visual journey throughout the image space. In other words, emphasis is on the whole space, essentially depth of field, which is controlled by lens. Aperture is a compositional tool for including or removing visual objects from the picture space way. Theo Speed allows you to control how time appears in a photograph. You can use a far shutter speed to freeze time revealing detail and form or slow shutter speed, which blurs time, creating a sense of motion and speed on the slow of the shutter speed, the more abstract the image. Now what constitutes our fast or slow shutter speed depends entirely on the subject. It's all relative. For example, the shutter speed needed to freeze the movement of the world's fastest tortoise would be very different to that needed to freeze the motion of a cheater in hot pursuit of a gazelle, say the cheetah would need a shutter speed in the one thousands. The tortures in the one tents andan this example shutter speeds of 1 4/1000 on 1/40 would both be considered fast relative to the subject. That said, as a rule of thumb for action shots of subjects such as animals and sports, I want to shutter speed, pushing 1 1000 for faster to reveal the movement of the same subjects. I would typically be setting my camera to a shutter speed of between 1/10 on 1/30. So to sum up, we've determined that lens aperture controls emphasis on shutter speed, determines how you reveal time. We refer to these as the exposure variables on part of your job as a photographer is deciding which of the two lens aperture or shutter speed is the dominant variable. What you decide will determine the best exposure mode to use
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
mark jacobson
What a marvelous course! What a marvelous teacher! When I went to college, my father would always ask me about my professors, more than the courses themselves. He was passionate about learning and although too busy with earning an income to go beyond an undergrad degree, continued to read 50 books a year. I still remember how he'd get almost visibly excited when I'd tell him about some special professor who taught with such enthusiasm and, more than just passion, evident delight and joy in the subject. 'Ah they're the best, son. How wonderful you have such a teacher." Well, he passed away decades ago but if he were still around I'd get a kick out of telling him about Chris Weston, the 'Prof' of this course. He's one of the very special ones: a teacher who's loved and lived his vocation--his avocation--since he was a boy--and still is as excited about it now as he was then. The result: a course that seems to be more a labor of love--of pouring far more energy and thought into the details then one typically finds in these courses--than anything else. Bravo Chris! I'm already on to your next one.
user-6402bf
Chris is an amazing instructor who dissects theory giving amazing analogies that bring concepts to life. I have rarely been able to sit through most video course for more than a half-hour but watched this one from beginning to end. A good refresher course if you've been away from the camera for awhile or there are some concepts that still illude you. I highly recommend this course and look forward to watching his others. Thank you for the clarity and great explanations.
Sky Bergman
This was an amazing class. I have looked at a number of basic photography classes. This one was by far the best I have seen. Chris is an exceptional teacher. He breaks things down into digestible information and then inspires you to be creative. Thank you!