Lessons
Your 10,001st Photograph
03:24 2Camera Gear
03:03 3Piece of Gear We Always Forget
03:47 4Be a Storyteller
03:09 5Finding Ideas For Photography - Know Your Subject
06:59 6Cae Study - Why Are Zebras Black and White Striped
01:30 7Photograph What You Love
02:00 8See the Extraordinary in Ordinary Things
01:31Have an Opinion
01:46 10See With a Child’s Eyes
02:34 11Tell Your Story
08:46 12Find a Needle in the Haystack
01:38 13Lions Hunting Under Star Trails
04:21 14Ansel Adams and Visualisation in Practice
03:20 15Keeping an Open Mind and Thinking on Your Feet
02:47 16Case Study - The Maternal Bond
02:42 17Don’t Tell the Same Old Story
02:38 18Relevance
01:06 19#1 Reason Photographs Fail
02:57 20Getting Rid of Clutter
03:59 21Post Capture Cropping
02:04 22The Elements of Design
02:31 23Elements of Design
01:38 24Elements of Design - Shape
02:21 25Case Study - Shape
02:11 26Elements of Design - Color
01:55 27Case Study - Color
01:50 28Color in Camera
01:42 29Pattern
01:54 30Texture
02:24 31Seeing The Elements of Design
08:52 32Gestalt Theory
05:10 33Case Study - Cove
01:36 34Case Study - Hat
02:09 35Light and Contrast
01:54 36Light and Form
01:26 37Light and Depth
03:48 38Perspective
02:28 39Lenses and Perspective
02:47 40Rule of Thirds
02:48 41Centre of Frame
01:36 42Case Study - Positioning the Subject
01:48 43Positioning the Subject - Dynamic Symmetry
03:20 44The Horizon Line
02:52 45Should the Horizon Line Always be Straight and Level
02:13 46Other Lines
04:57 47Rhythm, Balance, and Visual Weight
02:59 48Negative Space
02:29 49The Two Most Important Controls on Your Camera
03:41 50Training the Mind
04:26Lesson Info
Texture
I'm going to conduct a little experiment. Close your eyes. Now imagine running your right hand over a rough stone. Now imagine running your other hand over a slab of perfectly smooth marble. Okay, you can open your eyes. Did you notice how your mind responded differently? The two imaginary experiences? Well, the same thing happens when we look at a photograph. Our mind imagines the feeling of texture present in the image, and the body responds. Physiologically texture is a powerful visual tour. In eliciting an emotional response, the texture of this sultry is almost palpable. Repeat the little experiment we've just done. An imagine running your hand over the bark. You surely feel its roughness is. It rubs against your skin when you prepare to take a photograph. All of your senses, consciously or otherwise, are working to inform you how you feel about the scene you're photographing. The problem with the photograph is at face value. It works on a one dimensional visual level. Only the in...
put from the other senses hearing taste, smell and touch is lost. Unless, that is, you use visual tools to bring them back. And that's what's happening in this image. Light contrast, color and framing are all working to divulge a visual sense of touch. I've used a tight crop to show just a small section of the tree, and this focuses your attention on the bark, which is the vehicle for my story. While sidelight, it creates tiny shadows that reveal every nook and cranny, creating a very real sense of texture. The camera gives you a visual representation of texture, but if you print your photographs, you can also add a physical dimension for your choice of paper. Photographic inkjet paper comes in many varieties, from smooth gloss or satin through Matt, the heavily textured art papers. By matching paper and subject, you can enhance the impression the final print makes on the viewer. Now it's difficult for me to show you the difference on the computer or TV screen, but as an example, an image of tree bark will become multi dimensional wind printed on textured paper. Compared to say, satin is another part of the photographic process, and it's this attention to the little details that helps raise your photography to a higher level
Ratings and Reviews
Edmund Cheung
Perhaps the style of presentation and simple, short, and direct messaging does not "jive" with some; but others may really love this. Yes the production of each episode is stylized and perhaps a bit formal (like a TV Show?), but there is something to be said about it. Perhaps this is not meant for professional photographers? I think of myself as decent amateur / high level photographer. I found lots of great nuggets of wisdom and inspiration from this. Especially when I an in a rut for creativity. Yes I have heard all these concepts and ideas before. BUT it is always great to hear and see a different way of presentation and voice. Please do NOT take the naysayer reviews as the end all. You should judge for yourself and watch a few episodes. If the style and content click for you, I would highly recommend this course.
Kai Atherton
While I am perhaps more advanced in my photography then this course. It is always great to be able to go back to fundamentals and remind ourselves of the basic principles, and even camera function. I thoroughly enjoyed this course and Chris's other. It is a great motivational jumpstart when lacking fresh creative idea's.
Abdullah Alahmari
Thanks a lot to mr. Chris Weston This course is great and It is a 🌟 🌟 🌟 🌟 🌟 course for me. Beside the other course ( mastering the art of photography ) both courses are Complementing to each other and highly recommended.