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Framing Your Shots

Lesson 38 from: Video Content Creation: Produce and Publish Videos that Get Views

Chris Hau

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Lesson Info

38. Framing Your Shots

Next Lesson: Working With Light

Lessons

Class Trailer

Chapter 1. Intro

1

Class Introduction

02:46

Chapter 2. Developing Your Idea

2

Chapter 2 Introduction

00:38
3

Choosing the Best Platform For Your Vision

02:55
4

What is a Project Brief?

01:02
5

How to Use a Project Brief

00:47
6

Foundational Pre-Production Documents

02:18
7

Unpacking Real World Examples

01:49
8

Chapter Two Recap

00:40

Chapter 3. The 6 Key Elements of a Great Video

9

Intro to Practical Storytelling Components

01:07
10

Element One: Content (Visuals & Interviews)

05:08
11

Element Two: Graphics/VFX

02:09
12

Element Three: Call to Action

01:31
13

Element Four: Voice Over

03:37
14

Element Five: Sound & Music

02:08
15

Element Six: Editing & Color Correction

03:14
16

Bringing it Together with an Intro and Outro

02:00
17

Chapter Three Recap

00:42

Chapter 4. Introduction to Storytelling Tools

18

Introduction to Storytelling Tools

00:26
19

Introduction to Gear

01:24
20

Building Your Kit

00:51
21

Choosing Your Camera

04:41
22

Supporting Your Camera

02:44
23

Lighting Equipment Basics

02:22
24

Sound & Microphone Basics

04:13
25

Chapter Four Recap

00:30

Chapter 5. Introduction to Shooting a Video

26

Introduction to Shooting a Video

00:42
27

The Camera

00:36
28

Exposure Triangle

06:50
29

White Balance

02:15
30

Frame Rates

01:39
31

Framing

04:31
32

Basic Lighting

02:00
33

Recording Sounds

05:15
34

Conducting an Interview

02:49
35

Recording Voice Over

01:30
36

Chapter Five Recap

00:44

Chapter 6. Setting Up to Shoot Your Video

37

Setting Up to Shoot Your Video Shoot

02:58
38

Framing Your Shots

02:31
39

Working With Light

10:28
40

Working With Sound

07:34
41

Pro Video Tips

02:16

Chapter 7. The Art of Editing

42

The Art of Editing

00:27
43

Understanding Shots and Pacing

02:08
44

Seven Step Editing Process

03:15
45

Bringing the Elements Together

02:52
46

Shooting for Edit and Exporting Tips

03:22
47

Using Fiverr Talent for Your Edit

01:49
48

Chapter Seven Recap

00:46

Chapter 8. Introduction to Video Marketing

49

Introduction to Video Marketing

00:48
50

How to Get Eyes on Your Videos

04:02
51

How to Name Your Video for Conversion

03:01
52

Video SEO Explained

01:56
53

Email List

01:52
54

Chapter Eight Recap

01:26

Lesson Info

Framing Your Shots

So the next thing that you want to do is start looking around your space and say, "What looks interesting? What's a good area for a backdrop for my video?" Now, obviously in this case, this office is set up to be a backdrop for YouTube videos. So we have multiple locations that we can shoot. We have this location over here where you can shoot straight on. You can shoot with this as a backdrop because this table is on wheels, and can be moved around. And we have this concrete wall as a backdrop, and you can also position a camera in different spots around your space. Now, typically what looks really good is when you have nice depth of field in your shot, and typically to get a really expensive-looking shot, you can shoot into the corner, which means that you get more length in your room, and more space between your subject. and the back wall. And the more space that you have between your subject and your back wall, the background becomes a bit blurrier when your subject is in focus. So ...

typically a little pro tip is to shoot into the corner. Now because we're using very high-quality cameras, and I have very fast lenses such as F/2.8. Any shot that I go in here will look really, really good. And the area that I think will look great for this fiber shoot is this concrete backdrop because we can put some of these practicals in the background. And we have a lot of space for our crew to work behind the scenes so that we get the shot done properly. So what we're gonna do is we're gonna take this as a little, little secret, by the way, I learned this from a friend of mine when I was in university, and I always thought it was kind of cheesy, but I actually think it works really well. Is you kind of do the film director look, and you start to look through a frame. You decide, "Hey, what looks good? What area would look great on camera?" Now I know again, it's cheesy, but it legitimately works. And the equivalent of a lens in terms of what your eye see is roughly around 24 millimeters to 35 millimeters. So if you're shooting at 35 millimeter, that's more or less what your shot is going to look like. So when I look around the room, I start to think, "Okay, what area? What area? Ooh, that area right there looks good. So why don't we shoot right here? We're gonna bring in one of these practical lights over here." And when you hear practical lights, that means lights that are actually in your shot. So we can use this lamp right here, and we can bring this into the shot. We can bring the surfboard into the shot, and we can bring this plant into the shot to make an interesting looking composition for our final video. So why don't we actually start setting up our cameras and getting our final shot lit, and the audio all set up.

Class Materials

Bonus Materials with Purchase

Breakdown Sheet.pdf
Call Sheet.pdf
Shot List Sheet.pdf
Two Column Script.pdf
Video Questionnaire/ Video Brief.pdf

Ratings and Reviews

a Creativelive Student
 

Ok, I really enjoyed this course but you should know it is a decent overview of what to do and in what order to do them. This is not going to show you HOW to do anything but it will show you WHAT you need to think about and how to approach a production in a professional manner. Chris knows his stuff really well and everything is covered but it is just an overview. Well worth your time, especially if you are new to video but just do not think that he is going to show you how to do everything.

Student Work

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