Hi there and welcome to this lesson where we're going to explore the world of equalization and the tools at your disposal. Equalization or EQ is a fundamental element of mastering. And Ozone 11 offers a powerful suite of EQ modules. First, let's take a look at the various EQ modules in ozone spectral shaper, a unique and versatile module that allows you to control the spectral content of your audio. This behaves more like a multiband compressor and it's used to tame problematic frequencies EQ one and EQ two. These are parametric equalizer that provide you a precise control over your audio's frequency response. They both offer up to eight bands of EQ and are used for shaping your mix, tonal balance match EQ, a powerful tool for matching the tonal balance of your mix to a reference track. It's like having a sonic blueprint to ensure your master stacks up to professional standards stabilizer. This module helps you maintain a stable frequency response in your audio. It's particularly usef...

ul for tackling and ring resonances and ensuring a smooth and balanced sound. This behaves more like a dynamic EQ and is used to attain frequencies relative to a target. Now let's dive deeper into the spectral shaper module. The spectral shaper is a unique module that lets you reshape the spectral dynamics of your audio. It's not just an EQ it's a dynamic processor that allows you to control the intensity of specific frequency bands over time. In the spectrum analyzer view, you can select the frequency that is being targeted by the spectral shaper. As mentioned, this module behaves like a multibank compressor. And the game reduction trace view shows how much game reduction is taking place. Amount determines how much game reduction is being applied to the selective frequency band. The mode selects the intensity of the module light setting turns frequency subtly while the heavy mode can be quite noticeable when used with high amounts of reduction, I just keep attack and release much like a compressor fast attack times will tame the transience of the selective frequency, too fast of an attack. And you could risk reducing some of the impact crack and snap of your drum transient. Too slow of an attack could result in the frequencies not being tamed fast enough. The release determines how quickly the module stops compressing. After the intruding frequencies have stopped, release times too fast can be noticeable and intrusive while too slow release time contain frequencies even after they are no longer intruding, causing the track to lose energy. So find a balance with the attack and release time and most importantly, use your ears tone this adjusts the spectral tilt of the modules processing a higher tone will brighten the sound while a lower tone will darken it. Think of this as the makeup gain for a specific frequency band in a multiband compressor application of spectral shaper. Imagine you have a vocal track with sibilance issues. That's harsh hissing essence spectral shaper can be used to reduce or emphasize specific frequencies during similar moments giving you precise control over problem areas. It's also great for toning harsh frequencies or enhancing particular tonal elements. EQ one and EQ two features and applications. Next, let's explore EQ one and EQ two to powerful parametric equalizer. EQ one and two are eight band EQS of various filter types making a verse to for a wide range of tonal adjustments. You can boost or cut specific frequencies shape the tonal balance and remove unwanted resonances. Both EQ one and EQ two offer visual displays that make it easy to see how your adjustments affect the frequency spectrum. This visual feedback is viable for mastering here is some advice on using parametric EQS when mastering subtle adjustments, when using parametric EQS and mastering aim for subtle adjustments. Small changes can have a significant impact on the overall tone balance. So avoid drastic moves, identify key frequency issues begin by identifying specific frequency issues in your mix. Is there muddiness in the low end harshness in the midrange or sibilants in the high frequencies target these issues with precise EQ adjustments, gentle high pass and low pass filters consider using gentle high pass and low pass filters to clean up the necessary extreme frequencies. These filters can help remove subsonic rumble, an excessive high frequency noise without altering the core sound. Refer to reference tracks, use reference tracks in a similar drama to guide your EQ decisions. Compare your mix with a reference and make EQ adjustments to match the tonal balance and clarity. Avoid over E Qing. Be cautious about over E Qing. Too many EQ moves can lead to a loss of transparency and a process sound less is often more in mustering focus on broad strokes. While precise notching and surgical EQ can be useful for addressing specific issues. Remember that broad strokes can have a more natural and musical impact. Use broad EQ adjustments to shape the overall tone A B testing. Always A B test your EQ adjustments by toggling the EQ on and off. This helps you ensure that your changes are enhancing the mix rather than distracting from it. Mastering EQ versus mix EQ. Distinguish between mastering EQS and mix EQS. While A mix EQ is used to address issues within individual tracks. A mastering EQ is about shaping the overall sound of the entire mix. It's about making the mix sound cohesive and balanced as a whole. Remember that EQ is a powerful tool in mastering, but it should be used carefully to enhance the mixes, tonal balance and clarity while preserving its natural character. It's about making the music sound its best without altering its essential identity. OK. So that's the end of this part one video, I'll see you in part two.

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Tomas George

Tomas is a UK Music Producer, Composer, Audio Engineer and Video Maker. He's been producing and writing music now for over twenty years, but especially loves teaching it online. Since 2016, he has created online courses about music, audio, and video production that hundreds of thousands of students from around the world have taken. <div><div><br></div></div>

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EQ + EQ Theory - Spectral Shaper, EQ1, EQ2

EQ + EQ Theory - Spectral Shaper, EQ1, EQ2

Lesson Info

5. EQ + EQ Theory - Spectral Shaper, EQ1, EQ2

Lessons

An Introduction to Ozone

The Different Versions of Ozone 11

Master Assistance and Referecing

Stem Focus and Master Rebalance