Thanks + Credits
Well, welcome back to creative live on the music and audio channel. This is our final segment with sam para on making using drum samples. We have a whole bunch of people to thank people that make this course possible. People behind the scenes here on the production team, as well as a bunch of friends. Sam there's, a bunch of people on this board right now, pure annoys records, trash talk, hairball audio mike, we did an awesome pre show with mike say say, say some good things about the first ball carry our drummer who played in the dance hall coast, this song that he plays eyes, a song called nineteen sixty seven that's on an album released by paranoids records. So thanks to jake from paranoid and carry for letting us use that song and show that also thanks to trash truck for letting us open this segment, we're having devon play a longer one of songs thanks to mike from hair volume for coming and hanging out and being best friends also, he's donated a lot of gear for me to use tomorrow ...
on our my guitar profiling class, which you guys should also not forget about. After we're done today, so it's basically finished up drones. So what happens next? You recall two guitars, a bass so if you want to get out of that part tomorrow, you want to join because it'll be fun. Lastly, I want to thank twelve gauge records and save it to zombie because they're going to be the band that I will use tomorrow, and I also made some trump sables from sabertooth zombie bees in this session, so thanks, sam. In addition, we want to thank josh over at sweetwater for helping us out with everything and orbit audio thanks to the support from them it's, a great studio here in seattle, uh, on our drummer's carry mr parsons and devin, just really talented drummers, and thanks to each one of you for tuning in and watching being part of the creative live audience, we put a lot of time and energy into planning these courses and making them excellent, and it wouldn't be anything without you tuning in to learn. So thank you for joining us today and the creative live crew, like I said earlier, there's a a bunch of people ryan and carrie and mike and kellen so many people that work really hard and do really well, teo, make these productions really smooth, so thanks to them they do wonderful work here, a creative live and thanks to our in studio audience thanks to you guys for being here, you guys are awesome. Hope you learned something and enjoyed lunch. It's fantastic here in seattle. So that's that's it psych? Nope. We have one more. Thank you. And that is for sam, the most important person here today. Drop in the knowledge yes, and keeping us on track to glory. So, dude, it's been really killer having you here? Thank you. You're an awesome dude, you're my best friend. You're now mining best. Okay, here is you're my best friend. All my viewers that friends were our best friends. Yeah, totally. And we have one more segment, and this is it. So thank you for flying all the way up here. Absolutely teaching giving us all your inside secrets that you've developed over the last yes number of years and that we just really appreciate you, man. Of course, man, thanks for being here. I'm happy tio and I'm actually really excited here. I had a lot of fun prepping for this it's always a lot of fun to start up from the top again, down to the source through the drums. And really we learned everything myself, I like to do that also, I hope that this entire process has giving you insight into the basic theories and principles necessary to make sure that we get good drum sounds and respect our germ performance being like phase tuning rooms, mike's preempts, signal flow. All that. I hope that was great information, and that I didn't even get too fast for anyone. So if I did, because I talk so fast and I'm such a hyperactive individual, don't be afraid, don't be. Don't be afraid, tio chime in and ask, and we'll spend the last q and a having ideally, some really cool questions, and I'll be happy to talk about whatever and anything and whenever.