Handling Next Capture Adjustments
Lesson 30 from: Get The Most Out of Your Photos With Capture One Pro 12David Grover
Handling Next Capture Adjustments
Lesson 30 from: Get The Most Out of Your Photos With Capture One Pro 12David Grover
Lesson Info
30. Handling Next Capture Adjustments
Lessons
Interface Overview
04:08 2Customizing Your Workspace and Keyboard Shortcuts
15:55 3Making Your First Catalog
07:02 4Importing Your First Images
11:51 5Virtual Organization
20:21 6Basic Tool Behavior
13:32 7Starting Approach to Editing
24:02 8Next Level Editing
20:10Color Tools Overview
16:28 10Basic Copy Paste Workflow
10:40 11Basic Export
13:32 12Getting Started on an Edit
05:13 13Adding Layers to Your Toolkit
10:25 14Radial and Linear Gradients
08:21 15Luminosity Masking
10:12 16More Advanced Layers
22:44 17Removing Simple Objects and Local Adjustments
14:52 18Advanced Color Edits
05:31 19Using the Color Range to Select Just What You Need
05:45 20Editing Colors in General
03:48 21Editing Skin Tones
14:30 22Combining Color Selections with Layers
08:58 23Creating Masks From the Color Editor
10:28 24Color Grading with the Color Balance Tool
16:34 25Intro to Second Day
01:37 26Session Overview
05:47 27Tethered Basics
05:04 28Setting Up Simple Sessions and Setting Naming Conventions
10:11 29Controlling the Camera
05:08 30Handling Next Capture Adjustments
07:39 31Using Live View Focusing and Overlay
19:40 32Selecting Images and Using Smart Albums
14:55 33Saving a Session Template
03:51 34Overview of Process Recipes
05:28 35Tokens Overview
26:21 36A Simple Round Trip
14:04 37Sharpening Workflow
08:06 38Creating a Recipe for Web Output
15:50 39Selecting with a File Name List
11:46 40Using Plugins and Sharing to Clients with PRODIBI
06:06 41Image Review 1 - Sometimes Simple Works!
08:44 42Image 2 - Radial or Gradient Masks, Object Removal
07:28 43Image 3 - Keystone Tool and Aspect Ratio
09:11 44Image 4 - Using Styles in Capture One
10:04 45Image 5 - Black and White
09:13 46Image 6 - Landscape
07:22 47Image 7 - Portrait
05:06 48Image 8 - Action in Lowlight
07:46Lesson Info
Handling Next Capture Adjustments
So let's drop that back over there and think about actually taking a shot. So what we're gonna do is we're gonna build up sort of three different shots so that when we look at a selection process, you can see how that works. And we've got three different, distinct shots that we can choose from. So first of all, I'm just going to take a quick shot. So let's use that in the camera tool itself. You see this large button? That's the shutter button. First of all, before we do that, make sure I'm in lighting test. Yes, I am. But you can see that's where our camera symbol is. So let's take a show. Click and then the image will pop in relatively quickly, like so. I actually got two clicks there as well, so we got two shots. So straight away we get a visual representation of what's going on now. Normally, when we're handling adjustments, they are automatically carried over from one image to the next. So where, for example, I want to drop in this great card. So let's do that roughly at our light...
source and take another capture. Come on K or control K on your keyboard that will trigger a capture like so there's my great card. I can grab the pickup right here and then click on Oh great. Now that custom white balance, if you like, is going to carry over from one shot to the next. So if I take this away again, move this over here and we take another show, then that's going to copy across. So how do we handle this? This sort of transfer of adjustments of one to the next that's looked after in the next capture adjustments to. So by default, everything is set up to carry over. So, for example, if I do a quick that's throwing a quick crop like so and let's just do a few other tweaks like put in some contrast and some clarity just for the sake of it, and we go ahead and we take another show, then that gets carried over this well so you can see down here As we build up into the browser, we've got shot number one, 234 We changed our white balance, did some other edits, and then five. We retain that crop, and so on 99% of the time. That's probably how most of you are gonna work. So you always want a copy from last. So there are a bunch of other options in here. So specifically if we look in the other section, there's a few different options. So copy from last is always the last image that you captured. So copy from primary would mean that if I select an image like this one and I took a shop, it would copy from the primary the one that selected. So if you've been doing a shoot and perhaps you've been varying the adjustments based on what it is, you can always go back and think how the adjustments were great on this shot. I'm going to select that, choose to copy from primary, and then it will pull out the settings from that particular show. But as I said, most of the time, you're gonna be copy from Lost specific from last. This option here allows you to uncheck something. So if we didn't want the crop, then we could go in and we could uncheck Pat, and it would only bring over the ones that we ticked ticked on, okay, I'm gonna changes back to copy from Lost and let's just take another shot. Come on, Kate. That's gonna bring that up like so as you can see and there's a few other options up here in the camera menu that is worth knowing about as well. So this one composition mode, if I turn that on that puts these big warning signs top and bottom. They're there for a very important reason, because in composition mode we only save the last image. We delete the one before that. So that's good for setting up lighting, making sure everything's looking good. But your captures will not be saved to disk. So that's why there's this big cross warnings on there. So, you know, composition mode is on as I'm a bit terrified and, you know, maybe not the most observant person. I don't tend to use that, which is why I have the lighting test folder, which is where we can, you know, shoot all our junk into, for example, also up in the camera menu. Up here. We've got ah auto select you capture. So that means when the capture is ready to be shown in capture one, the default setting here. When ready, it will pop up on screen. So if I take a few shots one to then as soon as they're ready, they pop up in the viewer. If you have the super nosy client who's hanging around your laptop all the time, I'm watching the shots coming and they're getting in your way. Or if you're shooting people and they're distracted by images popping up on capture one, you can easily pause that view. So once again, if we go into the camera menu and we say never or P for the short cut people pools that if I take a shot watch over here if I scroll down, it still pops up, but it doesn't automatically get populated into the viewer. So it's a good way where you can chew fast and rapid and so on, and no one's gonna get distracted now. So far, I've bean shooting purely from capture, one by hitting the shutter button or using Command K. But of course, you can also capture from the camera itself, and you can shoot pretty rapidly as well. You don't have to wait for capture, one to catch up so I can fire off quite a few shots, and then they just come in to capture one nice and easily and pretty rapid as well. Now the speed of transfer from camera to capture one. It's kind of dependent on how many megapixels you're dealing with dissent. The speed of your USB cable, whether your USB two or USB three that will have a bearing on that and also the performance off your computer. So if you have, you know, a no older machine with spinning hard drives, it's going to be a bit longer to write the data. If we have a new a machine with SSD drives than it's pretty rapid from capture to it, arriving in Capital One as well, like so, so super speedy, if possible. So let's turn this back on. So we go back to Camera two when ready, the immediately option is kind of a bit null and void now. That was when computers were perhaps no up to the task of keeping up with Ted. The capture on it took a while for the image to pop up when ready so immediately means that the sort of low resolution, quick and dirty preview pops up straight away, and then it gets rendered into the final one. But as I said, it's sort of null and void now with most computers. So when ready is good. Okay, so handling those next capture adjustments is pretty easy. Once again, you probably don't need toe to change anything in next capture adjustments, just use it as a default.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Leon
This is a superb course. David is an excellent teacher. I'm coming to the end of it and have learnt so much. I've been using the software for a year, self-learning as I went along. I had watched the odd David Grover video on YouTube, but never got much further in my understanding of the software. Capture One is brilliant software and to do it justice you need to learn it properly from an expert. Highly recommend this course if you want to produce professional results.
lakiut
Excellent course and a very engaging speaker. If you are starting with Capture One 12, this is the best class to take. The lessons are presented and explained in an organized way that it shortens the learning curve. Thank you, David. Cheers!
Jino Lee
One of the best course I've purchased. Very helpful and I learned so much more with this course and in a short period of time, than all the official Capture One You Tube videos put together! Anyways David Grover is the same guy who does the Phase One C1 official YouTube videos, so there's no better person to conduct this course than him! Truly excellent and if you think you know all about C1 Pro 12 interface, wait till you watch this course.