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Natural Light: Mixed

Lesson 66 from: Fundamentals of Photography

John Greengo

Natural Light: Mixed

Lesson 66 from: Fundamentals of Photography

John Greengo

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Lesson Info

66. Natural Light: Mixed

Lessons

Class Trailer
1

Class Introduction

23:32
2

Photographic Characteristics

06:46
3

Camera Types

03:03
4

Viewing System

22:09
5

Lens System

24:38
6

Shutter System

12:56
7

Shutter Speed Basics

10:16
8

Shutter Speed Effects

31:57
9

Camera & Lens Stabilization

11:06
10

Quiz: Shutter Speeds

07:55
11

Camera Settings Overview

16:12
12

Drive Mode & Buffer

04:24
13

Camera Settings - Details

10:21
14

Sensor Size: Basics

18:26
15

Sensor Sizes: Compared

24:52
16

The Sensor - Pixels

22:49
17

Sensor Size - ISO

26:59
18

Focal Length

11:36
19

Angle of View

31:29
20

Practicing Angle of View

04:59
21

Quiz: Focal Length

08:15
22

Fisheye Lens

12:32
23

Tilt & Shift Lens

20:37
24

Subject Zone

13:16
25

Lens Speed

09:03
26

Aperture

08:25
27

Depth of Field (DOF)

21:46
28

Quiz: Apertures

08:22
29

Lens Quality

07:06
30

Light Meter Basics

09:04
31

Histogram

11:48
32

Quiz: Histogram

09:07
33

Dynamic Range

07:25
34

Exposure Modes

35:15
35

Sunny 16 Rule

04:31
36

Exposure Bracketing

08:08
37

Exposure Values

20:01
38

Quiz: Exposure

20:44
39

Focusing Basics

13:08
40

Auto Focus (AF)

24:39
41

Focus Points

17:18
42

Focus Tracking

19:26
43

Focusing Q&A

06:40
44

Manual Focus

07:14
45

Digital Focus Assistance

07:35
46

Shutter Speeds & Depth of Field (DOF)

05:18
47

Quiz: Depth of Field

15:54
48

DOF Preview & Focusing Screens

04:55
49

Lens Sharpness

11:08
50

Camera Movement

11:29
51

Advanced Techniques

15:15
52

Quiz: Hyperfocal Distance

07:14
53

Auto Focus Calibration

05:15
54

Focus Stacking

07:58
55

Quiz: Focus Problems

18:54
56

Camera Accessories

32:41
57

Lens Accessories

29:24
58

Lens Adaptors & Cleaning

13:14
59

Macro

13:02
60

Flash & Lighting

04:47
61

Tripods

14:13
62

Cases

06:07
63

Being a Photographer

11:29
64

Natural Light: Direct Sunlight

28:37
65

Natural Light: Indirect Sunlight

15:57
66

Natural Light: Mixed

04:20
67

Twilight: Sunrise & Sunset Light

22:21
68

Cloud & Color Pop: Sunrise & Sunset Light

06:40
69

Silhouette & Starburst: Sunrise & Sunset Light

07:28
70

Golden Hour: Sunrise & Sunset Light

07:52
71

Quiz: Lighting

05:42
72

Light Management

10:46
73

Flash Fundamentals

12:06
74

Speedlights

04:12
75

Built-In & Add-On Flash

10:47
76

Off-Camera Flash

25:48
77

Off-Camera Flash For Portraits

15:36
78

Advanced Flash Techniques

08:22
79

Editing Assessments & Goals

08:57
80

Editing Set-Up

06:59
81

Importing Images

03:59
82

Organizing Your Images

32:41
83

Culling Images

13:57
84

Categories of Development

30:59
85

Adjusting Exposure

08:03
86

Remove Distractions

04:02
87

Cropping Your Images

09:53
88

Composition Basics

26:36
89

Point of View

28:56
90

Angle of View

14:35
91

Subject Placement

23:22
92

Framing Your Shot

07:27
93

Foreground & Background & Scale

03:51
94

Rule of Odds

05:00
95

Bad Composition

07:31
96

Multi-Shot Techniques

19:08
97

Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction

12:24
98

Human Vision vs The Camera

23:32
99

Visual Perception

10:43
100

Quiz: Visual Balance

14:05
101

Visual Drama

16:45
102

Elements of Design

09:24
103

Texture & Negative Space

03:57
104

Black & White & Color

10:33
105

The Photographic Process

09:08
106

Working the Shot

25:29
107

What Makes a Great Photograph?

07:01

Lesson Info

Natural Light: Mixed

So, mixed lighting. A little bit like the spotlighting that we talked about before. And in this case, it's a mixture of some sunlight, and some shadows in there. It could be some overcast situations. These are fleeting moments, and I treasure these moments when they come because they don't come around very often. They can be very, very dramatic. And you do have to be ready for these things. And so your subject may not be completely illuminated properly. You're just gonna have to work with it as best you can. There's gonna some subjects it just doesn't work well with. You do have to be careful of those blown-out highlights and the blocked-up shadows. It really depends on the photo that you're looking at and you're trying to capture. They come and go very quickly, so you have to kind of anticipate and maybe bracket really quick just in case you've got the wrong exposure in here. You wanna have a good collection of images to come back with it. So this is typically gonna work best early an...

d late in the day when it's not too drastic of a change in the level of brightness from the sun to the shadows. And oftentimes, you wanna be protective of those highlights. You don't want to overexpose them in most cases. What I have found is that there's usually relatively short periods of time that it works, and then it just disappears on you. So on the Brooklyn Bridge, sunlight coming in, we've got a lot of shadows in here. The sunlight's fine here, but just a little bit later in the day, half an hour later, it just becomes too bright and the shadows become too dark, and the scene is not possible. I was down in California, working in the Redwoods, and I know in the Redwoods, they're a tall, cluttered environment, and I really wanted an overcast day. And funny thing was, in California, apparently they don't have overcast days when I'm down there. It's always sunny. And I got down there and I was going through some of the trails when I first arrived, and I didn't even take a photo. It was just like, this is a disaster of an area, because it was just bright sunlight, deep shadow, and every photo is just visual overload, is was it is. So it's like, okay, gotta get up. Not the crack of dawn, but well before that, so I gotta get out there right at dawn, because as that sun's low on the horizon, it's nice, even lighting in there. And then as soon as the sun starts to hit, which is right about now, I gotta little bit of time to work with because there's a few highlights that I can deal with in here. But half an hour later, pack it up, time to go home. It just gets too contrasting here. If you're wondering what it looks like when it's bad, this is a bad photo, okay? This is the contrasty lighting that you get in the middle of a bright sunny day. This is actually in a park in Seattle. It's one of the few places in Seattle that has never been built upon. It's really never been touched. It's just kinda the original Seattle, you might say. And it was actually a really nice scene, but it's terrible, terrible lighting. Coming back on a cloudy day, it's much, much easier to see. Just in case you're wondering, I did use a polarizer on this. A polarizer can be very effective in the forest. And that's because even on a cloudy day, polarizers work when there is a significant light source coming from a single direction. Now the light source is this big cloudy sky. That sounds kinda opposite to what I just said. The single light source is that it's basically filtering through the trees, and it's coming down at a very direct angle. It's not coming in at any of these other angles. And so if I'm shooting 45 degrees to that angle, it has a very good impact. And so especially as I kinda shoot down here, there is a lot of reflections that I'm taking off by using a polarizer in the forested environment on a cloudy day. And so that's one of those. I didn't really originally think of that 10 years ago. I wasn't doing that very much, and so now I know better, and it's a good time to have that polarizer out there and working.

Class Materials

Bonus Materials with Purchase

Fundamentals of Photography Class Outline
Learning Projects Workbook
Camera Keynote PDF
Sensor Keynote PDF
Lens Keynote PDF
Exposure Keynote PDF
Focus Keynote PDF
Gadgets Keynote PDF
Lighting Keynote PDF
Editing Keynote PDF
Composition Keynote PDF
Photographic Vision Keynote PDF

Ratings and Reviews

a Creativelive Student
 

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.

Eve
 

I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!

JUAN SOL
 

Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan

Student Work

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