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Fundamentals of Photography

Lesson 62 of 107



Fundamentals of Photography

Lesson 62 of 107



Lesson Info


Finally and this is a pretty quick section on cases. They've said that there is no perfect camera bag. I disagree, there is a perfect camera bag but it's only good for one thing. That's the problem with camera bags. There are kind of designed for a purpose. Back in the days, we had these little camera cases and they are called ever ready cases, but the folks at the camera store call them never ready cases 'cause your camera is never ready to shoot in them. And do often times you start with a basic camera in a basic little camera bag and as soon as you buy an extra lens, you gotta buy an extra case for that lens. And eventually most people end up in a shoulder bag, and these are very convenient bags to work with. Here are a few of my favorite manufacturers of these different bags, and of course you're buying a bag that fits your needs. One of the best advice I ever got from a mentor I was working with at the camera store was whatever bag you have, you will fill it. And so the advice tha...

t I come away with that is if you would like to find your perfect camera system, it sounds like a joke but I'm very serious about this. If you wanna find the perfect camera system for you, go to the camera store and look at camera bags, and think about how would you like to carry this around all the time. Is this gonna be your best friend, take the camera bag that you like the most, go over to the camera counter and see what can fit inside it. Because that's what you end up walking around with, not your camera. It's your camera bag and all the stuff in it and so that is important, and I tend not to throw camera bags away or give them a way 'cause there's always another purpose for them. There are hard cases and these are great for traveling on airplanes or in cars, if you have larger equipment. Putting them on rollers allows you to carry more equipment. With the sling bags, my main tip here is don't try to over fill these bags. Don't try to carry too much in a sling bag. It's really good for a body and two lenses. Do anything more than that, they start riding incorrectly and are not comfortable on the body. If that's the case, you need to go to a back pack system. Bag packs are my favorite way because it's the easiest way to carry a large amount of equipment from place to place. I do have a couple of different back packs and these are a few of my favorite ones depending on how much gear and what other things I need to bring along with me. It's finding something that's comfortable that works the way that you want. There's a lot of good models out there. These are just a few of the ones that I've experienced that I like and it's what I tend to shoot with when I am very serious. The other things that I use is I use shoulder bags when I need to be a little bit more accessible in the camera bag. This is more when I wanna get to a destination and then I'm gonna shoot there and I'm gonna load it all up and go to the next place. If you want to be shooting in between, that's when the shoulder bag becomes a lot more convenient. Okay so we don't have to go through everything and although the specific brand recommendations, but when you're looking, people were curious about the filters and graduated filters and in particular. What are the things that you should look for in terms of quality when you're looking at which filters to choose? Right, that can be a little bit harder one to figure out because there's not just a universal standardized rating number to look at on that. But I have found in general, you do get what you pay for, and there are $10 filters that are really worth $10. And a good filter for UV is usually gonna be $25-$ depending on the size. A polarizing filter is probably gonna be $50 to $ and there is always a way of making something cheaper. There's always a way. There's company out there going how can we do almost this product but let's make it cheaper and then we'll just lower and lower the quality. So Tiffen and Hoya makes some good filters. B+W also makes really good filters. Those will be three big names to look at there. Great, thank you. And also in terms of quality. A question had come in about when they're talking about the extenders. Are there some that are better than others or are they kinda just tubes that do the same thing? So the extenders, so we're talking about the extension tubes or as Canon calls them. Extenders known as teleconverters do you think? Yeah? They said extenders so I'm not sure. Extenders well I'm thinking they're talking about extension tubes and so there's no glass in them. So there's not quality difference in the optics. But the mechanisms of how they connect together. How strong are there. How well do they hold larger lenses. That could vary from manufacturer to manufacturer and so I got the official Canon ones, which work very smoothly and very nicely, but I believe one of the other brands was Kingco, that sells a three package set that is a very good value that works quite well as well. And I think there's a bunch of them out there on the market as well. Fantastic, thank you. Lee Gardner had asked what filter is best for black and white photos? Is there a difference when you're looking back? So black and white photography is a whole other thing and that's when you can start using color filters that affect the colors that you're recording. And so for instance if you use a red filter, it's gonna make the blue sky very dark and so we're not gonna get into all of that right now. And so that's a whole separate issue that I don't think we're gonna have time to get into. Okay, maybe one more. This one was from Neil, who said what happens when you use a speed booster with a full frame lens, was there a difference there? A speed booster, well it could be possible with a full frame camera, is that correct full frame camera? Yeah, sorry. With a full frame camera, the problem is that you're gonna need a lens that produces an even larger image circle than full frame and what does that medium format and large format, so you would need an adapter that fits like a hassi-blad or a miel lens onto your full frame camera. So it is certainly theoretically possible I don't know that anyone makes one at this time.

Class Description

Short on time? This class is available HERE as a Fast Class, exclusively for Creator Pass subscribers.

As a photographer, you will need to master the technical basics of the camera and form an understanding of the kind of equipment you need. The Fundamentals of Digital Photography will also teach something even more important (and crucial for success) - how to bring your creative vision to fruition.

Taught by seasoned photographer John Greengo, the Fundamentals of Digital Photography places emphasis on quality visuals and experiential learning. In this course, you’ll learn:

  • How to bring together the elements of manual mode to create an evocative image: shutter speed, aperture, and image composition.
  • How to choose the right gear, and develop efficient workflow.
  • How to recognize and take advantage of beautiful natural light.

John will teach you to step back from your images and think critically about your motivations, process, and ultimate goals for your photography project. You’ll learn to analyze your vision and identify areas for growth. John will also explore the difference between the world seen by the human eye and the world seen by the camera sensor. By forming an awareness of the gap between the two, you will be able to use your equipment to its greatest potential.


  1. Class Introduction
  2. Photographic Characteristics
  3. Camera Types
  4. Viewing System
  5. Lens System
  6. Shutter System
  7. Shutter Speed Basics
  8. Shutter Speed Effects
  9. Camera & Lens Stabilization
  10. Quiz: Shutter Speeds
  11. Camera Settings Overview
  12. Drive Mode & Buffer
  13. Camera Settings - Details
  14. Sensor Size: Basics
  15. Sensor Sizes: Compared
  16. The Sensor - Pixels
  17. Sensor Size - ISO
  18. Focal Length
  19. Angle of View
  20. Practicing Angle of View
  21. Quiz: Focal Length
  22. Fisheye Lens
  23. Tilt & Shift Lens
  24. Subject Zone
  25. Lens Speed
  26. Aperture
  27. Depth of Field (DOF)
  28. Quiz: Apertures
  29. Lens Quality
  30. Light Meter Basics
  31. Histogram
  32. Quiz: Histogram
  33. Dynamic Range
  34. Exposure Modes
  35. Sunny 16 Rule
  36. Exposure Bracketing
  37. Exposure Values
  38. Quiz: Exposure
  39. Focusing Basics
  40. Auto Focus (AF)
  41. Focus Points
  42. Focus Tracking
  43. Focusing Q&A
  44. Manual Focus
  45. Digital Focus Assistance
  46. Shutter Speeds & Depth of Field (DOF)
  47. Quiz: Depth of Field
  48. DOF Preview & Focusing Screens
  49. Lens Sharpness
  50. Camera Movement
  51. Advanced Techniques
  52. Quiz: Hyperfocal Distance
  53. Auto Focus Calibration
  54. Focus Stacking
  55. Quiz: Focus Problems
  56. Camera Accessories
  57. Lens Accessories
  58. Lens Adaptors & Cleaning
  59. Macro
  60. Flash & Lighting
  61. Tripods
  62. Cases
  63. Being a Photographer
  64. Natural Light: Direct Sunlight
  65. Natural Light: Indirect Sunlight
  66. Natural Light: Mixed
  67. Twilight: Sunrise & Sunset Light
  68. Cloud & Color Pop: Sunrise & Sunset Light
  69. Silhouette & Starburst: Sunrise & Sunset Light
  70. Golden Hour: Sunrise & Sunset Light
  71. Quiz: Lighting
  72. Light Management
  73. Flash Fundamentals
  74. Speedlights
  75. Built-In & Add-On Flash
  76. Off-Camera Flash
  77. Off-Camera Flash For Portraits
  78. Advanced Flash Techniques
  79. Editing Assessments & Goals
  80. Editing Set-Up
  81. Importing Images
  82. Organizing Your Images
  83. Culling Images
  84. Categories of Development
  85. Adjusting Exposure
  86. Remove Distractions
  87. Cropping Your Images
  88. Composition Basics
  89. Point of View
  90. Angle of View
  91. Subject Placement
  92. Framing Your Shot
  93. Foreground & Background & Scale
  94. Rule of Odds
  95. Bad Composition
  96. Multi-Shot Techniques
  97. Pixel Shift, Time Lapse, Selective Cloning & Noise Reduction
  98. Human Vision vs The Camera
  99. Visual Perception
  100. Quiz: Visual Balance
  101. Visual Drama
  102. Elements of Design
  103. Texture & Negative Space
  104. Black & White & Color
  105. The Photographic Process
  106. Working the Shot
  107. What Makes a Great Photograph?


a Creativelive Student

Love love all John Greengo classes! Wish to have had him decades ago with this info, but no internet then!! John is the greatest photography teacher I have seen out there, and I watch a lot of Creative Live classes and folks on YouTube too. John is so detailed and there are a ton of ah ha moments for me and I know lots of others. I think I own 4 John Greengo classes so far and want to add this one and Travel Photography!! I just drop everything to watch John on Creative Live. I wish sometime soon he would teach a Lightroom class and his knowledge on photography post editing.!!! That would probably take a LOT OF TIME but I know John would explain it soooooo good, like he does all his Photography classes!! Thank you Creative Live for having such a wonderful instructor with John Greengo!! Make more classes John, for just love them and soak it up! There is soooo much to learn and sometimes just so overwhelming. Is there anyway you might do a Motivation class!!?? Like do this button for this day, and try this technique for a week, or post this subject for this week, etc. Motivation and inspiration, and playing around with what you teach, needed so much and would be so fun.!! Just saying??? Awaiting gadgets class now, while waiting for lunch break to be over. All the filters and gadgets, oh my. Thank you thank you for all you teach John, You are truly a wonderful wonderful instructor and I would highly recommend folks listening and buying your classes.


I don't think that adjectives like beautiful, fantastic or excellent can describe the course and classes with John Greengo well enough. I've just bought my first camera and I am a total amateur but I fell in love with photography while watching the classes with John. It is fun, clear, understandable, entertaining, informative and and and. He is not only a fabulous photographer but a great teacher as well. Easy to follow, clear explanations and fantastic visuals. The only disadvantage I can list here that he is sooooo good that keeps me from going out to shoot as I am just glued to the screen. :-) Don't miss it and well worth the money invested! Thank you John!


Dear John, thanks for this outstanding classes. You are not only a great photographer and instructor, but your classes are pleasant, they are not boring, with a good sense of humor, they go straight to the point and have a good time listening to you. Please, keep teaching what you like most, and I will continue to look for your classes. And thanks for using a plain English, that it's important for people who has another language as native language. Thanks again, Juan