Draw like an Interior Designer
Jorge Paricio
Lessons
Class Trailer
1
Introduction
01:14 2Materials and Tools to Use when Drawing
14:27 3Preliminary Furniture Plans on a Floor Plan
07:45 4Using a Scale Ruler and Templates
05:36 5Rendering Furniture on Floor Plan to give Volume and Depth
06:06 6Line Weights and Adding Texture
04:24 7Architectural Lettering
08:11 8Complete House Floor Plan
03:23
9
Isometric Perspective
03:42 10Why 3-Point Perspective Doesn't Work
04:05 11Benefits of Two-Point Perspective
03:06 12Preliminary Sketches for a Living Room
11:29 13Using Different Textures of Materials in your Drawing
03:51 14Adding Color to the Couch to Create Shiny Leather
11:26 15Rendering Soft and Shiny Textures
09:09 16Starting Elevation for the Kitchen
07:54 17Full Rendering Elevation of the Kitchen
07:28 18Putting the Elevation at a Different Scale
10:33 19Two-Point Perspective for Kitchen
10:04 20Canson Paper with Pastels
05:35 21Transfer Line and Heights
08:27 22Finishing the Rendering Using Canson Paper
08:48 23Creating Chrome and Color Reflections
10:43Class Description
Renderings of interiors validate design ideas and help teams improve their projects. In this class, Jorge will teach you the fundamentals of rendering indoor spaces.
You’ll learn how to:
- Work with Sketchbook Pro to create interiors and objects
- Manage the process – from preliminary sketches to final rendering
- Draw multiple perspectives
Jorge will teach you how to work with different materials for hand-rendering, including: pencils, markers, pastels, grid paper, and color paper.
Find out exactly what tools and techniques you need to produce high-quality, interior renderings in Draw like an Interior Designer with Jorge Paricio.
Find out exactly what tools and techniques you need to produce high-quality, interior renderings in Draw like an Interior Designer with Jorge Paricio.
Class Materials
Bonus Materials with Purchase
Freehand Interior Design Packet.pdf
Ratings and Reviews
user-8adf9d
It's difficult to find a class like this -- but that's exactly why it may be best to start with some sort of quick foundation in perspective drawing. This class puts together the process at a level that is not easily available outside of formal study and while it's not difficult, it is involved.
user-d2a6ef
Creative LIve Why don't you re-do this class! Its a great subject.....get a new camera operator, who knows the concept of learning from watching.
Student Work
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