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Adobe Photoshop CC Bootcamp

Lesson 55 of 118

Content Aware Move Tool

Blake Rudis

Adobe Photoshop CC Bootcamp

Blake Rudis

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Lesson Info

55. Content Aware Move Tool

Lessons

  Class Trailer
Now Playing
1 Bootcamp Introduction Duration:16:22
2 The Bridge Interface Duration:13:33
3 Setting up Bridge Duration:06:55
4 Overview of Bridge Duration:11:29
6 Introduction to Raw Editing Duration:11:00
8 Global Tools Part 1 Duration:16:44
9 Global Tools Part 2 Duration:20:01
10 Local Tools Duration:22:56
12 Toolbars, Menus and Windows Duration:25:07
13 Setup and Interface Duration:11:48
14 Adobe Libraries Duration:05:57
15 Saving Files Duration:07:39
16 Introduction to Cropping Duration:12:10
20 Cropping for Print Duration:07:34
22 Introduction to Layers Duration:08:42
23 Vector & Raster Layers Basics Duration:05:05
24 Adjustment Layers in Photoshop Duration:27:35
25 Organizing and Managing Layers Duration:15:35
28 Soft Light Blend Mode Duration:07:34
31 Introduction to Layer Styles Duration:11:43
34 Brush Basics Duration:09:22
35 Custom Brushes Duration:04:01
36 Brush Mask: Vignettes Duration:06:58
38 Brush Mask: Hue & Saturation Duration:07:52
39 Mask Groups Duration:05:52
40 Clipping Masks Duration:04:11
41 Masking in Adobe Camera Raw Duration:07:06
42 Practical Applications: Masks Duration:14:03
43 Introduction to Selections Duration:05:42
44 Basic Selection Tools Duration:17:41
45 The Pen Tool Duration:11:56
46 Masks from Selections Duration:04:22
47 Selecting Subjects and Masking Duration:07:11
48 Color Range Mask Duration:17:35
49 Luminosity Masks Basics Duration:12:00
50 Introduction to Cleanup Tools Duration:07:02
51 Adobe Camera Raw Duration:10:16
52 Healing and Spot Healing Brush Duration:14:56
53 The Clone Stamp Tool Duration:10:20
54 The Patch Tool Duration:06:38
55 Content Aware Move Tool Duration:04:56
56 Content Aware Fill Duration:06:46
57 Custom Cleanup Selections Duration:15:42
59 Text Basics Duration:15:57
60 Shape Basics Duration:07:00
61 Adding Text to Pictures Duration:09:46
62 Custom Water Marks Duration:14:05
63 Introduction to Smart Objects Duration:04:37
64 Smart Object Basics Duration:09:13
65 Smart Objects and Filters Duration:09:05
68 Smart Objects and Composites Duration:10:47
70 ACR and Lens Correction Duration:09:45
71 Photoshop and Lens Correction Duration:14:26
72 The Warp Tool Duration:11:16
73 Perspective Transformations Duration:20:33
76 Making Your First Action Duration:03:49
78 Adding Stops to Actions Duration:04:01
79 Conditional Actions Duration:07:36
80 Actions that Communicate Duration:25:26
81 Introduction to Filters Duration:04:38
82 ACR as a Filter Duration:09:20
83 Helpful Artistic Filters Duration:17:08
84 Helpful Practical Filters Duration:07:08
85 Sharpening with Filters Duration:07:32
86 Rendering Trees Duration:08:20
88 Introduction to Editing Video Duration:06:20
89 Timeline for Video Duration:08:15
90 Cropping Video Duration:03:34
91 Adjustment Layers and Video Duration:05:25
92 Building Lookup Tables Duration:07:00
94 ACR to Edit Video Duration:06:10
95 Animated Gifs Duration:11:39
97 Black, White, and Monochrome Duration:18:05
98 Matte and Cinematic Effects Duration:08:23
100 Gradients Duration:04:21
101 Glow and Haze Duration:10:23
103 Brightening Teeth Duration:10:25
105 Cleaning and Brightening Eyes Duration:16:58
106 Advanced Clean Up Techniques Duration:24:47
108 ACR for Portraits Pre-Edits Duration:21:27
109 Portrait Workflow Techniques Duration:18:46
111 Landscape Workflow Techniques Duration:37:36
113 Composite Workflow Techniques Duration:34:01
114 Landscape Composite Projects Duration:24:14
115 Bonus: Rothko and Workspace Duration:05:15
117 Bonus: The Mask (Extras) Duration:05:18

Lesson Info

Content Aware Move Tool

The Content-Aware Move tool is really one of those things, I call it a one-trick pony, and I call it kind of cute because it does take an area and it will grab whatever you've selected, move it to another area, take the area that you moved it to, and replace that other area with that area. So, we're taking selection A, moving it over to area B, area B moves to selection A, selection A moves to area B. Okay, I know, wrap your head around it, it's tough. So, I have that set right here, within the patch tool, there's the Content-Aware Move tool. If I click the Content-Aware Move tool, I'm going to get a couple different options here. The mode is gonna be set to Move, Extend is a little different, we'll show Extend in a little bit here too. Structure and Color, these can change on the fly as you make this selection. So I'm going to make this selection of the American flag here. And I'm going to move this down to here. Right on top of this area here. Again, it wants to snap to something, so...

if I press Control, it allows me to do it without it snapping. If I click that area, and I commit to that, it's gonna move the American flag from this area down to this area, and also fill in the area around it. With that selection still selected, I can change the structure of how it's making that selection. The Structure is how it builds the area that it's moving one area to to the other area. When the Structure is set to seven, it is literally taking that flag and that area around it, and moving it directly down to there, keeping it somewhat intact. 'Cause if we move it down to one, it's all discombobulated. Move it up to seven, it's a literal structure from what we're taking there. If we move something like color, and move the color up, that will affect what colors kind of manipulate around that area as well. The colors are very much alike here, as we're moving this over, so it's very similar in nature. If the colors were a little bit off, before you deselect this, these are the times that you want to consider doing this. The Structure and the Color, 'cause as soon as I deselect this, I can't go back. So if I go ahead and press control-d on this to deselect it. It did an alright job of blending that in, but using that in conjunction with things like the Clone Stamp tool, and using things like the Patch tool, I can then patch this area in, so you can see it's not quite connected here. I could use something like the Clone Stamp tool, alt-r option, click here, with a smaller brush, and just patch that in with the Clone Stamp tool, and then go back up here, to this area where the flag came from, alt-r option, paint in that area there, and it starts to disappear. If I wanted to get real nit-picky, I could go in and get that area too. Now the difference between, and if we look around it, we still have some area around it that's not quite built correctly, that's because the Structure was very literal. If the Structure was lower, it would help patch that area around it, and try to make it blend a little bit better. But with something like this, it bent and warped and manipulated the pole of the flag, and that's not what we want. So if we were to go in with the Clone Stamp tool here, we could then clean up this cloud area by pressing alt-r option, clicking around and just cleaning up any areas that would be, have that edge around it. 'Cause edges, repeated patterns, people will pick up on them in a heartbeat, and know that you cheated. So now if we were to click on the Content-Aware Move tool, there's another thing in here called Extend, and Extend is if I were to grab around this area here, and move it up, see how the pole starts to move up? Now we can make the American flag back up to the top of the building, control-click and then boom. Control-d, we extended the flag. There it was before, and now after. We just moved it up a little bit more. Might have to do a little bit more cloning to clean that up, but that's one option. That's the Content-Aware Move tool. This tool, where would we literally use it, would I use it to move that American flag from the top to the bottom, not necessarily, but it's a great image, example image, to show that on. I actually like the way it was on here at the top. But where this can be helpful, is let's say there's a window on a building, and it's a little too close to a door, and you wanna move that window to another side of that building, just highlight around that building, and then move it over. And again, this is a tool that uses selections, so at any time we could come in and we can make, even a rectangular selection around here, and then go back to that tool and move it over. So it's a selection based tool, so if you don't want to use that free-form Lasso, 'cause it can be kind of hard to make a selection, you can use a polygon Lasso, anything that is a free-form type of selection.

Class Description

Adobe® Photoshop CC® is a valuable tool for photographers, but it can also be intimidating. In this all-inclusive 20 lesson course, you’ll go from opening the program for the first time to creating images that really stand out. Join Blake Rudis, Photoshop expert and founder of f64 Academy, as he shows you how to maximize your use of Photoshop. 

Topics covered will include:

  • Class Introduction & Bridge, Adobe Camera Raw, Setup Interface, Cropping and Layers
  • Layer Tools, Masks, Selections, Clean-Up Tools and Shapes & Text
  • Smart Objects, Transforming, Actions, Filters, and Editing Video
  • Custom Creative Effects, Natural Retouching, Portrait Workflow, Landscape Workflow, and Composite Workflow

Don’t let the many aspects of Photoshop prevent you from maximizing your use of this amazing app. Blake will help you develop the confidence to use your imagination and create the images that you will be proud to share with your clients.


SOFTWARE USED:

Adobe Photoshop CC 2018

Reviews

a Creativelive Student
 

Amazing course, but don't be fooled into thinking this is a beginner's course for photographers. The problem isn't Blake's explanations; they're top. The problem is the vast scope of this course and the order in which the topics are presented. Take layers for example. When I was first learning Photoshop (back when we learned from books), I found I learned little or nothing from, for example, books that covered layers before they covered how to improve/process photographs. These books taught me how to organize, move, and link layers before they showed me what a layer was actually for. Those books tended to teach me everything there is to know about layers (types of layers, how to organize them, how to move them, how to move them two at a time, how to move them two at a time even if there are other layers between the two you're interested in, useful troubleshooting tips, etc. ) all before I even know (from a photographer's point of view) what it is the things actually do. The examples of organizing, linking, and moving mean everything for graphic designers from Day One, but for photographers not so much. Blake does the same thing as those books. Topics he covers extremely early demand a lot of theoretical imagination for a photographer who doesn't already know quite a bit about what he is talking about. Learning about abstract things first and concrete things later only makes PS that much harder to understand. If you AREN'T a beginner, however, this course is amazing. I thought it would be like an Army Bootcamp, taking you from zero and building you into a fit, competent Photoshop grunt. Now I think it's more like Army Bootcamp for high school varsity jocks. It isn't going to take you from the beginning, but the amount you'll get out of it is nonetheless more than your brain can imagine. I've been using PS for years to improve my photographs, and even to create the odd artistic composite or two. The amount I've learned in the first week is amazing, and every day I learn something -- more like many things -- which I immediately implement to improve my productivity and/or widen the horizons of what I can achieve. If you ARE a photographer who's a Photoshop beginner, I'd take very seriously the advice Blake gives in the introduction: Watch one lesson, and practice the skills and principles you learn in that one lesson for two weeks. THEN watch the next lesson. You can't do that of course without buying the course, so it's up to you to decide whether you'd like to learn Photoshop and master Photoshop all from the same course. Learning it first and mastering it later will cost more money, but I think you'll understand everything better and have a much more enjoyable ride in the process. As for me? I'm going to have to find the money to buy this course. There is simply way too much content in each lesson for me to try to take on all at once, but on the other hand I don't want to miss anything at all that he has to share.

Robert Andrews
 

Blake Rudis is the absolute best in teaching photoshop. His knowledge and how he presents the instruction is clear and concise - there is NO ONE BETTER. Yes, his classes require some basic skills, and maybe I'd organize the order of (or group) the classes in a different order, but, let me be clear - if anyone is to be successful or famous in the Photoshop world, it should be Blake Rudis. I strongly recommend his teaching. I started photography and post processing in 2018, and because of this class, I'm know what Im doing. The energy you get when you create something beautiful is profound, it makes you bounce out of bed (at 4AM) like a 5 year old, to go create. It's a great ride! Thanks Blake, & Thanks Creative live.

Esther Gambrell
 

WOW!!! I've been purchasing CL classes for several years now and have watched HOURS of "How-To Photoshop" classes, but this is the first one I've actually purchased because of the AWESOME BONUS content!!! SERIOUSLY??!!?!? A PLUG-IN??? But not only that, Blake is SO easy to understand, and he breaks down concepts in different ways to connect with different people's learning styles. I REALLY appreciated this approach because I am a LEFT-BRAINED creative that has an engineering background, so I really connected to what Blake was saying. THANK YOU FOR THAT! There are TONS of Photoshop courses out there, but I found this one to be the most helpful in they way Blake teaches concepts so that you know WHY you're doing what your doing. I feel like he taught me how to fish with Photoshop to feed me for a lifetime instead of just giving me a fish to feed me for one day. This is the BEST overall PS course out there!!! Thank you!!!!