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Adobe Photoshop CC Bootcamp

Lesson 79 of 118

Conditional Actions

Blake Rudis

Adobe Photoshop CC Bootcamp

Blake Rudis

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Lesson Info

79. Conditional Actions

Lessons

Class Trailer
1

Bootcamp Introduction

16:22
2

The Bridge Interface

13:33
3

Setting up Bridge

06:55
4

Overview of Bridge

11:29
5

Practical Application of Bridge

27:56
6

Introduction to Raw Editing

11:00
7

Setting up ACR Preferences & Interface

07:39
8

Global Tools Part 1

16:44
9

Global Tools Part 2

20:01
10

Local Tools

22:56
11

Introduction to the Photoshop Interface

07:13
12

Toolbars, Menus and Windows

25:07
13

Setup and Interface

11:48
14

Adobe Libraries

05:57
15

Saving Files

07:39
16

Introduction to Cropping

12:10
17

Cropping for Composition in ACR

04:44
18

Cropping for Composition in Photoshop

12:40
19

Cropping for the Subject in Post

03:25
20

Cropping for Print

07:34
21

Perspective Cropping in Photoshop

07:11
22

Introduction to Layers

08:42
23

Vector & Raster Layers Basics

05:05
24

Adjustment Layers in Photoshop

27:35
25

Organizing and Managing Layers

15:35
26

Introduction to Layer Tools and Blend Modes

21:34
27

Screen and Multiply and Overlay

09:15
28

Soft Light Blend Mode

07:34
29

Color and Luminosity Blend Modes

12:47
30

Color Burn and Color Dodge Blend Modes

07:43
31

Introduction to Layer Styles

11:43
32

Practical Application: Layer Tools

13:06
33

Introduction to Masks and Brushes

04:43
34

Brush Basics

09:22
35

Custom Brushes

04:01
36

Brush Mask: Vignettes

06:58
37

Brush Mask: Curves Dodge & Burn

06:53
38

Brush Mask: Hue & Saturation

07:52
39

Mask Groups

05:52
40

Clipping Masks

04:11
41

Masking in Adobe Camera Raw

07:06
42

Practical Applications: Masks

14:03
43

Introduction to Selections

05:42
44

Basic Selection Tools

17:41
45

The Pen Tool

11:56
46

Masks from Selections

04:22
47

Selecting Subjects and Masking

07:11
48

Color Range Mask

17:35
49

Luminosity Masks Basics

12:00
50

Introduction to Cleanup Tools

07:02
51

Adobe Camera Raw

10:16
52

Healing and Spot Healing Brush

14:56
53

The Clone Stamp Tool

10:20
54

The Patch Tool

06:38
55

Content Aware Move Tool

04:56
56

Content Aware Fill

06:46
57

Custom Cleanup Selections

15:42
58

Introduction to Shapes and Text

13:46
59

Text Basics

15:57
60

Shape Basics

07:00
61

Adding Text to Pictures

09:46
62

Custom Water Marks

14:05
63

Introduction to Smart Objects

04:37
64

Smart Object Basics

09:13
65

Smart Objects and Filters

09:05
66

Smart Objects and Image Transformation

10:57
67

Smart Objects and Album Layouts

11:40
68

Smart Objects and Composites

10:47
69

Introduction to Image Transforming

04:34
70

ACR and Lens Correction

09:45
71

Photoshop and Lens Correction

14:26
72

The Warp Tool

11:16
73

Perspective Transformations

20:33
74

Introduction to Actions in Photoshop

09:27
75

Introduction to the Actions Panel Interface

05:06
76

Making Your First Action

03:49
77

Modifying Actions After You Record Them

11:38
78

Adding Stops to Actions

04:01
79

Conditional Actions

07:36
80

Actions that Communicate

25:26
81

Introduction to Filters

04:38
82

ACR as a Filter

09:20
83

Helpful Artistic Filters

17:08
84

Helpful Practical Filters

07:08
85

Sharpening with Filters

07:32
86

Rendering Trees

08:20
87

The Oil Paint and Add Noise Filters

15:08
88

Introduction to Editing Video

06:20
89

Timeline for Video

08:15
90

Cropping Video

03:34
91

Adjustment Layers and Video

05:25
92

Building Lookup Tables

07:00
93

Layers, Masking Video & Working with Type

15:11
94

ACR to Edit Video

06:10
95

Animated Gifs

11:39
96

Introduction to Creative Effects

06:08
97

Black, White, and Monochrome

18:05
98

Matte and Cinematic Effects

08:23
99

Gradient Maps and Solid Color Grades

12:20
100

Gradients

04:21
101

Glow and Haze

10:23
102

Introduction to Natural Retouching

05:33
103

Brightening Teeth

10:25
104

Clean Up with the Clone Stamp Tool

08:07
105

Cleaning and Brightening Eyes

16:58
106

Advanced Clean Up Techniques

24:47
107

Introduction to Portrait Workflow & Bridge Organization

14:47
108

ACR for Portraits Pre-Edits

21:27
109

Portrait Workflow Techniques

18:46
110

Introduction to Landscape Workflow & Bridge Organization

12:17
111

Landscape Workflow Techniques

37:36
112

Introduction to Compositing & Bridge

06:59
113

Composite Workflow Techniques

34:01
114

Landscape Composite Projects

24:14
115

Bonus: Rothko and Workspace

05:15
116

Bonus: Adding Textures to Photos

07:05
117

Bonus: The Mask (Extras)

05:18
118

Bonus: The Color Range Mask in ACR

04:54

Lesson Info

Conditional Actions

The next thing we're gonna do is we're gonna make what's called a conditional action. And a conditional action is just like it sounds. It's an if this then that. So I'm gonna go ahead and I'm gonna do something pretty clever here, just to separate what's happening from here and here and this is also another good practice, is to make an action in here that's called image size. And what I'm gonna do on this purposely, is I'm just gonna do something like this and then I'm gonna do at the very end and then press record, but guess what? I'm not gonna record anything. What I was doing there was just separating the fact that we have a curves dodge and burn from the rest of what I'm about to do. This is what I call a placeholder. All it's doing, it's not even going to be an action, we don't even want it to play anything, it's just a placeholder to divide it. Because what happens is, if you make an actions pack, whether it's for you or if it's for somebody else, and you get 40 actions in here, ...

you're gonna go, like, cross-eyed looking at where, where are these actions, they're all over the place, which one do I check, which one do I select? Because they're, you won't be able to find the ones that you wanna find. The minute you put page breaks in here like this, it allows you to go from one to the next without trying to dig through all of your actions. So now what I'm gonna do is I'm gonna make a new action. I'm gonna make an action that does an image resize that's gonna resize the image if it's horizontal. So I'm gonna go make a new action and we'll do horizontal resize and we'll just call this 1,200. Actually let's do it smaller, let's do on how big this image is. Press record. Now I'm gonna go to Image and go to Image Size and I'm gonna change the width of this to 800 pixels. Basically what I'm doing is I'm making an action that's gonna resize my image and make it smaller, maybe for the web, make it for something that's a little bit easier, and then press OK. And then I'm gonna press stop, because all I needed that to do if we go back in our history states here, all I needed that to do was just resize my image, just make it smaller for the web, okay? So I'm gonna go back, now I'm gonna make another one. Let's do this. Let's make a duplicate of this with our history state, let's crop this and make it vertical, just a vertical image like this. You'll see why in a second. So now I'm gonna record an action on this one and it's gonna be vertical resize, we'll just call it 800 also. I'm gonna go to Image, Image Size, change the height to 800, OK, stop. So all I've done there is I made two actions, one that's a horizontal resize and one that's a vertical resize. So now what I'm gonna do is I'm gonna make a conditional action and the conditional action is gonna be smart enough to assess the image that I have based on the parameters that I tell it to assess and select the appropriate action based on what I'm telling it to. So I'm gonna go ahead and press Insert Conditional, actually let me do this, I'm gonna make a new action and that new action's gonna be called Master Resize. Here I'm gonna Insert Conditional. If the current document is landscape, then play this, else play this, okay? So if the current document is a landscape, a landscape-based image, select horizontal, or else play vertical, press OK and then stop. And all it's gonna record in there is an if this then that statement. So if I open up this image here and I press, ooh, and I press play on that master resize, it's automatically gonna assess the image and automatically make it smaller. If I press play on this one, automatically resize that image, automatically make it smaller. So it's a conditional action. Now if for some reason though, this is really important to know, what I would do with these is probably put some kind of star there or something, maybe three stars, I don't know what that looks like to you, but watch what happens if I open up a new folder, a new action set and call this Other Actions and I take this master resize outta here and I put it in here and I press play. It's still gonna work (laughing), it shouldn't have. What happens here is if, if for instance, this actions folder is not present on my machine it will not work, because what this is doing is it's saying, and we can read this here actually and see why it's still working, if the current document is landscape then play this action, the action is horizontal resize of set CL actions lesson. So let's just, before I do this I'm gonna go ahead and cover myself. Any time you make actions it's a really good idea to save them, this right here, this whole panel right here in Photoshop is a temporary spot and it's kinda held within the cache. So if the cache within Photoshop dumps you will lose everything you built here, okay? That's, like, start writing this down. So what we wanna do is we have CL actions lesson, we're gonna click on the hamburger icon and we're gonna save Save Actions. Just save them. Photoshop will automatically put them where Photoshop's presets are for actions and press Save. That's all you need to do to ensure that you always have these actions and they don't go away when the cache gets purged. So now if I were to delete these actions, delete 'em, and then click on this action, watch what happens. Boom, that's what I was looking for. The command If is not currently available, why is the command If not currently available? Well that's because this action has to have those other actions to interact with it. If those actions aren't there it won't work. So we don't wanna break them apart, we wanna keep them together, we always want to keep them together because they interact with one another. So we'll go ahead and press stop. And I'm gonna go ahead and just, right here, if you ever wanna load your actions, right here we can go to Load Actions and there's our actions. This is also, if you ever wanna deliver these actions to somebody else, maybe you have a friend you wanna give them to or you wanna start selling 'em, this is the action that you're gonna want to disperse to the masses. So you could copy that to your desktop or wherever you wanna put that, that's your action. So I'm just gonna go ahead and load this and now we have that CL actions there. I'm gonna go ahead and drag this master resize back into this one and I can go ahead and delete that folder set. So now they're all back together, they're all comfy, they're all back together, they're all happy.

Class Description

Adobe® Photoshop CC® is a valuable tool for photographers, but it can also be intimidating. In this all-inclusive 20 lesson course, you’ll go from opening the program for the first time to creating images that really stand out. Join Blake Rudis, Photoshop expert and founder of f64 Academy, as he shows you how to maximize your use of Photoshop. 

Topics covered will include:

  • Class Introduction & Bridge, Adobe Camera Raw, Setup Interface, Cropping and Layers
  • Layer Tools, Masks, Selections, Clean-Up Tools and Shapes & Text
  • Smart Objects, Transforming, Actions, Filters, and Editing Video
  • Custom Creative Effects, Natural Retouching, Portrait Workflow, Landscape Workflow, and Composite Workflow

Don’t let the many aspects of Photoshop prevent you from maximizing your use of this amazing app. Blake will help you develop the confidence to use your imagination and create the images that you will be proud to share with your clients.


SOFTWARE USED:

Adobe Photoshop CC 2018

Class Materials

Bonus Materials with Purchase

Photoshop Bootcamp Plug-In

Textures

Clouds

Painted Backgrounds

1 – Intro to Photoshop Bootcamp

6 – Intro to Raw Editing.zip

11 – Interface and Setup

16 – Intro to Cropping and Composition.zip

22 – Intro to Layers.zip

26 – Intro to Layer Tools.zip

43 – Intro to Selections.zip

50 – Intro to Cleanup Tools.zip

58 – Intro to Shapes and Text.zip

63 – Intro to Smart Objects.zip

69 – Intro to Image Transforming.zip

74 – Intro to Actions.zip

81 – Filters.zip

88 – Intro to Editing Video.zip

96 – Custom Effects.zip

102 – Natural Retouching.zip

107 – Intro to Portrait Workflow.pdf

110 – Intro to Landscape Workflow.zip

112 – Intro to Compositing.zip

115 – Rothko and Interfaces (Bonus Video).zip

33 – Intro to Masks and Brushes.zip

106 - Frequency Separation.zip

Ratings and Reviews

Student Work

Related Classes

Reviews

a Creativelive Student
 

Amazing course, but don't be fooled into thinking this is a beginner's course for photographers. The problem isn't Blake's explanations; they're top. The problem is the vast scope of this course and the order in which the topics are presented. Take layers for example. When I was first learning Photoshop (back when we learned from books), I found I learned little or nothing from, for example, books that covered layers before they covered how to improve/process photographs. These books taught me how to organize, move, and link layers before they showed me what a layer was actually for. Those books tended to teach me everything there is to know about layers (types of layers, how to organize them, how to move them, how to move them two at a time, how to move them two at a time even if there are other layers between the two you're interested in, useful troubleshooting tips, etc. ) all before I even know (from a photographer's point of view) what it is the things actually do. The examples of organizing, linking, and moving mean everything for graphic designers from Day One, but for photographers not so much. Blake does the same thing as those books. Topics he covers extremely early demand a lot of theoretical imagination for a photographer who doesn't already know quite a bit about what he is talking about. Learning about abstract things first and concrete things later only makes PS that much harder to understand. If you AREN'T a beginner, however, this course is amazing. I thought it would be like an Army Bootcamp, taking you from zero and building you into a fit, competent Photoshop grunt. Now I think it's more like Army Bootcamp for high school varsity jocks. It isn't going to take you from the beginning, but the amount you'll get out of it is nonetheless more than your brain can imagine. I've been using PS for years to improve my photographs, and even to create the odd artistic composite or two. The amount I've learned in the first week is amazing, and every day I learn something -- more like many things -- which I immediately implement to improve my productivity and/or widen the horizons of what I can achieve. If you ARE a photographer who's a Photoshop beginner, I'd take very seriously the advice Blake gives in the introduction: Watch one lesson, and practice the skills and principles you learn in that one lesson for two weeks. THEN watch the next lesson. You can't do that of course without buying the course, so it's up to you to decide whether you'd like to learn Photoshop and master Photoshop all from the same course. Learning it first and mastering it later will cost more money, but I think you'll understand everything better and have a much more enjoyable ride in the process. As for me? I'm going to have to find the money to buy this course. There is simply way too much content in each lesson for me to try to take on all at once, but on the other hand I don't want to miss anything at all that he has to share.

Robert Andrews
 

Blake Rudis is the absolute best in teaching photoshop. His knowledge and how he presents the instruction is clear and concise - there is NO ONE BETTER. Yes, his classes require some basic skills, and maybe I'd organize the order of (or group) the classes in a different order, but, let me be clear - if anyone is to be successful or famous in the Photoshop world, it should be Blake Rudis. I strongly recommend his teaching. I started photography and post processing in 2018, and because of this class, I'm know what Im doing. The energy you get when you create something beautiful is profound, it makes you bounce out of bed (at 4AM) like a 5 year old, to go create. It's a great ride! Thanks Blake, & Thanks Creative live.

Esther Gambrell
 

WOW!!! I've been purchasing CL classes for several years now and have watched HOURS of "How-To Photoshop" classes, but this is the first one I've actually purchased because of the AWESOME BONUS content!!! SERIOUSLY??!!?!? A PLUG-IN??? But not only that, Blake is SO easy to understand, and he breaks down concepts in different ways to connect with different people's learning styles. I REALLY appreciated this approach because I am a LEFT-BRAINED creative that has an engineering background, so I really connected to what Blake was saying. THANK YOU FOR THAT! There are TONS of Photoshop courses out there, but I found this one to be the most helpful in they way Blake teaches concepts so that you know WHY you're doing what your doing. I feel like he taught me how to fish with Photoshop to feed me for a lifetime instead of just giving me a fish to feed me for one day. This is the BEST overall PS course out there!!! Thank you!!!!