How To Use Camera Raw in Adobe Photoshop 2020
Lesson 7 from: Adobe Photoshop: The Complete Guide BootcampBen Willmore
How To Use Camera Raw in Adobe Photoshop 2020
Lesson 7 from: Adobe Photoshop: The Complete Guide BootcampBen Willmore
Lesson Info
7. How To Use Camera Raw in Adobe Photoshop 2020
Lessons
Introduction To Adobe Photoshop
04:05 2Bridge vs. Lightroom
06:39 3Tour of Photoshop Interface
18:21 4Overview of Bridge Workspace
07:42 5Overview of Lightroom Workspace
11:21 6Lightroom Preferences - Saving Documents
08:19 7How To Use Camera Raw in Adobe Photoshop 2020
05:10 8Overview of Basic Adjustment Sliders
13:09Developing Raw Images
30:33 10Editing with the Effects and HLS Tabs
09:12 11How to Save Images
03:37 12Using the Transform Tool
04:48 13Making Selections in Adobe Photoshop 2020
06:03 14Selection Tools
05:55 15Combining Selection Tools
07:37 16Using Automated Selection Tools
17:34 17Quick Mask Mode
05:07 18Select Menu Essentials
21:28 19Using Layers in Adobe Photoshop 2020
13:00 20Align Active Layers
07:29 21Creating a New Layer
06:15 22Creating a Clipping Mask
03:02 23Using Effects on Layers
11:24 24Using Adjustment Layers
16:44 25Using the Shape Tool
04:39 26Create a Layer Mask Using the Selection Tool
04:39 27Masking Multiple Images Together
15:15 28Using Layer Masks to Remove People
10:50 29Using Layer Masks to Replace Sky
10:04 30Adding Texture to Images
09:11 31Layering to Create Realistic Depth
05:35 32Adjustment Layers in Adobe Photoshop 2020
05:29 33Optimizing Grayscale with Levels
10:59 34Adjusting Levels with a Histogram
03:37 35Understanding Curves
06:18 36Editing an Image Using Curves
18:41 37Editing with Shadows/Highlights Adjustment
07:19 38Dodge and Burn Using Quick Mask Mode
07:14 39Editing with Blending Modes
08:04 40Color Theory
05:59 41Curves for Color
16:52 42Hue and Saturation Adjustments
08:59 43Isolating Colors Using Hue/Saturation Adjustment
13:33 44Match Colors Using Numbers
16:59 45Adjusting Skin Tones
05:25 46Retouching Essentials In Adobe Camera Raw
10:52 47Retouching with the Spot Healing Brush
07:53 48Retouching with the Clone Stamp
06:51 49Retouching with the Healing Brush
04:34 50Retouching Using Multiple Retouching Tools
13:07 51Extending an Edge with Content Aware
03:42 52Clone Between Documents
13:19 53Crop Tool
10:07 54Frame Tool
02:59 55Eye Dropper and Color Sampler Tools
08:14 56Paint Brush Tools
13:33 57History Brush Tool
06:27 58Eraser and Gradient Tools
03:06 59Brush Flow and Opacity Settings
04:17 60Blur and Shape Tools
11:06 61Dissolve Mode
09:24 62Multiply Mode
15:29 63Screen Mode
14:08 64Hard Light Mode
14:54 65Hue, Saturation, and Color Modes
11:31 66Smart Filters
11:32 67High Pass Filter
13:40 68Blur Filter
05:59 69Filter Gallery
07:42 70Adaptive Wide Angle Filter
04:43 71Combing Filters and Features
04:45 72Select and Mask
20:04 73Manually Select and Mask
08:08 74Creating a Clean Background
21:19 75Changing the Background
13:34 76Smart Object Overview
08:37 77Nested Smart Objects
09:55 78Scale and Warp Smart Objects
09:08 79Replace Contents
06:55 80Raw Smart Objects
10:20 81Multiple Instances of a Smart Object
12:59 82Creating a Mockup Using Smart Objects
05:42 83Panoramas
13:15 84HDR
11:20 85Focus Stacking
04:02 86Time-lapse
11:18 87Light Painting Composite
08:05 88Remove Moire Patterns
06:11 89Remove Similar Objects At Once
09:52 90Remove Objects Across an Entire Image
05:46 91Replace a Repeating Pattern
06:50 92Clone from Multiple Areas Using the Clone Source Panel
10:27 93Remove an Object with a Complex Background
07:49 94Frequency Separation to Remove Staining and Blemishes
12:27 95Warping
11:03 96Liquify
14:02 97Puppet Warp
12:52 98Displacement Map
10:36 99Polar Coordinates
07:19 100Organize Your Layers
11:02 101Layer Styles: Bevel and Emboss
02:59 102Layer Style: Knockout Deep
12:34 103Blending Options: Blend if
13:18 104Blending Options: Colorize Black and White Image
06:27 105Layer Comps
08:30 106Black-Only Shadows
06:07 107Create a Content Aware Fill Action
08:46 108Create a Desaturate Edges Action
07:42 109Create an Antique Color Action
13:52 110Create a Contour Map Action
10:20 111Faux Sunset Action
07:20 112Photo Credit Action
05:54 113Create Sharable Actions
07:31 114Common Troubleshooting Issues Part 1
10:23 115Common Troubleshooting Issues Part 2
07:57 116Image Compatibility with Lightroom
03:29 117Scratch Disk Is Full
06:02 118Preview Thumbnail
02:10Lesson Info
How To Use Camera Raw in Adobe Photoshop 2020
So in this session, we're going to cover Adobe camera. Raw Adobe camera is one of the most important parts of Photoshopped. In fact, it's not really even harder Photoshopped. It comes with photo shop, but it's a plug in. It's something that's used before. Your picture is actually opened where you can see all of photo shops interface. If you have a raw file and you double click on it, it automatically sends you to adobe camera. If you have a J peg or a tiff file, you can force it to go in there. But it is a one stop shop for adjusting your images and often times I can finish. I'd say 70 to 80% of my images using Onley, adobe camera raw and therefore the image never really needs to even get opened in the photo shop. What makes that nice? Well, it's one screen where I have all the controls I need, but the main thing is, when you make a change using adobe camera, it saves the changes you make. As what's known as meta data metadata is text on. Example of metadata is when you take a picture,...
the shutter speed you captured it with is attached to your picture as text. It's not part of the picture itself, it's attached to it. And that's known as metadata. Well, when I move a slider in adobe camera, it's instantly saved as text. The moment I click that I'm done, it gets saved in the file size on Lee goes up about maybe 15 kilobytes. That's about the size of a text email. Whereas if I open the same image into Photoshopped, then the file size is going to start getting big in. If I end up making changes and I want them to be non destructive where it can easily undo them later, then I have to use layers in as I do. My file size just exponentially gets larger and larger as I do that. But making changes using only Adobe camera makes it so. The file sizes state absolutely tiny, and everything happens relatively quickly. You don't the wait for progress bars to finish and things like that, so let's dive in and get started with using camera. Wrong. I'm gonna start here in bridge. That's just where I'm always gonna start to browse my pictures and the only thing I'm gonna deal here is hide the preview on the right just simply because I don't need it to hide the preview on the right. I'm gonna move my mouse to the edge of that area, the left edge, and just drag that edge all the way to the left to hide it. Then I'll bring up my thumbnail size here and we'll see some images. Now, all of these images have already been adjusted and they've been adjusted using Onley adobe camera. So I just want to show you before and after is saying see what type of transformation and image might go through as you go into camera. Because then hopefully you'll get more excited about learning how to truly understand the features that are available. So I'm gonna select all these images. I will do that by typing command A. It's the same as going to the edit menu and choosing select all. And then I'm gonna say here, opening camera rock, they'll show up this little thumbnails on the left side. That's what you get. Any time you see more than one picture in camera raw and here's what I'm gonna do, I'm going to just go near the right side of my screen where you see all these adjustments, sliders, and there's a little menu there. It looks like three little bars case you can't see it. It's right there. It's known as a hamburger menu, and I'm gonna click on it. And she's came a raw defaults that's gonna end up showing you what this image looked like right as it came out of the camera before any change had been made. So here is my original, then all type command Z controls and windows. That's just a shortcut for undo. Then therefore, you'll see the end result. And so there's what was captured. Here's how I interpret it using camera, go to another image and again I'll go to that same menu and choose Kamerad defaults. That's what my camera captured, but I wanted something different. Look at how dark those horses are. Just doesn't have that much interest in it. Afterwards, I really like the end result. A couple others just continue through them, so you get a better sense for what camera raw is capable of. So this is where your dull, boring pictures is, what you're starting with, and they're ending up looking really nice. And it's on Lee. When there's something that camera is incapable of doing that we're gonna head into photo shop for the things that it's just not capable of because it's limited in what you can do because of the way it saves its changes. Its changes are saved as metadata, which is just text. And so it's describing what was the position of a slider You moved exposure to plus two, and it just saved that in it. It's not saving a huge amount of data, so therefore it's limited in its functionality. But you can see how dramatic of changes are possible using just one screen, which is known as Adobe Camera.
Class Materials
Bonus Materials with Purchase
Ratings and Reviews
Noel Ice
I am an avid reader of photoshop books, and an avid watcher of photoshop tutorials. I have attended (internet) several hundred of presentations. In the course of this endeavor, I have found my own favorite photoshop websites and instructors. Creative Live is probably the bargain out there as well as among the top three internet course sites. I have to say with great enthusiasm that the best Photoshop instructor is Ben Willmore. There are many great ones, but truly, he is the best I have come across, and, as indicated above, I have watched literally 100s of tutorials on Photoshop. I have seen all of Ben's courses, I think, and among them, this one is the best by far, and that is saying a lot, because that makes this course the best course on Photoshop to be found anywhere. I am going back and watching it twice. Not only is it comprehensive, but Ben is so familiar with his subject that he is able to explain it like no other. This is crème de la crème of Photoshop classes. I have been wanting to write this review for some time because I have been so thoroughly impressed with everything about this class!
ford smith
Highly recommended if you want to take your Photoshop skills to the next level. Ben Willmore is clear, concise, and professional. He also has a good speaking voice that is not distracting but also keeps you engaged. Lastly, I would recommend that as you become more advanced, increasing the speed of the video (one of the options given on the menu)...especially if you've gone through the course once before and maybe want to watch it again. The double speed is very efficient as you become more advanced in Photoshop. Thanks for the help Ben!
a Creativelive Student
Wow. I cannot communicate the value of this course!! The true value in this course is how the instructor identifies workflows you'll need before you'll ever realize it, repeats important information without it becoming annoying, and explains the "why" behind the techniques so well that even if you forget the exact method, you can figure it out via the principles learned. Excellent value, excellent material, excellent instructor!!!