Adding a Background that Matches the Foreground
Philip Ebiner
Lesson Info
48. Adding a Background that Matches the Foreground
Lessons
Class Updates & My Favorite CC 2020 Updates
06:22 2Understand the After Effects Workspace
05:39 3Starting a New Composition
08:15 4CC 2018 Update - Starting a New Composition from Footage
01:55 5Adding Media to Your Project and the Timeline
05:08 6Using the Basic After Effects Tools
10:20Create a Perfect Circle, Alignment, and Shape Colors
03:04 8Working in the Timeline
10:59 9Layer Properties
08:57 10Quiz: After Effects Basics
11Animating in After Effects
07:35 12Position, Scale, and Rotation Animations
05:17 13Tips to Make Your Animations Look More Nautral
04:21 14Using the Graph Editor
05:32 15Challenge - Bouncing Ball
01:01 16Solution - Bouncing Ball
20:20 17Quiz: Animating with Keyframes
18Working with Solid Layers and the Ken Burns Effects
07:07 19Working with Shape Layers, Strokes, and Paths
06:24 20Adding Layer Styles like Drop Shadow, Bevel, and Gradients
03:44 21Shape Effects - Trim Path Animations, Wiggle, and Zig Zag
05:54 22Quiz: Shapes and Solid Layers
23Track Matte Animations - Make Layers Appear and Disappear
08:37 24Using Pre-Compositions to Group Layers
05:34 25Easily Reverse Complicated Animations
02:14 26Playing with Time
05:54 27Blend Modes
06:05 28Stabilize Shaky Footage
04:04 29CC 2018 Update - Previewing and Favoriting Fonts
00:46 30CC 2019 Update - Responsive Design Time
03:36 31CC 2019 Content Aware Fill
04:34 32CC 2019 Create Motion Graphic Templates
09:24 33Quiz: Important After Effects Skills
34Intro to Motion Graphics Projects
00:53 35Clean Lower Third
09:22 36Logo Reveal Animation Bumper
13:25 37Colorful Transition
16:59 38Text with Mask Path Animation
10:05 39Text Bubble Animation
13:39 40Weather App 1
16:41 41Weather App 2
08:21 42Weather App 3
06:59 43Quiz: Motion Graphics Projects
44Flat Animation Challenge
02:47 45Phil Designs his Flat Animation Scene
12:39 46Animating Fireworks with the Repeater Effect
15:02 47Removing Green Screen Background
06:46 48Adding a Background that Matches the Foreground
07:55 49Adding Motion to a Still Image with the Puppet Tool
06:26 50Adding Movement with the Ripple Effect
06:07 51Quiz: Flat Animation Challenge
52Intro to 3D
10:04 53Swinging 3D Text Animation
12:11 54Build Out Your 3D Composition
05:47 55Animating Our 3D Scene
07:38 56Create Stars in After Effects
05:11 57Quiz: Green Screen (Chromakeying)
58Using the Rotoscope Tool
06:55 59Cleaning Up Your Edges
07:21 60Finishing Our Rotobrush Animation
07:33 61Quiz: 3D Animations and the Camera Tool
62Easy Screen Replacement with Masks
09:56 63Replacing a Screen Version 2
13:49 64Screen Replacement with Mocha
08:13 65CC 2019 Update - Native Mocha AE Plugin
05:08 66Quiz: Rotoscoping
67Using the Puppet Pin Tool
04:33 68Animating Your Puppet Pins
03:04 69Animated Blinking Eyes
08:21 70Adding Perspective with Animated Clouds
07:10 71CC 2018 Update - Advanced Puppet Pin Tool
02:08 72Quiz: Screen Replacements
73Applying Text Animation Presets
05:59 74Create a Page Turn Effect with CC Page Turn
10:05 75Radial and Linear Wipes
03:20 76Color Correction in After Effects
03:33 77CC 2019 Update - Selective Color Adjustments
03:25 78Quiz: Puppet Tool Animations
79Motion Tracking Basics
09:51 80Tracking Text and Visual Effects to Video Clip
06:21 81Tracking Rotation and Scale
11:33 82Adding Details to Our Text
04:04 83Quiz: Motion Tracking
84Intro to Character Animations
01:31 85Design Your Character
14:32 86Rigging Your Character
02:50 87Animating Our Character
09:55 88Adding the Animated Background
09:12 89Adding Details to Character Movement
07:20 90Adding the Paper Cut Out Look
05:29 91Quiz: Character Animations
92Exporting an H264 File from After Effects
07:03 93Exporting from After Effects with a Transparent Background
04:03 94Exporting from After Effects through Adobe Media Encoder
04:40 95CC 2018 Update - Exporting an Animated GIF from Adobe Media Encoder
02:14 96Create an Animated GIF from After Effects CC 2017
07:03 97Audio Tips for After Effects
03:20 98Working with Premiere Pro
05:54 99Quiz: After Effects Workflow & Tips
100Expressions Basics
07:24 101Animate a Flickering Light with Expressions
17:35 102Quiz: Expressions
103Conclusion
00:44 104Final Quiz
Lesson Info
Adding a Background that Matches the Foreground
unless you want this sort of unrealistic look a lot of times when you're using green screen footage, you'll want to add a background and put the foreground element, whether it's a dog, it's a person, whatever it is in that situation and try to make it look realistic. So let me delete this red solid. Go back to our project, take the grassy hill, jpeg image and drag it beneath our dog. Okay, so that doesn't look too good. So we want to move this around and reposition it. Let me take our selection tool, bring up scale, drop the scale, something like so and now we need to adjust the size of the dog to match the size of our background. So I'll take our dog, which I can rename dog here, bring upscale, drag it down, something that looks a little bit more natural and then bring this down so it looks like pup is sitting on the ground. Something like that looks pretty darn good. So that's the first thing is just playing with the sizing of your background and foreground elements to make sure it m...
atches. This is another area where I see a lot of beginners making mistakes. The next is playing with the color correction of our foreground or our background to make sure it matches this foreground element, The lighting wasn't perfect. And so it's really orange. So if we go into our effects controls, there's actually some foreground color correction tools within the key light effect that we can play around with. So first drop that down and then click enable color correction. We can decrease the saturation, which that in itself seems to be helping a lot. It's not too warm and we're still getting sort of like that color. This husky is mostly sort of a black and white brown dog and then the contrast, we want to make sure that we're matching the contrast of our foreground to the background and the background looks a little bit more contrast e than our dog. So I'm going to just bring this up just a little bit in this situation, I've placed this dog in this shadow of the tree, so decreasing the brightness, can kind of give that look as if it's in the shade, but I'm going to show you a different way to do that to make it look a little bit more organic in just a second. The last thing you might want to do is open up the color balancing tab and this is how you can play around with the color balance. So if we increase the saturation just a bit, I know I just decreased it, but just increase it and then we play with the hue, let me just go crazy with it. So if I increase the saturation a lot and then I play with the hue, you can see what's happening. So I might want to add a little bit, it was a little too warm, so I'll add a little bit of coolness to it, so something like blue like that, but I'll bring back our saturation, maybe a little bit too cool, just rotate it to warm now, Something like that looks pretty darn good to 31 and 5.1, So that's how you can color correct your foreground footage right within the key light, 1.2 effect. What if I want to add that sort of shadow to the front of this dog? Here's what I would do. There's different ways to do this, but here's just what I would do, duplicate your dog, I'm going to call this shadow. So remember, duplicate his command d right click go to layer style and choose color overlay. This basically makes this dog all red drop down the color color overlay settings, change the red to black. Now, what I want to do is drop the opacity, not here, under color overlay, but of this shadow itself. So with shadow selected, press t to bring up opacity and drop that opacity. So now we're getting a more natural shadow on top of the dog that matches the shape of the dog. But I want to actually bring in this mask a little bit more to make it a little bit more organic. So if I take the mask path or click on the shadow, I can bring in this mask, so you can see maybe I want the shadow to start right here, you know, you see the dog, you see the shadow from the tree, it kind of comes along here, so maybe something like so might be good. Now this is a harsh shadow, so I want to feather out this mask something like so the cool thing is now as the dog moves up and then if the dog puts his head down there we go, it looks like it's coming in and out of the shadows which just looks a little bit more natural. Okay so there you see the dog head is down in the shadow up, it's in the sun and that kind of makes sense if there was light shining through the trees right around here. One thing that I haven't touched upon yet in the class is parenting and this is a way to basically lock one layer to the next so that if you move one layer, it will also move another one. And because this shadow we want to lock to the dog, if we move the dog, I want to parent the shadow to the dog. So you have this parent column right here. If you don't see that, click the toggle switches modes button, that will be here to expand your timeline and you can do one of two things, you can either go to the drop down and select which layer you want it to parent too. So I would select dog. So now if I se take this dog and I want to scale it up, it also scales up the shadow. Another thing you can do in the easier way to parent an object to another one is to take what's called the pick whip which is this sort of twirly gig thing for the shadow and then drag it to the layer that we wanted to parent too. So again I'll drag it to dog which changes the column, it's just an easier way. So again if we move the dog layer the shadow layer will change as well because later on maybe we were like oh it's a little bit too big so let's make it smaller. Let me just bring in this clip. So we're just working in the first eight seconds or so or even like the first five or six seconds and then go to composition trim comp to work area and now if we play through this which because we're doing green screen we're adding a lot of mass, we're doing a lot of effects, it will slow down your playback. So remember what we learned earlier if you want to speed it up, change the resolution to like half or a quarter if you really want and you can see that it gets pixelated but it plays back more smoothly and more quickly. So now we have our green screen footage, we have the background, let's add a couple of those details to make it look even better because right now to be honest just this dog sitting on this image it looks a little fake so we're going to do as much as possible to make it look like a natural environment and that's coming up in the next lesson.
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